The Japanese theatre : : From Shamanistic ritual to contemporary pluralism / / Ortolani.
An up-to-date cultural history of the Japanese theatre in all its forms including primitive rituals, court and popular dance-drama, puppet shows and westernized plays, is narrated here for the first time in English by a western authority in the field. The book underlines Zeami and Zenchiku's se...
Saved in:
Superior document: | Handbook of Oriental Studies. Section 5 Japan ; 2/1 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Leiden; , Boston : : BRILL,, 1990. |
Year of Publication: | 1990 |
Language: | English |
Series: | Handbook of Oriental Studies. Section 5 Japan ;
2/1. |
Physical Description: | 1 online resource (388 pages) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
993583388104498 |
---|---|
ctrlnum |
(MiAaPQ)EBC7042517 (Au-PeEL)EBL7042517 (CKB)24242728300041 (OCoLC)555539964 (nllekb)BRILL9789004484146 (EXLCZ)9924242728300041 |
collection |
bib_alma |
record_format |
marc |
spelling |
Ortolani, author. The Japanese theatre : From Shamanistic ritual to contemporary pluralism / Ortolani. From Shamanistic ritual to contemporary pluralism Leiden; Boston : BRILL, 1990. 1 online resource (388 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Handbook of Oriental Studies. Section 5 Japan ; 2/1 Description based on print version record. An up-to-date cultural history of the Japanese theatre in all its forms including primitive rituals, court and popular dance-drama, puppet shows and westernized plays, is narrated here for the first time in English by a western authority in the field. The book underlines Zeami and Zenchiku's secret tradition of the nō , explaining Zen-inspired spiritual teachings for the actor's training on the way to enlightened performance. It also gives relevance to the transformation of an anti-establishment entertainment by prostitutes into spectacular kabuki stagecraft, and to the modernization process which created shingeki modern drama, and moved it into the context of world theatre. The final chapter summarizes the history of western discovery of the Japanese stage. The illustrations, the indexes, the glossary and the extensive bibliography - including all major literature in western languages until 1989 - also contribute to make this volume a must for all students of the Japanese theatre, and for anyone interested in a better understanding of Japanese culture as mirrored in its theatrical component. Includes bibliographical references and index. Theater Japan History. Theater. Print version: Ortolani The Japanese Theatre Boston : BRILL,c1990 9789004093140 Handbook of Oriental Studies. Section 5 Japan ; 2/1. |
language |
English |
format |
eBook |
author |
Ortolani, |
spellingShingle |
Ortolani, The Japanese theatre : From Shamanistic ritual to contemporary pluralism / Handbook of Oriental Studies. Section 5 Japan ; |
author_facet |
Ortolani, |
author_variant |
o |
author_role |
VerfasserIn |
author_sort |
Ortolani, |
title |
The Japanese theatre : From Shamanistic ritual to contemporary pluralism / |
title_sub |
From Shamanistic ritual to contemporary pluralism / |
title_full |
The Japanese theatre : From Shamanistic ritual to contemporary pluralism / Ortolani. |
title_fullStr |
The Japanese theatre : From Shamanistic ritual to contemporary pluralism / Ortolani. |
title_full_unstemmed |
The Japanese theatre : From Shamanistic ritual to contemporary pluralism / Ortolani. |
title_auth |
The Japanese theatre : From Shamanistic ritual to contemporary pluralism / |
title_alt |
From Shamanistic ritual to contemporary pluralism |
title_new |
The Japanese theatre : |
title_sort |
the japanese theatre : from shamanistic ritual to contemporary pluralism / |
series |
Handbook of Oriental Studies. Section 5 Japan ; |
series2 |
Handbook of Oriental Studies. Section 5 Japan ; |
publisher |
BRILL, |
publishDate |
1990 |
physical |
1 online resource (388 pages) |
isbn |
9789004484146 9789004093140 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN2921 |
callnumber-sort |
PN 42921 |
geographic_facet |
Japan |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
792 - Stage presentations |
dewey-full |
792/.0952 |
dewey-sort |
3792 3952 |
dewey-raw |
792/.0952 |
dewey-search |
792/.0952 |
oclc_num |
555539964 |
work_keys_str_mv |
AT ortolani thejapanesetheatrefromshamanisticritualtocontemporarypluralism AT ortolani fromshamanisticritualtocontemporarypluralism AT ortolani japanesetheatrefromshamanisticritualtocontemporarypluralism |
status_str |
n |
ids_txt_mv |
(MiAaPQ)EBC7042517 (Au-PeEL)EBL7042517 (CKB)24242728300041 (OCoLC)555539964 (nllekb)BRILL9789004484146 (EXLCZ)9924242728300041 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Handbook of Oriental Studies. Section 5 Japan ; 2/1 |
hierarchy_sequence |
2/1. |
is_hierarchy_title |
The Japanese theatre : From Shamanistic ritual to contemporary pluralism / |
container_title |
