The lost girls : Demeter-Persephone and the literary imagination, 1850-1930 / / Andrew Radford.

The Lost Girls analyses a number of British writers between 1850 and 1930 for whom the myth of Demeter’s loss and eventual recovery of her cherished daughter Kore-Persephone, swept off in violent and catastrophic captivity by Dis, God of the Dead, had both huge personal and aesthetic significance. T...

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Bibliographic Details
Superior document:Textxet, 53
:
Year of Publication:2007
Language:English
Series:Text (Rodopi (Firm)) ; 53.
Physical Description:1 online resource (357 p.)
Notes:Description based upon print version of record.
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245 1 4 |a The lost girls  |h [electronic resource] :  |b Demeter-Persephone and the literary imagination, 1850-1930 /  |c Andrew Radford. 
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505 0 0 |a Preliminary Material -- Acknowledgements -- Introduction -- Excavating the Dark Half of Hellas -- Divine Mother and Maid in Victorian Poetry -- Hardy’s Tess: The Making and Breaking of a Goddess -- ‘Gone to Earth’: Mary Webb’s Doomed Persephone -- E. M. Forster and Demeter’s English Garden -- Lawrence’s Underworld -- Salvaging the Goddess of Wessex -- Afterword -- Select Bibliography -- Index. 
520 |a The Lost Girls analyses a number of British writers between 1850 and 1930 for whom the myth of Demeter’s loss and eventual recovery of her cherished daughter Kore-Persephone, swept off in violent and catastrophic captivity by Dis, God of the Dead, had both huge personal and aesthetic significance. This book, in addition to scrutinising canonical and less well-known texts by male authors such as Thomas Hardy, E. M. Forster, and D. H. Lawrence, also focuses on unjustly neglected women writers – Mary Webb and Mary Butts – who utilised occult tropes to relocate themselves culturally, and especially in Butts’s case to recover and restore a forgotten legacy, the myth of matriarchal origins. These novelists are placed in relation not only to one another but also to Victorian archaeologists and especially to Jane Ellen Harrison (1850-1928), one of the first women to distinguish herself in the history of British Classical scholarship and whose anthropological approach to the study of early Greek art and religion both influenced – and became transformed by – the literature. Rather than offering a teleological argument that moves lock-step through the decades, The Lost Girls proposes chapters that detail specific engagements with Demeter-Persephone through which to register distinct literary-cultural shifts in uses of the myth and new insights into the work of particular writers. 
504 |a Includes bibliographical references and index. 
600 0 0 |a Demeter  |c (Greek deity)  |c In literature. 
600 0 0 |a Persephone  |c (Greek deity)  |x In literature. 
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