African Theatre and Politics : : A Comparative Study.
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Superior document: | Cross/Cultures |
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VerfasserIn: | |
Place / Publishing House: | Boston : : BRILL,, 1996. ©1996. |
Year of Publication: | 1996 |
Edition: | 1st ed. |
Language: | English |
Series: | Cross/Cultures
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Physical Description: | 1 online resource (318 pages) |
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100 | 1 | |a Plastow, Jane, |e author. | |
245 | 1 | 0 | |a African Theatre and Politics : |b A Comparative Study. |
250 | |a 1st ed. | ||
264 | 1 | |a Boston : |b BRILL, |c 1996. | |
264 | 4 | |c ©1996. | |
300 | |a 1 online resource (318 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a Cross/Cultures | |
505 | 0 | |a Intro -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- Acknowledgements -- Illustrations -- Introduction -- 1 The Colonial Theatre -- The performance forms -- Dance-drama -- Drama -- Orature -- Pre-colonial literature -- Feudalism and communalism -- 2 Conformity, Christianity and Suppression: The Early Colonial Theatre -- Ethiopia -- Amhara imperialism -- The first plays -- The Italian occupation and after -- Tanganyika -- Formation and colonization -- The development of indigenous theatre forms -- Colonial cultural forms -- Drama -- Southern Rhodesia -- Colonization: from 1890 to 1965 -- The repression of indigenous culture -- Promoting a new theatre -- White theatre -- White Rhodesian plays -- 3 Theatre in Liberation Struggles -- Tanganyika -- Political struggle -- The role of culture -- Ethiopia -- The rise of political awareness -- The reformist theatre -- The new drama -- The Creative Arts Centre -- Actors and theatres -- Southern Rhodesia -- The armed struggle 1965-1980 -- The theatres of separate development -- Escapism and exclusivity: the white theatre -- "Kind" Whites and "good" Blacks: official African performance -- Black drama groups and festivals -- Liberation arts -- 4 A Time of Hope: The Theatre of Independence -- Tanzania -- Nyerere, Nationalism and Ujamaa -- Early post-independence theatre -- The impetus of Arusha -- The intellectual drama -- Government sponsored theatre -- Ethiopia -- The end of an empire -- The early revolutionary theatre -- The PMAC and the theatre -- Changing relations with government -- Plays in the professional theatres, 1976-1979 -- Zimbabwe -- The question of nation building -- Towards a new culture -- The ZIMFEP initiative -- University drama -- "Amakhosi Theatre Productions" and the Bulawayo Association of Drama Groups -- Published drama. | |
505 | 8 | |a 5 Disillusion and Debate: The Contemporary Theatres -- Tanzania -- The apotheosis of the one-party state? -- Complacency and conformity: state arts -- The University and intellectual drama -- Popular performance art and cultural troupes -- Ethiopia -- A government in crisis -- A new beginning? -- The Theatre Arts Department -- The Amateur Arts Programme -- State control and the professional theatres -- Plays of the Eighties -- Theatre under the transitional government -- Zimbabwe -- A problem of credibility -- State attitudes to the performing arts -- Funding the theatres -- The independent arts -- The contemporary plays -- Annex A: Informants -- Bibliography -- Index. | |
588 | |a Description based on publisher supplied metadata and other sources. | ||
650 | 0 | |a Theater |x Political aspects. | |
776 | 0 | 8 | |i Print version: |a Plastow, Jane |t African Theatre and Politics: the Evolution of Theatre in Ethiopia, Tanzania and Zimbabwe |d Boston : BRILL,c1996 |
830 | 0 | |a Cross/Cultures | |
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