The St Gall passion play : : music and performance / / Peter Macardle.
The early-fourteenth-century St Gall Passion Play comes from the Central Rhineland. Unfortunately its music (over one hundred Latin and German chants) is given in the manuscript only as brief incipits, without any musical notation. This interdisciplinary study reconstructs the musical stratum of the...
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Superior document: | Ludus ; 10 |
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Year of Publication: | 2007 |
Edition: | 1st ed. |
Language: | English |
Series: | Ludus ;
10. |
Physical Description: | 1 online resource (461 p.) |
Notes: | Description based upon print version of record. |
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Macardle, Peter. The St Gall passion play : music and performance / Peter Macardle. 1st ed. Amsterdam : Rodopi, 2007. 1 online resource (461 p.) text txt computer c online resource cr Ludus ; 10 Description based upon print version of record. English Preliminary Material -- Acknowledgements -- Introduction -- The Text and the Problem -- Liturgy and Localization -- Approaches -- ‘Cantat’ – ‘dicat’ – ‘respondeat’ Directions and Performers -- A note on the transcription and editing of text and notation -- Localizing the Play -- Before the Passion -- The Passion (1) -- The Passion (2) -- The Resurrection and the Harrowing of Hell -- The Empty Tomb -- Conclusions -- Bibliography. The early-fourteenth-century St Gall Passion Play comes from the Central Rhineland. Unfortunately its music (over one hundred Latin and German chants) is given in the manuscript only as brief incipits, without any musical notation. This interdisciplinary study reconstructs the musical stratum of the play. It is the first full-scale musical reconstruction of a large German Passion play in recent times, using the latest available scholarly data in drama, liturgy and music. It draws conclusions about performance practice and forces, and offers a sound basis for an authentic performance of the play. The study applies musical and liturgical data to the problem of localizing the play (the first time this has been systematically attempted), and assesses how applicable this might be to other plays. It presents a detailed study of the distinctive medieval liturgical uses of three German dioceses, Mainz, Speyer and Worms. The comparative approach suggests how the music of other plays might be reconstructed and understood, and shows that a better understanding of the music of medieval drama has much to teach us about other aspects of the genre. The book should be of interest to literary scholars, theatre historians, musicologists, liturgical scholars, and those involved in the performance of early drama. Includes bibliographical references (p. [397]-458). Passion-plays History and criticism. Passion-plays Songs and music History and criticism. St. Galler Passionsspiel. 90-420-2346-5 Ludus ; 10. |
language |
English |
format |
eBook |
author |
Macardle, Peter. |
spellingShingle |
Macardle, Peter. The St Gall passion play : music and performance / Ludus ; Preliminary Material -- Acknowledgements -- Introduction -- The Text and the Problem -- Liturgy and Localization -- Approaches -- ‘Cantat’ – ‘dicat’ – ‘respondeat’ Directions and Performers -- A note on the transcription and editing of text and notation -- Localizing the Play -- Before the Passion -- The Passion (1) -- The Passion (2) -- The Resurrection and the Harrowing of Hell -- The Empty Tomb -- Conclusions -- Bibliography. |
author_facet |
Macardle, Peter. |
author_variant |
p m pm |
author_sort |
Macardle, Peter. |
title |
The St Gall passion play : music and performance / |
title_sub |
music and performance / |
title_full |
The St Gall passion play : music and performance / Peter Macardle. |
title_fullStr |
The St Gall passion play : music and performance / Peter Macardle. |
title_full_unstemmed |
The St Gall passion play : music and performance / Peter Macardle. |
title_auth |
The St Gall passion play : music and performance / |
title_new |
The St Gall passion play : |
title_sort |
the st gall passion play : music and performance / |
series |
Ludus ; |
series2 |
Ludus ; |
publisher |
Rodopi, |
publishDate |
2007 |
physical |
1 online resource (461 p.) |
edition |
1st ed. |
contents |
Preliminary Material -- Acknowledgements -- Introduction -- The Text and the Problem -- Liturgy and Localization -- Approaches -- ‘Cantat’ – ‘dicat’ – ‘respondeat’ Directions and Performers -- A note on the transcription and editing of text and notation -- Localizing the Play -- Before the Passion -- The Passion (1) -- The Passion (2) -- The Resurrection and the Harrowing of Hell -- The Empty Tomb -- Conclusions -- Bibliography. |
isbn |
94-012-0544-2 1-4356-2310-X 90-420-2346-5 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN3233 |
callnumber-sort |
PN 43233 M33 42007 |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
792 - Stage presentations |
dewey-full |
792.16 |
dewey-sort |
3792.16 |
dewey-raw |
792.16 |
dewey-search |
792.16 |
oclc_num |
712988559 191856349 |
work_keys_str_mv |
AT macardlepeter thestgallpassionplaymusicandperformance AT macardlepeter stgallpassionplaymusicandperformance |
status_str |
n |
ids_txt_mv |
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carrierType_str_mv |
cr |
hierarchy_parent_title |
Ludus ; 10 |
hierarchy_sequence |
10. |
is_hierarchy_title |
The St Gall passion play : music and performance / |
container_title |
Ludus ; 10 |
_version_ |
1806387765066072064 |
fullrecord |
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