Creating the "divine" artist : : from Dante to Michelangelo / / by Patricia A. Emison.
Turning a skeptical eye on the idea that Renaissance artists were widely believed to be as utterly admirable as Vasari claimed, this book re-opens the question of why artists were praised and by whom, and specifically why the language of divinity was invoked, a practice the ancients did not license...
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Year of Publication: | 2004 |
Language: | English |
Series: | Cultures, beliefs, and traditions,
v. 19 Cultures, Beliefs and Traditions: Medieval and Early Modern Peoples |
Physical Description: | 1 online resource (xiv, 388 p. ); ill. ; |
Notes: | Bibliographic Level Mode of Issuance: Monograph |
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100 | 1 | |a Emison, Patricia A. | |
245 | 1 | 0 | |a Creating the "divine" artist : |b from Dante to Michelangelo / |c by Patricia A. Emison. |
260 | |a Leiden ; |a Boston : |b Brill, |c 2004. | ||
300 | |a 1 online resource (xiv, 388 p. ) |b ill. ; | ||
336 | |a text |b txt | ||
337 | |a computer |b c | ||
338 | |a online resource |b cr | ||
440 | 0 | |a Cultures, beliefs, and traditions, |x 1382-5364 ; |v v. 19 | |
490 | 0 | |a Cultures, beliefs, and traditions Creating the "divine" artist from Dante to Michelangelo | |
504 | |a Includes bibliographical references (p. [355]-374) and index. | ||
500 | |a Bibliographic Level Mode of Issuance: Monograph | ||
546 | |a English | ||
520 | |a Turning a skeptical eye on the idea that Renaissance artists were widely believed to be as utterly admirable as Vasari claimed, this book re-opens the question of why artists were praised and by whom, and specifically why the language of divinity was invoked, a practice the ancients did not license. The epithet ''divino'' is examined in the context of claims to liberal arts status and to analogy with poets, musicians, and other ''uomini famossi.'' The reputations of Michelangelo and Brunelleschi are compared not only with each other but with those of Dante and Ariosto, of Aretino and of the ubiquitous beloved of the sonnet tradition. Nineteenth-century reformulations of the idea of Renaissance artistic divinity are treated in the epilogue, and twentieth-century treatments of the idea of artistic "ingegno" in an appendix. | ||
588 | |a Description based on publisher supplied metadata and other sources. | ||
650 | 0 | |a Artists |z Italy |x Social conditions |y 16th century. | |
650 | 0 | |a Arts, Renaissance |z Italy. | |
650 | 0 | |a Art criticism |z Italy |x History |y 16th century. | |
650 | 0 | |a Creation (Literary, artistic, etc.) | |
650 | 0 | |a Art, Renaissance |x Social conditions |y 16th century |z Italy | |
650 | 0 | |a Artists |z Italy |x History |y 16th century | |
650 | 0 | |a Art criticism |z Italy | |
650 | 7 | |a Visual Arts - General |2 HILCC | |
650 | 7 | |a Visual Arts |2 HILCC | |
650 | 7 | |a Art, Architecture & Applied Arts |2 HILCC | |
776 | |z 90-04-13709-2 | ||
830 | 0 | |a Cultures, Beliefs and Traditions: Medieval and Early Modern Peoples | |
906 | |a BOOK | ||
999 | |a This Record contains information from the Harvard Library Bibliographic Dataset, which is provided by the Harvard Library under its Bibliographic Dataset Use Terms and includes data made available by, among others the Library of Congress | ||
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