German text crimes : : writers accused, from the 1950s to the 2000s / / edited by Tom Cheesman.

• TeilnehmendeR: Cheesman, Tom.
• Place / Publishing House: Amsterdam ;, New York : : Rodopi,, 2013.
• Year of Publication: 2013
• Language: English
• Series: German monitor ; no. 77; German Monitor 77.
• Physical Description: 1 online resource (253 p.)
• Notes: Description based upon print version of record.
• Other title: Introduction: incriminating texts -- with reflections on the justiciability of [Zaimoglu's] Esra and [Biller's] Leyla /; 'Part woodcutter and part charlatan': Tom Paulin's Heidegger /; Writing wrongs: Ingeborg Bachmann's poetic drafts of the 1960s and their contemporary reception /; Offending the playwright: directors' theatre and the 'Werktreue' debate /; Porn or porNO: approaches to pornography in Elfriede Jelinek's Lust and Charlotte Roche's Feuchtgebiete /; Text crimes against the GDR's revolutionary heritage: the differing fates of Wolf Biermann and Wenzel and Mensching /; Martin Walser's Tod eines Kritikers: a 'crime' of anti-semitism? /; Justice for Peter Handke? /; Text crimse in the shadow of the Holocaust: the case of Bernhard Schlink's Der Vorleser/The reader /; Incitements to murder? The killing of businessmen in fiction and drama of the 2000s /
• Bibliography: Includes bibliographical references and index.
• ISBN: 9401209499
• Hierarchical level: Monograph
• Statement of Responsibility: edited by Tom Cheesman.

German Text Crimes offers new perspectives on scandals and legal actions implicating writers of German literature since the 1950's. Topics range from literary echoes of the “Heidegger Affair” to recent incitements to murder businessmen (agents of American neo-liberal power) in works by Rolf Hochhuth and others. GDR songwriters’ cat-and-mouse games with the Stasi; feminist debates on pornography, around works by Charlotte Roche and Elfriede Jelinek; controversies over anti-Semitism, around Bernhard Schlink’s Der Vorleser / The Reader and Martin Walser’s lampooning of the Jewish critic Marcel Reich-Ranicki; Peter Handke’s pro-Serbian travelogue; the disputed editing of Ingeborg Bachmann’s Nachlaß ; vexed relations between dramatists and directors; (ab)uses of privacy law to ‘censor’ contemporary fiction: these are among the cases of ‘text crimes’ discussed. Not all involve codified law, but all test relations between state power, civil society, media industries and artistic license.