Contemporary French art. / Volume 1, : Eleven studies / / Michael Bishop.
Ben Vautier, Niki De Saint Phalle, François Morellet, Louise Bourgeois, Alexandre Hollan, Claude Viallat, Sophie Calle, Bernard Pagès, Jean-Pierre Pincemin, Annette Messager, Gérard Titus-Carmel: eleven major French artists of the last forty years or so, examined in the light of their uniqueness and...
Saved in:
Superior document: | Faux titre ; 317 |
---|---|
: | |
Year of Publication: | 2008 |
Edition: | 1st ed. |
Language: | English |
Series: | Faux titre ;
no. 317. |
Physical Description: | 1 online resource (191 p.) |
Notes: | Description based upon print version of record. |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
993583577804498 |
---|---|
ctrlnum |
(CKB)1000000000538297 (EBL)556401 (OCoLC)714567207 (SSID)ssj0000129669 (PQKBManifestationID)12002803 (PQKBTitleCode)TC0000129669 (PQKBWorkID)10080273 (PQKB)10004618 (MiAaPQ)EBC556401 (OCoLC)259787396 (nllekb)BRILL9789401206006 (Au-PeEL)EBL556401 (CaPaEBR)ebr10380509 (EXLCZ)991000000000538297 |
collection |
bib_alma |
record_format |
marc |
spelling |
Bishop, Michael, 1938- Contemporary French art. Volume 1, Eleven studies / Michael Bishop. 1st ed. Amsterdam ; New York, NY : Rodopi, 2008. 1 online resource (191 p.) text txt computer c online resource cr Faux titre ; 317 Description based upon print version of record. English Preliminary Material -- PREFACE -- TRUTH AND INFINITY: BEN VAUTIER -- SHOOTING FOR TRANSCENDENCE: NIKI DE SAINT PHALLE -- BAROQUE MINIMALIST?: FRANÇOIS MORELLET -- SUBLIMATION, THE IRREDUCIBLE AND THE SACRED: LOUISE BOURGEOIS -- SEEING BEING: ALEXANDRE HOLLAN -- SPIRALLING, INFINITY, TAUTOLOGY: CLAUDE VIALLAT -- RITUAL, DESIRE, DYS-COVERING: SOPHIE CALLE -- RAGGEDNESS, FUSION AND SILENCE: BERNARD PAGÈS -- STRUCTURE, SENSUALITY, FABLE, ACCOMPANIMENT: JEAN-PIERRE PINCEMIN -- CHIMERA, CARESS, SACRED IMPLOSION: ANNETTE MESSAGER -- ABSENCE AND MELANCHOLIA, MEANING AND BEAUTY: GÉRARD TITUS-CARMEL -- SELECTED BIBLIOGRAPHY. Ben Vautier, Niki De Saint Phalle, François Morellet, Louise Bourgeois, Alexandre Hollan, Claude Viallat, Sophie Calle, Bernard Pagès, Jean-Pierre Pincemin, Annette Messager, Gérard Titus-Carmel: eleven major French artists of the last forty years or so, examined in the light of their uniqueness and their rootedness, the specificities of their differing and at times overlapping plastic practices and the swirling and often highly hybridised conceptions entertained in regard to such practices. Thus does analysis range from discussion of the feisty, Fluxus-inspired, free-spirited funkiness of Ben Vautier’s work to the various modes of transcendence of trauma and haunting fear generated by the exceptional gestures of Niki de Saint Phalle and Louise Bourgeois, to the alyrical formalism yet imbued with irony and ludicity of François Morellet, through to the serene intensities of Alexandre Hollan’s vies silencieuses , the infinite a-signatures of Claude Viallat’s adventure in the sheer joy of a poiein of self-reflexive coloration, the powerfully elegant and muscular disarticulations of Bernard Pagès’ sculpture, the great sweep through art’s history implied by Jean-Pierre Pincemin’s chameleon-like gestures, the vast swirling programme of socio-psychological analysis the arts of Annette Messager and Sophie Calle offer in their radically distinctive manners, the obsessively serialised oeuvre of Gérard Titus-Carmel allowing a burrowing deep into the opaque logic of a real though dubious ‘presence to the world’. Includes bibliographical references. Art, French 20th century. Art, French 21st century. 90-420-2418-6 Faux titre ; no. 317. |
language |
English |
format |
eBook |
author |
Bishop, Michael, 1938- |
spellingShingle |
Bishop, Michael, 1938- Contemporary French art. Faux titre ; Preliminary Material -- PREFACE -- TRUTH AND INFINITY: BEN VAUTIER -- SHOOTING FOR TRANSCENDENCE: NIKI DE SAINT PHALLE -- BAROQUE MINIMALIST?: FRANÇOIS MORELLET -- SUBLIMATION, THE IRREDUCIBLE AND THE SACRED: LOUISE BOURGEOIS -- SEEING BEING: ALEXANDRE HOLLAN -- SPIRALLING, INFINITY, TAUTOLOGY: CLAUDE VIALLAT -- RITUAL, DESIRE, DYS-COVERING: SOPHIE CALLE -- RAGGEDNESS, FUSION AND SILENCE: BERNARD PAGÈS -- STRUCTURE, SENSUALITY, FABLE, ACCOMPANIMENT: JEAN-PIERRE PINCEMIN -- CHIMERA, CARESS, SACRED IMPLOSION: ANNETTE MESSAGER -- ABSENCE AND MELANCHOLIA, MEANING AND BEAUTY: GÉRARD TITUS-CARMEL -- SELECTED BIBLIOGRAPHY. |
