Stories and portraits of the self / edited by Helena Carvalhão Buescu, João Ferreira Duarte.

In contemporary societies privatization has long ceased to be just an economic concept; rather, it must increasingly be made to refer to the ongoing shrinking of the public space under the impact of the representation of individual lives and images, which cuts across all discourses, genres and media...

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Superior document:Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 115
TeilnehmendeR:
Year of Publication:2007
Language:English
Series:Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 115.
Physical Description:1 online resource (335 p.)
Notes:Description based upon print version of record.
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spelling Stories and portraits of the self [electronic resource] / edited by Helena Carvalhão Buescu, João Ferreira Duarte.
Amsterdam ; New York : Rodopi, 2007.
1 online resource (335 p.)
text txt
computer c
online resource cr
Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 115
Description based upon print version of record.
English
Preliminary Material -- Introduction: Signposts of the Self in Modernity -- The Self as a Work of Art: Proust’s Scepticism / Christopher Prendergast -- (Re-)Constructing, (Re-)Membering Postcolonial Selves / Paulo de Medeiros -- ‘Doing Identity’ in Fiction: Identity Construction as a Dialogue between Individuals and Cultural Narratives / Aleksandra Podsiadlik -- Self-Representation and Temporality: ‘Parabasis’ in Guimarães Rosa’s Grande Sertão: Veredas / Clara Rowland -- New Man: Marie Kessels’ Inner Portrait of a Writing Self / Daniël Rovers -- Good Intentions, Ethical Commitment, and Impersonal Poetry: The Work of Gerrit Kouwenaar / Gaston Franssen -- ‘For-Getting’ Plural Selves: Narrative and Identity in Caryl Phillips’s A Distant Shore / Jan Rupp -- The Straitjacket of Normality. The Interaction with the Psychiatrist in Maurits Dekker’s Waarom ik niet krankzinnig ben / Lars Bernaerts -- The Self’s Struggle for Recognition: August Strindberg and the Other / Lars Dalum Granild -- Unshaded Shadows: Performances of Gender in Emily Dickinson and Luiza Neto Jorge / Marinela Freitas -- The Identity Paradigm / Peter Brooks -- The Global I / Roland Greene -- Staining the Past with Ink in Lorenzo Da Ponte’s Memorie (1830): The Fallacies of Autobiographical ‘Writing’ / Davy Van Oers -- Between Autobiography and Fiction: Narrating the Self in Gabriel García Márquez’s Vivir para contarla / Eli Park Sorensen -- The Passion of Lena Christ: From Fictionalized Autobiography to Biographical Novel / Mirjam Truwant -- Dreams in the Mirror: George Steiner by George Steiner / Ricardo Gil Soeiro -- Reading W. G. Sebald with Alberto Giacometti / Timothy Mathews -- The Impossible Self-Portrait / Paula Morão -- Between Literature and the Visual Arts: Portraits of the Self in William Carlos Williams, Marianne Moore, and Fernando Pessoa / Anna Viola Sborgi -- Photography and Shadow-Writing: Henry James’s Revisions of the Self in the New York Edition / Jakob Stougaard-Nielsen -- Consumed by the Audience. Inhibition, Fear, and Anxiety in the Oeuvre of Bruce Nauman / Patrick Van Rossem -- There Was Something about Mary: Mary Pickford’s Perfect ‘Little American’ / Anke Brouwers -- Paint it Red: Death Artistry as a Portrait of the Self / Verena-Susanna Nungesser.
In contemporary societies privatization has long ceased to be just an economic concept; rather, it must increasingly be made to refer to the ongoing shrinking of the public space under the impact of the representation of individual lives and images, which cuts across all discourses, genres and media to become one of the primary means of production of culture. This volume is intended to cover such an historical, social and intellectual ground, where self-representation comes to the fore. Targeting mostly an academic readership but certainly also of interest to the general educated public, it collects a wide range of essays dealing with diverse modes of life writing and portraying from a variety of perspectives and focusing on different historical periods and media. It thus offers itself as a major contribution to a better understanding of the world we live in: its past legacy and present configuration.
Includes bibliographical references.
Identity (Philosophical concept) in literature.
Literature, Modern Themes, motives.
Self in literature.
Buescu, Helena Carvalhão.
