Mysterium Magnum : : Michelangelo's Tondo Doni / / by Regina Stefaniak.
This study presents the Tondo Doni to the new Florentine republic as a model of the 'great sacrament' of marriage from the New Testament book of Ephesians. Following fifteenth-century theology, Michelangelo portrayed Mary as a humble wife dominated and possessed by a virile guardian Joseph...
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| Superior document: | Brill's studies in intellectual history, v. 164. Brill's studies on art, art history, and intellectual history ; v. 1 |
|---|---|
| : | |
| Year of Publication: | 2008 |
| Edition: | 1st ed. |
| Language: | English |
| Series: | Brill's studies in intellectual history ;
v. 164. Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ; v. 1. |
| Physical Description: | 1 online resource (180 p.) |
| Notes: | Description based upon print version of record. |
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| 100 | 1 | |a Stefaniak, Regina. | |
| 245 | 1 | 0 | |a Mysterium Magnum : |b Michelangelo's Tondo Doni / |c by Regina Stefaniak. |
| 250 | |a 1st ed. | ||
| 260 | |a Leiden ; |a Boston : |b Brill, |c 2008. | ||
| 300 | |a 1 online resource (180 p.) | ||
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| 490 | 1 | |a Brill's studies in intellectual history, |x 0920-8607 ; |v v. 164. |a Brill's studies on art, art history, and intellectual history ; |v v. 1 | |
| 500 | |a Description based upon print version of record. | ||
| 546 | |a English | ||
| 505 | 0 | 0 | |t Preliminary Materials / |r R. Stefaniak -- |t Introduction Tondo Doni / |r R. Stefaniak -- |t Chapter One. Prime Nozze: Generation / |r R. Stefaniak -- |t Chapter Two. Seconde Nozze: Regeneration / |r R. Stefaniak -- |t Chapter Three. Così Nel Mio Parlar Vogli’ Esser Aspro / |r R. Stefaniak -- |t Bibliography / |r R. Stefaniak -- |t Index / |r R. Stefaniak. |
| 520 | |a This study presents the Tondo Doni to the new Florentine republic as a model of the 'great sacrament' of marriage from the New Testament book of Ephesians. Following fifteenth-century theology, Michelangelo portrayed Mary as a humble wife dominated and possessed by a virile guardian Joseph, the couple united as if ‘two in one flesh’. To compensate for their symbolic propinquity, the painter cast her as a paragon of virginity, a muscular mulier fortis . In order to keep this virago in her place, Michelangelo coupled the Virgin in spiritual union with Christ, maenad-Psyche to bacchic Eros, attempting to mystify her social subordination into self-sacrificing love via Ficinian commentary and Saint Paul. Then, firing the Doni infant’s vehemence with a distinctly violent strain of Christian love, the painter turned to Dante’s rime petrose to continue the implied action and authorize a new painterly style, a sculptural stile aspro . Brill's Studies on Art, Art History, and Intellectual History , volume 1 | ||
| 504 | |a Includes bibliographical references (p. [145]-155) and index. | ||
| 600 | 0 | 0 | |a Michelangelo Buonarroti, |d 1475-1564. |t Holy Family. |
| 600 | 0 | 0 | |a Michelangelo Buonarroti, |d 1475-1564 |x Criticism and interpretation. |
| 776 | |z 90-04-16544-4 | ||
| 830 | 0 | |a Brill's studies in intellectual history ; |v v. 164. | |
| 830 | 0 | |a Brill's studies in intellectual history. |p Brill's studies on art, art history, and intellectual history ; |v v. 1. | |
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