GothicK : : Papers from the International Gothic Conference Held at the University of East Anglia, Norwich.
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| Superior document: | Costerus New |
|---|---|
| VerfasserIn: | |
| TeilnehmendeR: | |
| Place / Publishing House: | Boston : : BRILL,, 1994. ©1994. |
| Year of Publication: | 1994 |
| Edition: | 1st ed. |
| Language: | English |
| Series: | Costerus New
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| Physical Description: | 1 online resource (256 pages) |
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Table of Contents:
- Intro
- Title Page
- Copyright Page
- Acknowledgements
- Table of Contents
- Introduction
- 'Gothic' and the Critical Idiom
- Tom Jones, Jacobitism, and the Rise of Gothic
- The Ghost of the Counterfeit in the Genesis of the Gothic
- Against Gothic
- Maturin and the 'Calvinist Sublime'
- Frankenstein and the 1832 Anatomy Act
- `Rip Van Winkle' and the Phantom
- Form, Psychoanalysis, and Gender in Gothic Fiction: The Instance of 'Rip Van Winkle'
- The Case for John Neal: Gothic Naturalized
- Gothic Possibilities in Moby-Dick
- Jack London's The Sea-Wolf as Gothic Romance
- Profane Resurrections: Bram Stoker's Self-Censorship in The Jewel of Seven Stars
- Stoker's Languages of the Supernatural: A Jungian Approach to the Novels
- Fantasy as Psychological Necessity: Sheridan Le Fanu's Fiction
- From the Sublime to the Uncanny: Victorian Gothic and Sensation Fiction
- Behind Closed Doors: The Management of Mystery in The Strange Case of Dr. Jekyll and Mr. Hyde
- Gothic Laughter: Farce and Horror in Five Texts
- Gothic Fantasy as Art Cinema: The Secret of Female Desire in The Innocents
- The Passions of Gothic
- Who's Who: The Contributors.