Representing wars from 1860 to the present : fields of action, fields of vision / / edited by Claire Bowen, Catherine Hoffmann.
Representing Wars from 1860 to the Present examines representations of war in literature, film, photography, memorials, and the popular press. The volume breaks new ground in cutting across disciplinary boundaries and offering case studies on a wide variety of fields of vision and action, and types...
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Superior document: | Textxet : studies in comparative literature, v. 85 |
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TeilnehmendeR: | |
Place / Publishing House: | Leiden : : Brill Rodopi. c2018. |
Year of Publication: | 2018 |
Language: | English |
Series: | Textxet: Studies in Comparative Literature
85. |
Physical Description: | 1 online resource (xii, 234 pages) :; illustrations. |
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Representing wars from 1860 to the present [e-book] : fields of action, fields of vision / edited by Claire Bowen, Catherine Hoffmann. Leiden : Brill Rodopi. c2018. 1 online resource (xii, 234 pages) : illustrations. text txt rdacontent computer c rdamedia online resource cr rdacarrier Textxet : studies in comparative literature, 0927-5754 ; v. 85 Representing Wars from 1860 to the Present examines representations of war in literature, film, photography, memorials, and the popular press. The volume breaks new ground in cutting across disciplinary boundaries and offering case studies on a wide variety of fields of vision and action, and types of conflict: from civil wars in the USA, Spain, Russia and the Congo to recent western interventions in Afghanistan and Iraq. In the case of World War Two, Representing Wars emphasises idiosyncratic and non-western perspectives – specifically those of Japanese writers Hayashi and Ooka. A central concern of the thirteen contributors has been to investigate the ethical and ideological implications of specific representational choices. Contributors are: Claire Bowen, Catherine Ann Collins, Marie-France Courriol, Éliane Elmaleh, Teresa Gibert, William Gleeson, Catherine Hoffmann, Sandrine Lascaux, Christopher Lloyd, Monica Michlin, Guillaume Muller, Misako Nemoto, Clément Sigalas. Includes bibliographical references (p. 229-230) and index. Front Matter -- Contents -- Acknowledgements -- Introduction / Claire Bowen and Catherine Hoffmann -- The Spectacle of War -- Deconstructing the Spectacle of War? Brian de Palma’s Redacted, Nick Broomfield’s Battle for Haditha, Paul Haggis’s In the Valley of Elah and the Iraq War / Monica Michlin -- The War in Images: The Poetics of Plasticity in Juan Benet’s Herrumbrosas lanzas / Sandrine Lascaux and Claire Bowen (trans.) -- The Second World War Seen from the Balcony: Representations of the Spectacle of War in the French Post-war Novel / Clément Sigalas -- At a Distance from War -- The “Comic Opera” of the Allied Intervention in Russia: Off-staging War in William Gerhardie’s Early Novels / Catherine Hoffmann -- Margaret Atwood’s Representation of Modern and Imaginary Warfare / Teresa Gibert -- Memory Keeping and Visual Narratives of Commemoration: Representing Interned Japanese Americans during World War ii / Catherine Collins -- Bringing the War Home -- Martha Rosler, an American Artist at War with War / Éliane Elmaleh -- Conflicting Documentary Strategies and Italian Counter-propaganda in the Spanish Civil War / Marie-France Courriol -- Revisiting the Congo’s Forgotten Wars: Jean Lartéguy’s Les Chimères noires and the Secession of Katanga / Christopher Lloyd -- “A Boy and His Dog…”: The War in Afghanistan and Storytelling / Claire Bowen -- Experiencing War and Bearing Witness -- Aphonic Images: Aurality and Silence in Civil War Photographs / William Gleeson -- Profiles of War by Hayashi Fusao: A Writer’s Approach to War / Guillaume Muller -- Ōoka Shōhei’s Democratization of the Self / Misako Nemoto -- Conclusion / Catherine Hoffmann. Description based on print version record and CIP data provided by publisher; resource not viewed. War in art. War in art. fast Bowen, Claire. Hoffmann, Catherine. 90-04-35323-2 Textxet: Studies in Comparative Literature 85. |
language |
English |
format |
eBook |
author2 |
Bowen, Claire. Hoffmann, Catherine. |
author_facet |
Bowen, Claire. Hoffmann, Catherine. |
author2_variant |
c b cb c h ch |
author2_role |
TeilnehmendeR TeilnehmendeR |
author_sort |
Bowen, Claire. |
author_additional |
Claire Bowen and Catherine Hoffmann -- Monica Michlin -- Sandrine Lascaux and Claire Bowen (trans.) -- Clément Sigalas -- Catherine Hoffmann -- Teresa Gibert -- Catherine Collins -- Éliane Elmaleh -- Marie-France Courriol -- Christopher Lloyd -- Claire Bowen -- William Gleeson -- Guillaume Muller -- Misako Nemoto -- Catherine Hoffmann. |
title |
Representing wars from 1860 to the present fields of action, fields of vision / |
spellingShingle |
