Cinema and television in Singapore : resistance in one dimension / / by Kenneth Paul Tan.

• Superior document: Social sciences in Asia, v. 16
• Author: Tan, Kenneth Paul.
• Year of Publication: 2008
• Edition: 1st ed.
• Language: English
• Series: Social sciences in Asia ; v. 16.
• Physical Description: 1 online resource (328 p.)
• Notes: Description based upon print version of record.
• Other title: Preliminary Materials /; Chapter One. One-Dimensional Singapore /; Chapter Two. The Culture Industry In Renaissance-City Singapore /; Chapter Three. Singapore Idol: Consuming Nation And Democracy /; Chapter Four. Under One Ideological Roof? Tv Sitcoms And Drama Series /; Chapter Five. Imagining The Chinese Community Through The Films Of Jack Neo /; Chapter Six. The Tragedy Of The Heartlands In The Films Of Eric Khoo /; Chapter Seven. The Films Of Royston Tan: Local Notoriety, International Acclaim /; Conclusion /; Appendix A. Cited Television Programs And Episodes /; Appendix B. Cited Films By Jack Neo, Eric Khoo, And Royston Tan /; References /; Index /
• Bibliography: Includes bibliographical references (p. [275]-290) and index.
• ISBN: 1282398377; 9786612398377; 9047433335
• ISSN: 1567-2794
• Hierarchical level: Monograph
• Statement of Responsibility: by Kenneth Paul Tan.

Through close readings of contemporary made-in-Singapore films (by Jack Neo, Eric Khoo, and Royston Tan) and television programs (Singapore Idol, sitcoms, and dramas), this book explores the possibilities and limitations of resistance within an advanced capitalist-industrial society whose authoritarian government skillfully negotiates the risks and opportunities of balancing its on-going nation-building project and its “global city” aspirations. This book adopts a framework inspired by Antonio Gramsci that identifies ideological struggles in art and popular culture, but maintains the importance of Herbert Marcuse’s one-dimensional society analysis as theoretical limits to recognize the power of authoritarian capitalism to subsume works of art and popular culture even as they attempt consciously—even at times successfully—to negate and oppose dominant hegemonic formations.