Creativity and critique : : subjectivity and agency in Touraine and Ricoeur / / by Glenda Ballantyne.

Many commentators have noted the fertile new intellectual period Critique of Modernity opened up in the social theory of Alain Touraine, but until now its innovations have not been the subject of a sustained analysis. This work locates the wellsprings of Touraine’s renewed interpretive power in an i...

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Bibliographic Details
Superior document:Social and critical theory, v. 4
:
Year of Publication:2007
Edition:1st ed.
Language:English
Series:Social and critical theory ; v. 4.
Physical Description:1 online resource (243 p.)
Notes:Description based upon print version of record.
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Other title:Preliminary Material /
Chapter One. Proto-Hermeneutics /
Chapter Two. The Actor As Subject /
Chapter Three. Horizons Of Modernity /
Chapter Four. Critical Hermeneutics /
Chapter Five. The Subject As Actor /
Chapter Six. Paradoxes Of Democracy /
Bibliography /
Index /
Summary:Many commentators have noted the fertile new intellectual period Critique of Modernity opened up in the social theory of Alain Touraine, but until now its innovations have not been the subject of a sustained analysis. This work locates the wellsprings of Touraine’s renewed interpretive power in an implicit and unfinished, but unmistakable ‘hermeneutical turn.’ To deepen and extend his potent but only partly developed insights, the second part of the book develops his hermeneutical premises more explicitly, through a dialogue with the hermeneutical philosophy of Paul Ricoeur. The outcome is a critical hermeneutics of the subject, which opens new possibilities for theorising human agency and social creativity, and renews the project of critical theory.
Bibliography:Includes bibliographical references and index.
ISBN:1281926515
9786611926519
9047422457
ISSN:1572-459X ;
Hierarchical level:Monograph
Statement of Responsibility: by Glenda Ballantyne.