Representing wars from 1860 to the present fields of action, fields of vision / Textxet : studies in comparative literature, Front Matter -- Contents -- Acknowledgements -- Introduction / The Spectacle of War -- Deconstructing the Spectacle of War? Brian de Palma’s Redacted, Nick Broomfield’s Battle for Haditha, Paul Haggis’s In the Valley of Elah and the Iraq War / The War in Images: The Poetics of Plasticity in Juan Benet’s Herrumbrosas lanzas / The Second World War Seen from the Balcony: Representations of the Spectacle of War in the French Post-war Novel / At a Distance from War -- The “Comic Opera” of the Allied Intervention in Russia: Off-staging War in William Gerhardie’s Early Novels / Margaret Atwood’s Representation of Modern and Imaginary Warfare / Memory Keeping and Visual Narratives of Commemoration: Representing Interned Japanese Americans during World War ii / Bringing the War Home -- Martha Rosler, an American Artist at War with War / Conflicting Documentary Strategies and Italian Counter-propaganda in the Spanish Civil War / Revisiting the Congo’s Forgotten Wars: Jean Lartéguy’s Les Chimères noires and the Secession of Katanga / “A Boy and His Dog…”: The War in Afghanistan and Storytelling / Experiencing War and Bearing Witness -- Aphonic Images: Aurality and Silence in Civil War Photographs / Profiles of War by Hayashi Fusao: A Writer’s Approach to War / Ōoka Shōhei’s Democratization of the Self / Conclusion / |
title_sub |
fields of action, fields of vision / |
title_full |
Representing wars from 1860 to the present [e-book] : fields of action, fields of vision / edited by Claire Bowen, Catherine Hoffmann. |
title_fullStr |
Representing wars from 1860 to the present [e-book] : fields of action, fields of vision / edited by Claire Bowen, Catherine Hoffmann. |
title_full_unstemmed |
Representing wars from 1860 to the present [e-book] : fields of action, fields of vision / edited by Claire Bowen, Catherine Hoffmann. |
title_auth |
Representing wars from 1860 to the present fields of action, fields of vision / |
title_alt |
Front Matter -- Contents -- Acknowledgements -- Introduction / The Spectacle of War -- Deconstructing the Spectacle of War? Brian de Palma’s Redacted, Nick Broomfield’s Battle for Haditha, Paul Haggis’s In the Valley of Elah and the Iraq War / The War in Images: The Poetics of Plasticity in Juan Benet’s Herrumbrosas lanzas / The Second World War Seen from the Balcony: Representations of the Spectacle of War in the French Post-war Novel / At a Distance from War -- The “Comic Opera” of the Allied Intervention in Russia: Off-staging War in William Gerhardie’s Early Novels / Margaret Atwood’s Representation of Modern and Imaginary Warfare / Memory Keeping and Visual Narratives of Commemoration: Representing Interned Japanese Americans during World War ii / Bringing the War Home -- Martha Rosler, an American Artist at War with War / Conflicting Documentary Strategies and Italian Counter-propaganda in the Spanish Civil War / Revisiting the Congo’s Forgotten Wars: Jean Lartéguy’s Les Chimères noires and the Secession of Katanga / “A Boy and His Dog…”: The War in Afghanistan and Storytelling / Experiencing War and Bearing Witness -- Aphonic Images: Aurality and Silence in Civil War Photographs / Profiles of War by Hayashi Fusao: A Writer’s Approach to War / Ōoka Shōhei’s Democratization of the Self / Conclusion / |
title_new |
Representing wars from 1860 to the present |
title_sort |
representing wars from 1860 to the present fields of action, fields of vision / |
series |
Textxet : studies in comparative literature, |
series2 |
Textxet : studies in comparative literature, |
publisher |
Brill Rodopi. |
publishDate |
2018 |
physical |
1 online resource (xii, 234 pages) : illustrations. |
contents |
Front Matter -- Contents -- Acknowledgements -- Introduction / The Spectacle of War -- Deconstructing the Spectacle of War? Brian de Palma’s Redacted, Nick Broomfield’s Battle for Haditha, Paul Haggis’s In the Valley of Elah and the Iraq War / The War in Images: The Poetics of Plasticity in Juan Benet’s Herrumbrosas lanzas / The Second World War Seen from the Balcony: Representations of the Spectacle of War in the French Post-war Novel / At a Distance from War -- The “Comic Opera” of the Allied Intervention in Russia: Off-staging War in William Gerhardie’s Early Novels / Margaret Atwood’s Representation of Modern and Imaginary Warfare / Memory Keeping and Visual Narratives of Commemoration: Representing Interned Japanese Americans during World War ii / Bringing the War Home -- Martha Rosler, an American Artist at War with War / Conflicting Documentary Strategies and Italian Counter-propaganda in the Spanish Civil War / Revisiting the Congo’s Forgotten Wars: Jean Lartéguy’s Les Chimères noires and the Secession of Katanga / “A Boy and His Dog…”: The War in Afghanistan and Storytelling / Experiencing War and Bearing Witness -- Aphonic Images: Aurality and Silence in Civil War Photographs / Profiles of War by Hayashi Fusao: A Writer’s Approach to War / Ōoka Shōhei’s Democratization of the Self / Conclusion / |
isbn |
90-04-35324-0 90-04-35323-2 |
issn |
0927-5754 ; |
callnumber-first |
N - Fine Arts |
callnumber-subject |
NX - Arts in General |
callnumber-label |
NX650 |
callnumber-sort |
NX 3650 W3 R48 42018EB |
illustrated |
Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
800 - Literature, rhetoric & criticism |
dewey-ones |
809 - History, description & criticism |
dewey-full |
809.93358 |
dewey-sort |
3809.93358 |
dewey-raw |
809.93358 |
dewey-search |
809.93358 |
oclc_num |
1019663382 |
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