Picturing Mind : : Paradox, Indeterminacy and Consciousness in Art & Poetry / / John Danvers.

In this book the author takes an unusual multi-disciplinary approach to debates about contemporary art and poetry, ideas about the mind and its representations, and theories of knowledge and being. Arts practices are considered as enactments of mind and as transformative modes of consciousness. Idea...

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Superior document:Consciousness, Literature and the Arts ; 3
VerfasserIn:
Place / Publishing House:Leiden; , Boston : : BRILL,, 2006.
Year of Publication:2006
Language:English
Series:Consciousness, Literature and the Arts ; 3.
Physical Description:1 online resource (369 p.)
Notes:Description based upon print version of record.
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490 1 |a Consciousness, Literature and the Arts ;  |v 3 
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546 |a English 
504 |a Includes bibliographical references and index. 
505 0 |a Preface -- Part 1: Introduction - an opening, an entering -- Part 2: The knowing body: art as an integrative process of cognition -- Part 3: Interrogating appearances: being, seeing & showing -- Part 4: The mutuality of existence: drawing, emptiness & presence -- Part 5: Picturing mind - writing being -- Part 6: The self as open-work: permeability, incompleteness & revisibility -- Part 7: Mind, the real & the other -- Part 8: Where we are: locus of mind-in-the-world -- Part 9: The ! the One & the Many: mysticism, art & poetry -- Part 10: The discontinuum of consciousness: ambiguity, indeterminacy & multiplicity -- Part 11 A leaving, an unending. A folding, an unfolding -- Bibliography -- Index. 
520 |a In this book the author takes an unusual multi-disciplinary approach to debates about contemporary art and poetry, ideas about the mind and its representations, and theories of knowledge and being. Arts practices are considered as enactments of mind and as transformative modes of consciousness. Ideas drawn from poetics, philosophy and consciousness studies are used to illuminate the conceptual and aesthetic frameworks of a diverse array of visual artists. Themes explored include: the interconnectedness of existence; art as a way of interrogating appearances; identity and otherness; art and the self as 'open work'; Buddhist concepts of 'emptiness' and 'suchness'; scepticism, mysticism and the arts; and mind in the landscape. The book contains an important and distinctive visual dimension with photographs and drawings by the author and texts employing unorthodox syntax and layouts that exemplify the themes under discussion. The author hints at a new aesthetics and philosophy of indeterminacy, paradox, uncertainty and discontinuity - a contrarium - in which we negotiate our way through the instabilities and contradictions of contemporary life. Written in a lively and accessible style this volume is of interest to scholars, arts practitioners, teachers and to anyone with an interest in art, poetry, consciousness studies, philosophy and nature. Artists, poets and philosophers discussed, include: Cy Twombly, Helen Chadwick, John Ruskin, Ad Reinhardt, Richard Long, James Turrell, Anish Kapoor, Ian Hamilton Finlay, Agnes Martin, Land Art, Arte Povera, Minimalism, Charles Olson, Kenneth White, Robin Blaser, Fred Wah, Gary Snyder, RS Thomas, Alice Oswald, John Cage, Jorge Luis Borges, Guy Davenport, Kenneth Rexroth, Heidegger, Marjorie Perloff, Thomas McEvilley, Merleau-Ponty, Spinoza, Wittgenstein, Roland Barthes, Umberto Eco, David Abram, Thomas Merton, Pyrrho & Nagarjuna. 
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