The St Gall passion play : : music and performance / / Peter Macardle.

The early-fourteenth-century St Gall Passion Play comes from the Central Rhineland. Unfortunately its music (over one hundred Latin and German chants) is given in the manuscript only as brief incipits, without any musical notation. This interdisciplinary study reconstructs the musical stratum of the...

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Superior document:Ludus ; 10
:
Year of Publication:2007
Edition:1st ed.
Language:English
Series:Ludus ; 10.
Physical Description:1 online resource (461 p.)
Notes:Description based upon print version of record.
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spelling Macardle, Peter.
The St Gall passion play : music and performance / Peter Macardle.
1st ed.
Amsterdam : Rodopi, 2007.
1 online resource (461 p.)
text txt
computer c
online resource cr
Ludus ; 10
Description based upon print version of record.
English
Preliminary Material -- Acknowledgements -- Introduction -- The Text and the Problem -- Liturgy and Localization -- Approaches -- ‘Cantat’ – ‘dicat’ – ‘respondeat’ Directions and Performers -- A note on the transcription and editing of text and notation -- Localizing the Play -- Before the Passion -- The Passion (1) -- The Passion (2) -- The Resurrection and the Harrowing of Hell -- The Empty Tomb -- Conclusions -- Bibliography.
The early-fourteenth-century St Gall Passion Play comes from the Central Rhineland. Unfortunately its music (over one hundred Latin and German chants) is given in the manuscript only as brief incipits, without any musical notation. This interdisciplinary study reconstructs the musical stratum of the play. It is the first full-scale musical reconstruction of a large German Passion play in recent times, using the latest available scholarly data in drama, liturgy and music. It draws conclusions about performance practice and forces, and offers a sound basis for an authentic performance of the play. The study applies musical and liturgical data to the problem of localizing the play (the first time this has been systematically attempted), and assesses how applicable this might be to other plays. It presents a detailed study of the distinctive medieval liturgical uses of three German dioceses, Mainz, Speyer and Worms. The comparative approach suggests how the music of other plays might be reconstructed and understood, and shows that a better understanding of the music of medieval drama has much to teach us about other aspects of the genre. The book should be of interest to literary scholars, theatre historians, musicologists, liturgical scholars, and those involved in the performance of early drama.
Includes bibliographical references (p. [397]-458).
Passion-plays History and criticism.
Passion-plays Songs and music History and criticism.
St. Galler Passionsspiel.
90-420-2346-5
Ludus ; 10.
language English
format eBook
author Macardle, Peter.
spellingShingle Macardle, Peter.
The St Gall passion play : music and performance /
Ludus ;
Preliminary Material -- Acknowledgements -- Introduction -- The Text and the Problem -- Liturgy and Localization -- Approaches -- ‘Cantat’ – ‘dicat’ – ‘respondeat’ Directions and Performers -- A note on the transcription and editing of text and notation -- Localizing the Play -- Before the Passion -- The Passion (1) -- The Passion (2) -- The Resurrection and the Harrowing of Hell -- The Empty Tomb -- Conclusions -- Bibliography.
author_facet Macardle, Peter.
author_variant p m pm
author_sort Macardle, Peter.
title The St Gall passion play : music and performance /
title_sub music and performance /
title_full The St Gall passion play : music and performance / Peter Macardle.
title_fullStr The St Gall passion play : music and performance / Peter Macardle.
title_full_unstemmed The St Gall passion play : music and performance / Peter Macardle.
title_auth The St Gall passion play : music and performance /
title_new The St Gall passion play :
title_sort the st gall passion play : music and performance /
series Ludus ;
series2 Ludus ;
publisher Rodopi,
publishDate 2007
physical 1 online resource (461 p.)
edition 1st ed.
contents Preliminary Material -- Acknowledgements -- Introduction -- The Text and the Problem -- Liturgy and Localization -- Approaches -- ‘Cantat’ – ‘dicat’ – ‘respondeat’ Directions and Performers -- A note on the transcription and editing of text and notation -- Localizing the Play -- Before the Passion -- The Passion (1) -- The Passion (2) -- The Resurrection and the Harrowing of Hell -- The Empty Tomb -- Conclusions -- Bibliography.
isbn 94-012-0544-2
1-4356-2310-X
90-420-2346-5
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN3233
callnumber-sort PN 43233 M33 42007
illustrated Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 792 - Stage presentations
dewey-full 792.16
dewey-sort 3792.16
dewey-raw 792.16
dewey-search 792.16
oclc_num 712988559
191856349
work_keys_str_mv AT macardlepeter thestgallpassionplaymusicandperformance
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hierarchy_parent_title Ludus ; 10
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container_title Ludus ; 10
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