Performing "nation" : : gender politics in literature, theater, and the visual arts of China and Japan, 1880-1940 / / edited by Doris Croissant, Catherine Vance Yeh, Joshua S. Mostow.
Uniquely covering literary, visual and performative expressions of culture, this volume aims to correlate the conjunctions of nation building, gender and representation in late 19th and early 20th century China and Japan. Focusing on gender formation, the chapters explore the changing constructs of...
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Superior document: | Sinica Leidensia, |
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TeilnehmendeR: | |
Place / Publishing House: | Leiden ;, Boston : : Brill,, 2008. |
Year of Publication: | 2008 |
Edition: | 1st ed. |
Language: | English |
Series: | Sinica Leidensia ;
91. |
Physical Description: | 1 online resource (xv, 445 pages) :; illustrations |
Notes: | Description based upon print version of record. |
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Performing "nation" : gender politics in literature, theater, and the visual arts of China and Japan, 1880-1940 / edited by Doris Croissant, Catherine Vance Yeh, Joshua S. Mostow. 1st ed. Leiden ; Boston : Brill, 2008. 1 online resource (xv, 445 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Sinica Leidensia, 0169-9563 Description based upon print version of record. English Preliminary Material / D. Croissant , C. Yeh and J.S. Mostow -- Introduction / D. Croissant , C. Yeh and J.S. Mostow -- Equality, modernity, and gender in Chinese nationalism / John Fitzgerald -- Banknote design as a battlefield of gender politics and national representation in Meiji Japan / Melanie Trede -- The culturally contested student body: Nü Xuesheng at the turn of the twentieth century / Joan Judge -- Love martyrs and love cheaters at the end of the Chinese Empire / Keith Mcmahon -- Gender and formation of the modern literary field in Japan: Women and the position of the novel, 1880's-1930's / Tomi Suzuki -- Failed modern girls in early-twentieth-century China / Tze-Lan D. Sang -- Politics, art, and eroticism: The female impersonator as the national cultural symbol of republican China / Catherine Vance Yeh -- Two actresses in three acts: Gender, theater, and nationalism in modern Japan / Ayako Kano -- From Madonna to Femme Fatale: Gender play in Japanese national painting / Doris Croissant -- Nationally naked? The female nude in Japanese oil painting and posters (1890's-1920's) / Jaqueline Berndt -- The allure of a “woman in Chinese dress”: Representation of the other in Imperial Japan / Ikeda Shinobu -- Utagawa Shunga, Kuki’s ‘chic,’ and the construction of a national erotics in Japan / Joshua S. Mostow -- Contributors / D. Croissant , C. Yeh and J.S. Mostow -- Index / D. Croissant , C. Yeh and J.S. Mostow -- Sinica Leidensia / D. Croissant , C. Yeh and J.S. Mostow. Uniquely covering literary, visual and performative expressions of culture, this volume aims to correlate the conjunctions of nation building, gender and representation in late 19th and early 20th century China and Japan. Focusing on gender formation, the chapters explore the changing constructs of masculinities and femininities in China and Japan from the early modern up to the 1930's. Chapters focus on the dynamism that links the remodeling of traditional arts and media to the political and cultural power relations between China, Japan, and the Western world. A true tribute to multidisciplinary studies. Includes bibliographical references and index. Arts, Chinese 19th century. Arts, Chinese 20th century. Arts, Japanese 19th century. Arts, Japanese 20th century. Femininity in art. Masculinity in art. Croissant, Doris. Yeh, Catherine Vance. Mostow, Joshua S., 1957- 90-04-17019-7 Sinica Leidensia ; 91. |
language |
English |
format |
eBook |
author2 |
Croissant, Doris. Yeh, Catherine Vance. Mostow, Joshua S., 1957- |
author_facet |
Croissant, Doris. Yeh, Catherine Vance. Mostow, Joshua S., 1957- |
author2_variant |
d c dc c v y cv cvy j s m js jsm |
author2_role |
TeilnehmendeR TeilnehmendeR TeilnehmendeR |
author_sort |
Croissant, Doris. |
author_additional |
D. Croissant , C. Yeh and J.S. Mostow -- John Fitzgerald -- Melanie Trede -- Joan Judge -- Keith Mcmahon -- Tomi Suzuki -- Tze-Lan D. Sang -- Catherine Vance Yeh -- Ayako Kano -- Doris Croissant -- Jaqueline Berndt -- Ikeda Shinobu -- Joshua S. Mostow -- D. Croissant , C. Yeh and J.S. Mostow. |
title |
Performing "nation" : gender politics in literature, theater, and the visual arts of China and Japan, 1880-1940 / |
spellingShingle |