author_facet |
Bishop, Michael, 1938- |
author_variant |
m b mb |
author_sort |
Bishop, Michael, 1938- |
title |
Contemporary French art. |
title_full |
Contemporary French art. Volume 1, Eleven studies / Michael Bishop. |
title_fullStr |
Contemporary French art. Volume 1, Eleven studies / Michael Bishop. |
title_full_unstemmed |
Contemporary French art. Volume 1, Eleven studies / Michael Bishop. |
title_auth |
Contemporary French art. |
title_new |
Contemporary French art. |
title_sort |
contemporary french art. eleven studies / |
series |
Faux titre ; |
series2 |
Faux titre ; |
publisher |
Rodopi, |
publishDate |
2008 |
physical |
1 online resource (191 p.) |
edition |
1st ed. |
contents |
Preliminary Material -- PREFACE -- TRUTH AND INFINITY: BEN VAUTIER -- SHOOTING FOR TRANSCENDENCE: NIKI DE SAINT PHALLE -- BAROQUE MINIMALIST?: FRANÇOIS MORELLET -- SUBLIMATION, THE IRREDUCIBLE AND THE SACRED: LOUISE BOURGEOIS -- SEEING BEING: ALEXANDRE HOLLAN -- SPIRALLING, INFINITY, TAUTOLOGY: CLAUDE VIALLAT -- RITUAL, DESIRE, DYS-COVERING: SOPHIE CALLE -- RAGGEDNESS, FUSION AND SILENCE: BERNARD PAGÈS -- STRUCTURE, SENSUALITY, FABLE, ACCOMPANIMENT: JEAN-PIERRE PINCEMIN -- CHIMERA, CARESS, SACRED IMPLOSION: ANNETTE MESSAGER -- ABSENCE AND MELANCHOLIA, MEANING AND BEAUTY: GÉRARD TITUS-CARMEL -- SELECTED BIBLIOGRAPHY. |
isbn |
94-012-0600-7 1-4356-6605-4 90-420-2418-6 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
N - Visual Arts |
callnumber-label |
N6848 |
callnumber-sort |
N 46848 B57 42008 |
era_facet |
20th century. 21st century. |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
709 - Historical, geographic & persons treatment |
dewey-full |
709 |
dewey-sort |
3709 |
dewey-raw |
709 |
dewey-search |
709 |
oclc_num |
714567207 259787396 |
work_keys_str_mv |
AT bishopmichael contemporaryfrenchartvolume1 |
status_str |
n |
ids_txt_mv |
(CKB)1000000000538297 (EBL)556401 (OCoLC)714567207 (SSID)ssj0000129669 (PQKBManifestationID)12002803 (PQKBTitleCode)TC0000129669 (PQKBWorkID)10080273 (PQKB)10004618 (MiAaPQ)EBC556401 (OCoLC)259787396 (OCoLC)714567207 (OCoLC)904804294 (nllekb)BRILL9789401206006 (Au-PeEL)EBL556401 (CaPaEBR)ebr10380509 (EXLCZ)991000000000538297 |
carrierType_str_mv |
cr |
title_part_txt |
Eleven studies / |
hierarchy_parent_title |
Faux titre ; 317 |
hierarchy_sequence |
no. 317. |
is_hierarchy_title |
Contemporary French art. |
container_title |
Faux titre ; 317 |
_version_ |
1806312283167522816 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01090nam a2200301Ia 4500</leader><controlfield tag="001">993583577804498</controlfield><controlfield tag="005">20200520144314.0</controlfield><controlfield tag="006">m o d | </controlfield><controlfield tag="007">cr -n---------</controlfield><controlfield tag="008">080829m20089999ne a ob 000 0 eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">94-012-0600-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1-4356-6605-4</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1163/9789401206006</subfield><subfield code="2">DOI</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)1000000000538297</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EBL)556401</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)714567207</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(SSID)ssj0000129669</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PQKBManifestationID)12002803</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PQKBTitleCode)TC0000129669</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PQKBWorkID)10080273</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PQKB)10004618</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)EBC556401</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)259787396</subfield><subfield code="z">(OCoLC)714567207</subfield><subfield code="z">(OCoLC)904804294</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(nllekb)BRILL9789401206006</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(Au-PeEL)EBL556401</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CaPaEBR)ebr10380509</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)991000000000538297</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">MiAaPQ</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">MiAaPQ</subfield><subfield code="d">MiAaPQ</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">N6848</subfield><subfield code="b">.B57 2008</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART</subfield><subfield code="x">015100</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">JFC</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">SOC022000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="0"><subfield code="a">709</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bishop, Michael,</subfield><subfield code="d">1938-</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Contemporary French art.