Private salons and the art world of Enlightenment Paris / / Rochelle Ziskin.
In Private Salons and the Art World of Enlightenment Paris , Rochelle Ziskin explores in depth two remarkable private gatherings generating significant art criticism during the middle of the eighteenth century. She demonstrates how the sites harboring them came to embody and disseminate their judgme...
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Superior document: | Brill's studies on art, art history, and intellectual history, volume 63 |
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VerfasserIn: | |
Place / Publishing House: | Leiden ;, Boston : : Brill,, [2023[ ©2023 |
Year of Publication: | 2023 |
Language: | English |
Series: | Brill's studies on art, art history, and intellectual history ;
v. 63. |
Physical Description: | 1 online resource (xv, 333 pages) :; illustrations. |
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Other title: | Preliminary Material / |
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Summary: | In Private Salons and the Art World of Enlightenment Paris , Rochelle Ziskin explores in depth two remarkable private gatherings generating significant art criticism during the middle of the eighteenth century. She demonstrates how the sites harboring them came to embody and disseminate their judgments. One politically active group assembled at the house Mme Doublet shared with amateur Petit de Bachaumont; at her “Mondays” for artists, Mme Geoffrin collaborated with the powerful lover of antiquity Caylus and amateurs including Mariette and Watelet. In focusing on official Salons of the Royal Academy of Painting and Sculpture, historians too often overlook the crucial role of these frequent, regular assemblies, where works of art were quite often first assessed and taste shaped. This book will appeal to readers interested in eighteenth-century French artistic culture, journalism, and women’s patronage. The painters discussed include Boucher, Van Loo, Charles Coypel, Cochin, Vien, Pierre, Lagrenée, and Hubert Robert. |
Bibliography: | Includes bibliographical references (pages 297-316) and index. |
ISBN: | 9004526943 9789004526945 |
ISSN: | 1878-9048 ; |
Hierarchical level: | Monograph |
Statement of Responsibility: | Rochelle Ziskin. |