Literature and musical adaptation / / Michael J. Meyer.
It can safely be said that when literary texts are utilized or adapted by a musician to create a new work of art, it is seldom that a diminished or lessened product results. Rather, such a merging usually enlarges and enhances both text and tune, perhaps significantly changing the message of the ori...
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| Superior document: | Rodopi Perspectives on Modern Literature ; 26 |
|---|---|
| VerfasserIn: | |
| TeilnehmendeR: | |
| Place / Publishing House: | Amsterdam, Netherlands : : Rodopi,, [2002] ©2002 |
| Year of Publication: | 2002 |
| Language: | English |
| Series: | Rodopi perspectives on modern literature ;
26. |
| Physical Description: | 1 online resource (221 pages) :; illustrations. |
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Table of Contents:
- Preliminary Material / Michael J. Meyer
- Introduction / Michael J. Meyer
- “‘A Song not Without Words’: Singing Billy Budd ” / Michael J. Meyer
- Music in The Great Gatsby and The Great Gatsby as Music / Michael J. Meyer
- Henry Purcell and Gerard Manley Hopkins: Two Explorations of Identity / Michael J. Meyer
- “Something lies beyond the Scene [seen]” of Façade: Sitwell, Walton and Kristeva’s Semiotic / Michael J. Meyer
- “Dann Sang er”: Das Marienleben from Rilke to Hindemith / Michael J. Meyer
- Pasternak and Tchaikovsky: Musical Echoes in Pasternak’s Blind Beauty / Michael J. Meyer
- The Hidden Life: Benjamin Britten’s Homoerotic Reading of Henry James’s The Turn of the Screw / Michael J. Meyer
- Musical Interpretations of Modernist Literature / Michael J. Meyer
- When Performance Ends: Musicians as Writers / Michael J. Meyer
- Celan’s “Todesfuge”: The Musical Dimension of a Verbal Composition / Michael J. Meyer.