Duarte, João Ferreira, 1947-
90-420-2328-7
Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 115.
language English
format Electronic
eBook
author2 Buescu, Helena Carvalhão.
Duarte, João Ferreira, 1947-
author_facet Buescu, Helena Carvalhão.
Duarte, João Ferreira, 1947-
author2_variant h c b hc hcb
j f d jf jfd
author2_role TeilnehmendeR
TeilnehmendeR
author_sort Buescu, Helena Carvalhão.
author_additional Christopher Prendergast --
Paulo de Medeiros --
Aleksandra Podsiadlik --
Clara Rowland --
Daniël Rovers --
Gaston Franssen --
Jan Rupp --
Lars Bernaerts --
Lars Dalum Granild --
Marinela Freitas --
Peter Brooks --
Roland Greene --
Davy Van Oers --
Eli Park Sorensen --
Mirjam Truwant --
Ricardo Gil Soeiro --
Timothy Mathews --
Paula Morão --
Anna Viola Sborgi --
Jakob Stougaard-Nielsen --
Patrick Van Rossem --
Anke Brouwers --
Verena-Susanna Nungesser.
title Stories and portraits of the self
spellingShingle Stories and portraits of the self
Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ;
Preliminary Material --
Introduction: Signposts of the Self in Modernity --
The Self as a Work of Art: Proust’s Scepticism /
(Re-)Constructing, (Re-)Membering Postcolonial Selves /
‘Doing Identity’ in Fiction: Identity Construction as a Dialogue between Individuals and Cultural Narratives /
Self-Representation and Temporality: ‘Parabasis’ in Guimarães Rosa’s Grande Sertão: Veredas /
New Man: Marie Kessels’ Inner Portrait of a Writing Self /
Good Intentions, Ethical Commitment, and Impersonal Poetry: The Work of Gerrit Kouwenaar /
‘For-Getting’ Plural Selves: Narrative and Identity in Caryl Phillips’s A Distant Shore /
The Straitjacket of Normality. The Interaction with the Psychiatrist in Maurits Dekker’s Waarom ik niet krankzinnig ben /
The Self’s Struggle for Recognition: August Strindberg and the Other /
Unshaded Shadows: Performances of Gender in Emily Dickinson and Luiza Neto Jorge /
The Identity Paradigm /
The Global I /
Staining the Past with Ink in Lorenzo Da Ponte’s Memorie (1830): The Fallacies of Autobiographical ‘Writing’ /
Between Autobiography and Fiction: Narrating the Self in Gabriel García Márquez’s Vivir para contarla /
The Passion of Lena Christ: From Fictionalized Autobiography to Biographical Novel /
Dreams in the Mirror: George Steiner by George Steiner /
Reading W. G. Sebald with Alberto Giacometti /
The Impossible Self-Portrait /
Between Literature and the Visual Arts: Portraits of the Self in William Carlos Williams, Marianne Moore, and Fernando Pessoa /
Photography and Shadow-Writing: Henry James’s Revisions of the Self in the New York Edition /
Consumed by the Audience. Inhibition, Fear, and Anxiety in the Oeuvre of Bruce Nauman /
There Was Something about Mary: Mary Pickford’s Perfect ‘Little American’ /
Paint it Red: Death Artistry as a Portrait of the Self /
title_full Stories and portraits of the self [electronic resource] / edited by Helena Carvalhão Buescu, João Ferreira Duarte.
title_fullStr Stories and portraits of the self [electronic resource] / edited by Helena Carvalhão Buescu, João Ferreira Duarte.
title_full_unstemmed Stories and portraits of the self [electronic resource] / edited by Helena Carvalhão Buescu, João Ferreira Duarte.
