Robert Penn Warren's All the king's men / / edited by Michael J. Meyer and Hugh J. Ingrasci.

The twelve essayists in this critical collection examine anew two fundamental concerns of Penn Warren’s landmark work, which has as valid a claim to being “The Great American Novel” as any in the literary canon. The first challenging conundrum these critics examine is narrator Jack Burden’s adequacy...

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Bibliographic Details
Superior document:Dialogue ; 15
TeilnehmendeR:
Place / Publishing House:Amsterdam ;, New York, NY : : Rodopi,, 2012.
Year of Publication:2012
Language:English
Series:Dialogue 15.
Physical Description:1 online resource (298 p.)
Notes:Includes index.
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245 0 0 |a Robert Penn Warren's All the king's men /  |c edited by Michael J. Meyer and Hugh J. Ingrasci. 
264 1 |a Amsterdam ;  |a New York, NY :  |b Rodopi,  |c 2012. 
300 |a 1 online resource (298 p.) 
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490 1 |a Dialogue ;  |v 15 
546 |a English 
500 |a Includes index. 
505 0 0 |t Preliminary Material --  |t Introduction /  |r Hugh Ingrasci --  |t The Text of the “Restored” Edition of All The King's Men /  |r Noel Polk --  |t The Great Disconnect: Jack Burden and History in All The King’s Men /  |r Larry A. Gray --  |t Jack Burden: Successful Historian in All The King’s Men /  |r James Perkins --  |t “The Awful Responsibility of Time”: Understanding History in All The King’s Men /  |r Ben Railton --  |t “The Theory of Historical Costs”: Jack Burden, History, and the (Mis)Representation of the Past in Robert Penn Warren’s All The King’s Men /  |r Andrew M. Hakim --  |t Twitches and Trigger-fingers: Accidental Homicides and Suicides in Robert Penn Warren’s All The King’s Men /  |r Alex Wulff --  |t The Inversion of Home in All The King’s Men /  |r Robert McParland --  |t “Little Jackie Made It Stick, All Right”: The Implicating Narrative of Jack Burden /  |r Bert Emerson --  |t Theological Reflections on Robert Penn Warren’s All The King’s Men /  |r Mark T. Mitchell --  |t The Many Faces of God: Layered Imagery of the Deity in Robert Penn Warren’s All The King’s Men /  |r Michael J. Meyer --  |t 'All The King’s Men,' Spiritual Aesthetics, and the Reader /  |r Robert Koppelman --  |t Midcentury Jack vs. Millennium Jack: The Ongoing Burden of Identity on Film /  |r Cecilia Donohue --  |t Abstract of Arguments --  |t Author Biographies --  |t Index. 
520 |a The twelve essayists in this critical collection examine anew two fundamental concerns of Penn Warren’s landmark work, which has as valid a claim to being “The Great American Novel” as any in the literary canon. The first challenging conundrum these critics examine is narrator Jack Burden’s adequacy as a historiographer and the impact of his reliability upon his alter-ego-persona-narrative: does Jack succeed in becoming an able historian of his family and of Willie Stark’s political career, or does he become self-delusive and resort to a “selectively culled” history to justify himself to his audience as a trustworthy chronicler of the Willie Stark era of Jack’s life. The second major thematic motif these essays explore is Penn Warren’s implicit positing of a spiritual dimension to Jack Burden’s quest for a viable identity to sustain him in his ultimate decision to join humanity and finally live in the history he’s so long lived outside of, as a cynically un-involved observer. The provocative efforts of these twelve scholars, fifty-six years after the publication of All the King’s Men , testifies to the novel’s great philosophical and psychological depths, riches that continue to induce new readers and returning readers to shadow Jack Burden in his quest of the examined life: the quest to fully engage ourselves in becoming ever more human despite our being flawed, ever-plagued by our social shortcomings, as are “all the king’s men.” 
504 |a Includes bibliographical references and index. 
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700 1 |a Ingrasci, Hugh J. 
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