Shusterman's somaesthetics : : from hip hop philosophy to politics and performance art / / edited by Jerold J. Abrams.

This edited collection provides an in-depth and wide-ranging exploration of pragmatist philosopher Richard Shusterman's distinctive project of "somaesthetics," devoted not only to better understanding bodily experience but also to greater mastery of somatic perception, performance, an...

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Bibliographic Details
Superior document:Studies in Somaesthetics ; 4
TeilnehmendeR:
Place / Publishing House:Leiden, Netherlands ;, Boston, Massachusetts : : Brill,, [2022]
©2022
Year of Publication:2022
Language:English
Series:Studies in Somaesthetics ; 4.
Physical Description:1 online resource (298 pages)
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Table of Contents:
  • Half Title
  • Series Information
  • Title Page
  • Copyright Page
  • Contents
  • Acknowledgments
  • List of Figures
  • Notes on Contributors
  • Introduction
  • Part 1 Pragmatism and Somaesthetics
  • Chapter 1 Shusterman's Pragmatist Philosophy
  • 1 The Soma and Somatism
  • 2 Körper and Leib
  • 3 The Body-Mind
  • 4 The Aesthetic Self
  • 5 Critiquing and Defending Shusterman
  • 6 A New Fusion
  • Chapter 2 From Pragmatism to Somaesthetics as Philosophy
  • 1
  • 2
  • 3
  • Chapter 3 Somaesthetics, Somapower, and the Microphysics of Emancipation
  • Chapter 4 Living Beauty, Rethinking Rap: Revisiting Shusterman's Philosophy of Hip Hop
  • 1 From the Bronx to Finland
  • 2 Rap's Struggle for Scholarly Recognition
  • 3 Shusterman on Rap
  • 4 Talkin' All That Rap
  • 5 Rap and Violence
  • 6 Recycling the Past, Reinventing the Future
  • Chapter 5 Somaesthetics and Pathic Aesthetics
  • 1 Opening the Dialogue
  • 2 Pathic Aesthetics
  • 3 Shusterman on Pragmatism and Popular Art
  • 4 The Limits of Somaesthetics
  • 5 An Ongoing Dialogue
  • Chapter 6 Eating as an Aesthetic Activity: Somaesthetics and Food Studies
  • 1 Food and Philosophy
  • 2 Der Mensch ist was er isst
  • 3 Food, Art, and Aesthetics
  • 4 The Somaesthetic Art of Eating
  • 5 The Culture of Sensory Experience
  • Part 2 Performative Philosophy and the Man in Gold
  • Chapter 7 Somaesthetics, Photography, and the Man in Gold
  • 1 The Adventures of the Man in Gold
  • 2 Transfigurations
  • 2.1 Danto and Shusterman
  • 2.2 Emerson and Shusterman
  • 3 The Man in Gold and the Golden Man
  • Chapter 8 An Exquisitely Beautiful Longing: A Lacanian Reading of The Adventures of the Man in Gold
  • 1 A Word about the Theoretical Theater in Which I Write
  • 2 Boundary-Crossing and the Move against Dualism
  • 3 Fiction, the Mirror Stage, and the "Third Term"
  • 4 The Mirror-Stage and the Man in Gold.
  • 5 The Adventures of the Man in Gold as Memoir
  • 6 A Joyous Celebration of the Fictional Nature of the Self
  • Chapter 9 Shusterman as Philosopher and the Man in Gold
  • 1 The Man in Gold
  • 2 Somaesthetics as Metalanguage
  • 3 Spectators and the Man in Gold
  • 4 Performance Arts and Performative Arts
  • 5 Spectators/Readers
  • Chapter 10 The Golden Turn in Shusterman's Somaesthetics: The Magical Figure of the Man in Gold
  • 1 Art and the Body
  • 2 A New Concept of Visual Art
  • 3 Somaesthetics and Somaflux Photography
  • 4 Aesthetic Transactions Exhibition, Paris 2012
  • 5 Photography and Performance
  • 6 The Royaumont Abbey: A Mysterious Birth
  • 7 The Dunes and the Sea of Northern Jutland
  • 8 The Artists of Pink Rock Castle, by Marit Benthe Norheim
  • 9 The Birth of a New Artwork and New Literary Work
  • Chapter 11 On Shusterman's Somaesthetic Practice: The Case of the Man in Gold
  • 1 Who Is the Man in Gold?
  • 2 The Abbey in France
  • 3 Private Redemption
  • 4 Shusterman and Merleau-Ponty
  • 5 Body Consciousness
  • 6 Shusterman and the Man in Gold
  • 7 Daoism and the Man in Gold
  • Chapter 12 Somaesthetics and Cinema: The Man in Gold in the Film Walk the Golden Night
  • 1 Introduction
  • 2 The Camera Obscura and the Midwife Analogy
  • 3 Genius and the Photographical Situation
  • 4 Walk the Golden Night and Citizen Kane
  • 5 Emerson, Mood, and the Camera
  • 6 Langer, Danto, and Walk the Golden Night
  • 7 The Film's Ending
  • Part 3 Shusterman in His Own Words
  • Chapter 13 Somaesthetics, Pragmatism, and the Man in Gold: Remarks on the Preceding Chapters
  • 1
  • 2
  • Chapter 14 On the Path of Somaesthetics: An Interview with Richard Shusterman
  • Abbreviated Bibliography and Filmography of Richard Shusterman
  • Books
  • Films
  • Books about Shusterman
  • Name Index
  • Subject Index.