Richard Wright's Native son / / edited by Ana Maria Fraile.

• Superior document: Dialogue ; 2
• TeilnehmendeR: Fraile, Ana.
• Year of Publication: 2007
• Edition: 1st ed.
• Language: English
• Series: Guft va gu ; 2.
• Physical Description: 1 online resource (260 p.)
• Notes: Description based upon print version of record.
• Other title: Preliminary Material --; Richard Wright and His White Audience: How the Author’s Persona Gave Native Son Historical Significance /; From Communism to Black Studies and Beyond: The Reception of Richard Wright’s Native Son /; Sexual Diversity in Richard Wright’s Characterization of Bigger Thomas: Homo-socialism, Homo-eroticism, and the Feminine /; Notes from a Native Daughter: The Nature of Black Womanhood in Native Son /; Slavery and Africa in Native Son and Black Power: A Transnationalist Interpretation /; Vortical Blues: Turbulence, Disorder, and the Emplotment of Surplus Meaning in Native Son /; Native Son’s “ideology of form”: The (African) American Jeremiad and American Exceptionalism /; Genre in/and Wright’s Native Son /; Bigger’s “Rebellious Complaint”: Biblical Imagery in Native Son /; From Page to Screen: A Comparative Study of Richard Wright’s Native Son and Its Two Film Adaptations /; The Hate U Gave (T.H.U.G.): Reflections on the Bigger Figures in Present Day Hip Hop Culture /; Notes on Contributors --; Index.
• Bibliography: Includes bibliographical references and index.
• ISBN: 1282265725; 9786612265723; 9401205124; 1435611853
• Hierarchical level: Monograph
• Statement of Responsibility: edited by Ana Maria Fraile.

Coinciding with the preparations for the celebration in 2008 of Richard Wright’s 100th birthday, this new collection of critical essays on Native Son attests to the importance and endurance of Wright’s controversial work. The eleven essays collected in this volume engage the objective of Rodopi’s Dialogue Series by creating multidirectional conversations in which senior and younger scholars interact with each other and with previous scholars who have weighed in on the novel’s import. Speaking from distant corners of the world, the contributors to this book reflect an international interest in Wright’s unique combination of literary strategies and social aims. The wide range of approaches to Native Son is presented in five thematic sections. The first three sections cover aspects such as the historical reception of Wright’s novel, the inscription of sex and gender both in Native Son and in other African American texts, and the influence of Africa and of vortical symbolism on Wright’s aesthetics; following is the study of the novel from the point of view of its adoption and transformation of various literary genres—the African American jeremiad, the protest novel, the crime novel and courtroom drama, the Bildungsroman , and the Biblical modes of narration. The closing section analyzes the novel’s lasting influence through its adaptation to other artistic fields, such as the cinema and song in the form of hip-hop. The present volume may, therefore, be of interest for students who are not very familiar with Wright’s classic text as well as for scholars and Richard Wright specialists.