Gothic motifs in the fiction of William Gibson / / Tatiani G. Rapatzikou.
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| Superior document: | Postmodern Studies ; 36 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Amsterdam ;, New York, New York : : Rodopi,, 2004. |
| Year of Publication: | 2004 |
| Language: | English |
| Series: | Postmodern studies ;
36. |
| Physical Description: | 1 online resource. |
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| 100 | 1 | |a Rapatzikou, Tatiani G., |e author. | |
| 245 | 1 | 0 | |a Gothic motifs in the fiction of William Gibson / |c Tatiani G. Rapatzikou. |
| 264 | 1 | |a Amsterdam ; |a New York, New York : |b Rodopi, |c 2004. | |
| 300 | |a 1 online resource. | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Postmodern Studies ; |v 36 | |
| 504 | |a Includes bibliographical references (p. 231-243) and index. | ||
| 505 | 0 | 0 | |a Preliminary Material -- Enter Cyberpunk: An Itinerary of Visual Manifestations -- The Emergence of Cyberpunk Science Fiction: Elaboration on the Idea of Genre -- The Idea of the Spectacular: Neuromancer, Mona Lisa Overdrive and Count Zero -- Zombies in the Age of Terminal Culture: Neuromancer, Mona Lisa Overdrive, Count Zero and the Graphic Novels -- Alternate Histories and Technological Aestheticisation: William Gibson and Bruce Sterling’s The Difference Engine -- William Gibson’s “Architecture”: Virtual Light, idoru and All Tomorrow’s Parties -- Conclusion -- Appendix -- Bibliography -- Index. |
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Imagery (Psychology) in literature. | |
| 600 | 1 | 0 | |a Gibson, William, |d 1948- |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Gibson, William, |d 1948- |
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| 830 | 0 | |a Postmodern studies ; |v 36. | |
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