title_auth Stories and portraits of the self
title_alt Preliminary Material --
Introduction: Signposts of the Self in Modernity --
The Self as a Work of Art: Proust’s Scepticism /
(Re-)Constructing, (Re-)Membering Postcolonial Selves /
‘Doing Identity’ in Fiction: Identity Construction as a Dialogue between Individuals and Cultural Narratives /
Self-Representation and Temporality: ‘Parabasis’ in Guimarães Rosa’s Grande Sertão: Veredas /
New Man: Marie Kessels’ Inner Portrait of a Writing Self /
Good Intentions, Ethical Commitment, and Impersonal Poetry: The Work of Gerrit Kouwenaar /
‘For-Getting’ Plural Selves: Narrative and Identity in Caryl Phillips’s A Distant Shore /
The Straitjacket of Normality. The Interaction with the Psychiatrist in Maurits Dekker’s Waarom ik niet krankzinnig ben /
The Self’s Struggle for Recognition: August Strindberg and the Other /
Unshaded Shadows: Performances of Gender in Emily Dickinson and Luiza Neto Jorge /
The Identity Paradigm /
The Global I /
Staining the Past with Ink in Lorenzo Da Ponte’s Memorie (1830): The Fallacies of Autobiographical ‘Writing’ /
Between Autobiography and Fiction: Narrating the Self in Gabriel García Márquez’s Vivir para contarla /
The Passion of Lena Christ: From Fictionalized Autobiography to Biographical Novel /
Dreams in the Mirror: George Steiner by George Steiner /
Reading W. G. Sebald with Alberto Giacometti /
The Impossible Self-Portrait /
Between Literature and the Visual Arts: Portraits of the Self in William Carlos Williams, Marianne Moore, and Fernando Pessoa /
Photography and Shadow-Writing: Henry James’s Revisions of the Self in the New York Edition /
Consumed by the Audience. Inhibition, Fear, and Anxiety in the Oeuvre of Bruce Nauman /
There Was Something about Mary: Mary Pickford’s Perfect ‘Little American’ /
Paint it Red: Death Artistry as a Portrait of the Self /
title_new Stories and portraits of the self
title_sort stories and portraits of the self
series Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ;
series2 Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ;
publisher Rodopi,
publishDate 2007
physical 1 online resource (335 p.)
contents Preliminary Material --
Introduction: Signposts of the Self in Modernity --
The Self as a Work of Art: Proust’s Scepticism /
(Re-)Constructing, (Re-)Membering Postcolonial Selves /
‘Doing Identity’ in Fiction: Identity Construction as a Dialogue between Individuals and Cultural Narratives /
Self-Representation and Temporality: ‘Parabasis’ in Guimarães Rosa’s Grande Sertão: Veredas /
New Man: Marie Kessels’ Inner Portrait of a Writing Self /
Good Intentions, Ethical Commitment, and Impersonal Poetry: The Work of Gerrit Kouwenaar /
‘For-Getting’ Plural Selves: Narrative and Identity in Caryl Phillips’s A Distant Shore /
The Straitjacket of Normality. The Interaction with the Psychiatrist in Maurits Dekker’s Waarom ik niet krankzinnig ben /
The Self’s Struggle for Recognition: August Strindberg and the Other /
Unshaded Shadows: Performances of Gender in Emily Dickinson and Luiza Neto Jorge /
The Identity Paradigm /
The Global I /
Staining the Past with Ink in Lorenzo Da Ponte’s Memorie (1830): The Fallacies of Autobiographical ‘Writing’ /
Between Autobiography and Fiction: Narrating the Self in Gabriel García Márquez’s Vivir para contarla /
The Passion of Lena Christ: From Fictionalized Autobiography to Biographical Novel /
Dreams in the Mirror: George Steiner by George Steiner /
Reading W. G. Sebald with Alberto Giacometti /
The Impossible Self-Portrait /
Between Literature and the Visual Arts: Portraits of the Self in William Carlos Williams, Marianne Moore, and Fernando Pessoa /
Photography and Shadow-Writing: Henry James’s Revisions of the Self in the New York Edition /
Consumed by the Audience. Inhibition, Fear, and Anxiety in the Oeuvre of Bruce Nauman /
There Was Something about Mary: Mary Pickford’s Perfect ‘Little American’ /
Paint it Red: Death Artistry as a Portrait of the Self /
isbn 94-012-0529-9
1-4356-1111-X
90-420-2328-7
callnumber-first P - Language and Literature
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callnumber-label PN56
callnumber-sort PN 256 S46 S76 42007
illustrated Not Illustrated
dewey-hundreds 800 - Literature
dewey-tens 800 - Literature, rhetoric & criticism
dewey-ones 808 - Rhetoric & collections of literature
dewey-full 808.80384
dewey-sort 3808.80384
dewey-raw 808.80384
dewey-search 808.80384
oclc_num 191749011
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