</subfield><subfield code="n">Volume 1,</subfield><subfield code="p">Eleven studies /</subfield><subfield code="c">Michael Bishop.</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st ed.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Amsterdam ;</subfield><subfield code="a">New York, NY :</subfield><subfield code="b">Rodopi,</subfield><subfield code="c">2008.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (191 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Faux titre ;</subfield><subfield code="v">317</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based upon print version of record.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="a">Preliminary Material -- PREFACE -- TRUTH AND INFINITY: BEN VAUTIER -- SHOOTING FOR TRANSCENDENCE: NIKI DE SAINT PHALLE -- BAROQUE MINIMALIST?: FRANÇOIS MORELLET -- SUBLIMATION, THE IRREDUCIBLE AND THE SACRED: LOUISE BOURGEOIS -- SEEING BEING: ALEXANDRE HOLLAN -- SPIRALLING, INFINITY, TAUTOLOGY: CLAUDE VIALLAT -- RITUAL, DESIRE, DYS-COVERING: SOPHIE CALLE -- RAGGEDNESS, FUSION AND SILENCE: BERNARD PAGÈS -- STRUCTURE, SENSUALITY, FABLE, ACCOMPANIMENT: JEAN-PIERRE PINCEMIN -- CHIMERA, CARESS, SACRED IMPLOSION: ANNETTE MESSAGER -- ABSENCE AND MELANCHOLIA, MEANING AND BEAUTY: GÉRARD TITUS-CARMEL -- SELECTED BIBLIOGRAPHY.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Ben Vautier, Niki De Saint Phalle, François Morellet, Louise Bourgeois, Alexandre Hollan, Claude Viallat, Sophie Calle, Bernard Pagès, Jean-Pierre Pincemin, Annette Messager, Gérard Titus-Carmel: eleven major French artists of the last forty years or so, examined in the light of their uniqueness and their rootedness, the specificities of their differing and at times overlapping plastic practices and the swirling and often highly hybridised conceptions entertained in regard to such practices. Thus does analysis range from discussion of the feisty, Fluxus-inspired, free-spirited funkiness of Ben Vautier’s work to the various modes of transcendence of trauma and haunting fear generated by the exceptional gestures of Niki de Saint Phalle and Louise Bourgeois, to the alyrical formalism yet imbued with irony and ludicity of François Morellet, through to the serene intensities of Alexandre Hollan’s vies silencieuses , the infinite a-signatures of Claude Viallat’s adventure in the sheer joy of a poiein of self-reflexive coloration, the powerfully elegant and muscular disarticulations of Bernard Pagès’ sculpture, the great sweep through art’s history implied by Jean-Pierre Pincemin’s chameleon-like gestures, the vast swirling programme of socio-psychological analysis the arts of Annette Messager and Sophie Calle offer in their radically distinctive manners, the obsessively serialised oeuvre of Gérard Titus-Carmel allowing a burrowing deep into the opaque logic of a real though dubious ‘presence to the world’.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Art, French</subfield><subfield code="y">20th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Art, French</subfield><subfield code="y">21st century.</subfield></datafield><datafield tag="776" ind1=" " ind2=" "><subfield code="z">90-420-2418-6</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Faux titre ;</subfield><subfield code="v">no. 317.</subfield></datafield><datafield tag="906" ind1=" " ind2=" "><subfield code="a">BOOK</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2024-08-02 21:55:15 Europe/Vienna</subfield><subfield code="f">system</subfield><subfield code="c">marc21</subfield><subfield code="a">2012-02-26 01:43:54 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">Brill</subfield><subfield code="P">EBA Brill All</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5343598800004498&Force_direct=true</subfield><subfield code="Z">5343598800004498</subfield><subfield code="b">Available</subfield><subfield code="8">5343598800004498</subfield></datafield></record></collection> |