Essays in migratory aesthetics : : cultural practices between migration and art-making / / editors, Sam Durrant, Catherine M. Lord.

• Superior document: Thamyris intersecting : place, sex, and race, no. 17
• TeilnehmendeR: Durrant, Sam, 1970-; Lord, Catherine M.
• Year of Publication: 2007
• Edition: 1st ed.
• Language: English
• Series: Thamyris intersecting ; no. 17.
• Physical Description: 1 online resource (234 pages) :; illustrations
• Notes: Description based upon print version of record.
• Other title: Preliminary material /; Introduction: Essays in Migratory Aesthetics: Cultural Practices Between Migration and Art-making /; Lost in Space, Lost in the Library /; No Place – Like Home /; In the Cooler /; Painting Places: A Postmemorial Landscape? /; Diasporic Slavery Memorials and Dutch Moral Geographies /; Travelling to the Colonial Past as Migratory Aesthetics: Aya Zikken’s Terug naar de atlasvlinder /; “Exilic Narrativity”: The Invisibility of Home in Palestinian Exile /; Unsettled Settlers: Postcolonialism, Travelling Theory and the New Migrant Aesthetics /; Storytellers, Novelists, and Postcolonial Melancholia: Displaced Aesthetics in Chinua Achebe’s Things Fall Apart /; Transgression of Everydayness in Heddy Honigmann’s P®IVÉ: A Dutch Case Study in Stanley Cavell’s Film Ethics /; Between Relation and the Bare Facts: The Migratory Imagination and Relationality /; Running A(g)round: Migratory Aesthetics and the Politics of Translation /; Daydreaming Before History: The Last Works of Sigmund Freud and Charlotte Salomon /; Contributors /; Index /
• Bibliography: Includes bibliographical references and index.
• ISBN: 9401204675; 1435612205
• ISSN: 1381-1312
• Hierarchical level: Monograph
• Statement of Responsibility: editors, Sam Durrant, Catherine M. Lord.

This volume addresses the impact of human movement on the aesthetic practices that make up the fabric of culture. The essays explore the ways in which cultural activities—ranging from the habitual gestures of the body to the production of specific artworks—register the impact of migration, from the forced transportation of slaves to the New World and of Jews to the death camps to the economic migration of peoples between the West and its erstwhile colonies; from the internal and external exile of Palestinians to the free movement of cosmopolitan intellectuals. Rather than focusing exclusively on art produced by those identified as migrant subjects, this collection opens up the question of how aesthetics itself migrates, transforming not only its own practices and traditions, but also the very nature of our being in the world, as subjects producing, as well as produced by, the cultures in which we live. The transformative potential of cultures on the move is both affirmed and critiqued throughout the collection, as part of an exploration of the ways in which globalisation implicates us ever more tightly in the unequal relations of production that characterise late modernity. This collection brings academic scholars from a variety of disciplines into conversation with practising visual and verbal artists; indeed, many of the essays break down the distinction between artist and academic, suggesting a dynamic interchange between critical reflection and creativity.