Writing the holocaust today : : critical perspectives on Jonathan Littell's the Kindly Ones / / edited by Aurelie Barjonet and Liran Razinsky.

• Superior document: Faux titre, 381
• TeilnehmendeR: Barjonet, Aurelie.; Razinsky, Liran.
• Year of Publication: 2012
• Language: English
• Series: Faux Titre 381.
• Physical Description: 1 online resource (257 p.)
• Notes: Description based upon print version of record.

Originally written in French, The Kindly Ones (2006) is the first major work of the Jewish-American author Jonathan Littell. Its extraordinary critical and commercial success, spawning a series of heated debates, has made this publication one of the most significant literary phenomena of recent years. Taking the Holocaust as its central topic, The Kindly Ones is a disturbing novel: disturbing in its use of explicit sexual descriptions, in its construction of a perverted psychic world, in its combination of accurate historical descriptions and myths, and in its repeated suggestion that Nazism does not, in fact, lie outside the spectrum of humanness. Due to its striking monumental proportions and the author’s provocative choice to recount historical events from the perpetrator’s perspective, this opus marks a significant shift within Holocaust literature. In this volume, fourteen leading literary scholars and historians from eight different countries closely study this unsettling work. They examine the disconcerting aspects of the novel including the use of the Nazi viewpoint, analyze the aesthetics of the novel and its contradictions, and explore its relations with several literary traditions. They outline Littell’s use of historical details and materials and study the novel’s reception. This compilation of essays is essential to anyone intrigued by The Kindly Ones or by the Holocaust and who wishes to gain a better understanding of them.

Table of Contents

Preliminary Material -- Introduction -- Adelphic Incest in Musil, Nabokov, and Littell / Georges Nivat -- From “Kitsch to Splatter”: The Aesthetics of Violence in The Kindly Ones / Peter Kuon -- The Similarity of Perpetrators / Liran Razinsky -- Visibility and Iconicity of the German Language in The Kindly Ones / Cyril Aslanov -- “Oh my human brothers, let me tell you how it happened.” (Who is the Perpetrator Talking To?) / Catherine Coquio -- How Nazis Undermine their Own Point of View. Irony and Reliability in The Kindly Ones / Luc Rasson -- Manufacturing Memories: Textual and Mnemonic Weaving in The Kindly Ones / Aurélie Barjonet -- The infamous “I”: Notes on Littell and Céline / Martin von Koppenfels -- The Kindly Ones and the “Scorched Earth” Principle / Leona Toker -- The Perpetrator as a Totalitarian Subject: Allegiance and Guilt in The Kindly Ones / Sandra Janßen -- A Historian’s View of The Kindly Ones / Jeremy D. Popkin -- “Morality” and “Humanness”: Reading Littell with Speer, Fest, Syberberg and Others / Hans-Joachim Hahn -- A German Reading of the German Reception of The Kindly Ones / Wolfgang Asholt -- La bienveillance de la critique polonaise. An Analysis of the Polish Reception of The Kindly Ones / Helena Duffy -- Index.