Handbook of Oriental Studies. Section 5 Japan ; 2/1 |
_version_ |
1796652943997403136 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02743nam a22004691i 4500</leader><controlfield tag="001">993583388104498</controlfield><controlfield tag="005">20230331004959.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu||||||||</controlfield><controlfield tag="008">201027s1990 ne ob 001 0 eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="z"> 90043797</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789004484146</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9789004093140</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1163/9789004484146</subfield><subfield code="2">DOI</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)EBC7042517</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(Au-PeEL)EBL7042517</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)24242728300041</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)555539964</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(nllekb)BRILL9789004484146</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)9924242728300041</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">NL-LeKB</subfield><subfield code="c">NL-LeKB</subfield><subfield code="e">rda</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN2921</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">GTB</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">HIS</subfield><subfield code="x">010000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">SOC</subfield><subfield code="x">015000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">SOC</subfield><subfield code="x">008000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">792/.0952</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Ortolani,</subfield><subfield code="e">author.</subfield></datafield><datafield tag="245" ind1="1" ind2="4"><subfield code="a">The Japanese theatre :</subfield><subfield code="b">From Shamanistic ritual to contemporary pluralism /</subfield><subfield code="c">Ortolani.</subfield></datafield><datafield tag="246" ind1="3" ind2=" "><subfield code="a">From Shamanistic ritual to contemporary pluralism</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Leiden; </subfield><subfield code="a">Boston :</subfield><subfield code="b">BRILL,</subfield><subfield code="c">1990.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (388 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Handbook of Oriental Studies. Section 5 Japan ;</subfield><subfield code="v">2/1</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on print version record.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">An up-to-date cultural history of the Japanese theatre in all its forms including primitive rituals, court and popular dance-drama, puppet shows and westernized plays, is narrated here for the first time in English by a western authority in the field. The book underlines Zeami and Zenchiku's secret tradition of the nō , explaining Zen-inspired spiritual teachings for the actor's training on the way to enlightened performance. It also gives relevance to the transformation of an anti-establishment entertainment by prostitutes into spectacular kabuki stagecraft, and to the modernization process which created shingeki modern drama, and moved it into the context of world theatre. The final chapter summarizes the history of western discovery of the Japanese stage. The illustrations, the indexes, the glossary and the extensive bibliography - including all major literature in western languages until 1989 - also contribute to make this volume a must for all students of the Japanese theatre, and for anyone interested in a better understanding of Japanese culture as mirrored in its theatrical component.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Theater</subfield><subfield code="z">Japan</subfield><subfield code="x">History.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Theater.</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Ortolani</subfield><subfield code="t">The Japanese Theatre</subfield><subfield code="d">Boston : BRILL,c1990</subfield><subfield code="z">9789004093140</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Handbook of Oriental Studies. Section 5 Japan ;</subfield><subfield code="v">2/1.</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2023-04-01 09:39:33 Europe/Vienna</subfield><subfield code="d">00</subfield><subfield code="f">system</subfield><subfield code="c">marc21</subfield><subfield code="a">2022-07-16 09:18:30 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">Brill</subfield><subfield code="P">EBA Brill All</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5343631260004498&Force_direct=true</subfield><subfield code="Z">5343631260004498</subfield><subfield code="b">Available</subfield><subfield code="8">5343631260004498</subfield></datafield></record></collection> |