Performing "nation" : gender politics in literature, theater, and the visual arts of China and Japan, 1880-1940 / Sinica Leidensia, Preliminary Material / Introduction / Equality, modernity, and gender in Chinese nationalism / Banknote design as a battlefield of gender politics and national representation in Meiji Japan / The culturally contested student body: Nü Xuesheng at the turn of the twentieth century / Love martyrs and love cheaters at the end of the Chinese Empire / Gender and formation of the modern literary field in Japan: Women and the position of the novel, 1880's-1930's / Failed modern girls in early-twentieth-century China / Politics, art, and eroticism: The female impersonator as the national cultural symbol of republican China / Two actresses in three acts: Gender, theater, and nationalism in modern Japan / From Madonna to Femme Fatale: Gender play in Japanese national painting / Nationally naked? The female nude in Japanese oil painting and posters (1890's-1920's) / The allure of a “woman in Chinese dress”: Representation of the other in Imperial Japan / Utagawa Shunga, Kuki’s ‘chic,’ and the construction of a national erotics in Japan / Contributors / Index / Sinica Leidensia / |
title_sub |
gender politics in literature, theater, and the visual arts of China and Japan, 1880-1940 / |
title_full |
Performing "nation" : gender politics in literature, theater, and the visual arts of China and Japan, 1880-1940 / edited by Doris Croissant, Catherine Vance Yeh, Joshua S. Mostow. |
title_fullStr |
Performing "nation" : gender politics in literature, theater, and the visual arts of China and Japan, 1880-1940 / edited by Doris Croissant, Catherine Vance Yeh, Joshua S. Mostow. |
title_full_unstemmed |
Performing "nation" : gender politics in literature, theater, and the visual arts of China and Japan, 1880-1940 / edited by Doris Croissant, Catherine Vance Yeh, Joshua S. Mostow. |
title_auth |
Performing "nation" : gender politics in literature, theater, and the visual arts of China and Japan, 1880-1940 / |
title_alt |
Preliminary Material / Introduction / Equality, modernity, and gender in Chinese nationalism / Banknote design as a battlefield of gender politics and national representation in Meiji Japan / The culturally contested student body: Nü Xuesheng at the turn of the twentieth century / Love martyrs and love cheaters at the end of the Chinese Empire / Gender and formation of the modern literary field in Japan: Women and the position of the novel, 1880's-1930's / Failed modern girls in early-twentieth-century China / Politics, art, and eroticism: The female impersonator as the national cultural symbol of republican China / Two actresses in three acts: Gender, theater, and nationalism in modern Japan / From Madonna to Femme Fatale: Gender play in Japanese national painting / Nationally naked? The female nude in Japanese oil painting and posters (1890's-1920's) / The allure of a “woman in Chinese dress”: Representation of the other in Imperial Japan / Utagawa Shunga, Kuki’s ‘chic,’ and the construction of a national erotics in Japan / Contributors / Index / Sinica Leidensia / |
title_new |
Performing "nation" : |
title_sort |
performing "nation" : gender politics in literature, theater, and the visual arts of china and japan, 1880-1940 / |
series |
Sinica Leidensia, |
series2 |
Sinica Leidensia, |
publisher |
Brill, |
publishDate |
2008 |
physical |
1 online resource (xv, 445 pages) : illustrations |
edition |
1st ed. |
contents |
Preliminary Material / Introduction / Equality, modernity, and gender in Chinese nationalism / Banknote design as a battlefield of gender politics and national representation in Meiji Japan / The culturally contested student body: Nü Xuesheng at the turn of the twentieth century / Love martyrs and love cheaters at the end of the Chinese Empire / Gender and formation of the modern literary field in Japan: Women and the position of the novel, 1880's-1930's / Failed modern girls in early-twentieth-century China / Politics, art, and eroticism: The female impersonator as the national cultural symbol of republican China / Two actresses in three acts: Gender, theater, and nationalism in modern Japan / From Madonna to Femme Fatale: Gender play in Japanese national painting / Nationally naked? The female nude in Japanese oil painting and posters (1890's-1920's) / The allure of a “woman in Chinese dress”: Representation of the other in Imperial Japan / Utagawa Shunga, Kuki’s ‘chic,’ and the construction of a national erotics in Japan / Contributors / Index / Sinica Leidensia / |
isbn |
1-282-39976-4 9786612399763 90-474-4362-4 90-04-17019-7 |
issn |
0169-9563 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
NX - Arts in General |
callnumber-label |
NX583 |
callnumber-sort |
NX 3583 A1 P47 42008 |
era_facet |
19th century. 20th century. |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
700 - The arts; fine & decorative arts |
dewey-full |
700.951/09034 |
dewey-sort |
3700.951 49034 |
dewey-raw |
700.951/09034 |
dewey-search |
700.951/09034 |
oclc_num |
607807020 232656679 |
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