Michelangelo in the new millennium : : conversations about artistic practice, patronage and Christianity / / Edited by Tamara Smithers.
Michelangelo in the New Millennium presents six paired studies in dialogue with each other that offer new ways of looking at Michelangelo’s art as a series of social, creative, and emotional exchanges where artistic intention remains flexible; probe deeper into the artist’s formal borrowing and how...
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Superior document: | Brill's studies in intellectual history ; v. 254 |
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TeilnehmendeR: | |
Place / Publishing House: | Boston : : Brill,, 2016. |
Year of Publication: | 2016 |
Language: | English |
Series: | Brill's Studies in Intellectual History
v. 254. Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ; v. 14. |
Physical Description: | 1 online resource (262 p.) |
Notes: | Description based upon print version of record. |
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245 | 0 | 0 | |a Michelangelo in the new millennium : |b conversations about artistic practice, patronage and Christianity / |c Edited by Tamara Smithers. |
264 | 1 | |a Boston : |b Brill, |c 2016. | |
300 | |a 1 online resource (262 p.) | ||
336 | |a text |b txt | ||
337 | |a computer |b c | ||
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490 | 1 | |a Brill's studies in intellectual history ; |v v. 254 | |
490 | 1 | |a Brill's studies on art, art history, and intellectual history ; |v v. 14 | |
500 | |a Description based upon print version of record. | ||
546 | |a English | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | 0 | |t Preliminary Material -- |t Introduction: Michelangelo in the New Millennium -- |t 1 Site-Specificity / |r Joost Keizer -- |t 2 Michelangelo’s Strozzi Tondo?: Securing Status with Art / |r Eric R. Hupe -- |t 3 The Pitti Tondo: A “Sibylline” Madonna / |r Emily Fenichel -- |t 4 Christ-Bearers and Seers of the Period Ante Legem: On the Male Nudes in Michelangelo’s Doni Tondo and Sistine Ceiling Frescoes / |r Jonathan Kline -- |t 5 Virtuous Prelates, Burdensome Relics and a Sliver of Gold in the Last Judgment / |r Erin Sutherland Minter -- |t 6 Michelangelo the “Lefty”: The Cappella Paolina, the Expulsion Drawings, and Marcello Venusti / |r Margaret Kuntz -- |t Coda Michelangelo’s Suicidal Stone -- |t Epilogue Twenty-first Century Versus Twentieth Century Methodologies / |r Marcia B. Hall -- |t Index. |
588 | |a Description based on print version record and CIP data provided by publisher; resource not viewed. | ||
520 | |a Michelangelo in the New Millennium presents six paired studies in dialogue with each other that offer new ways of looking at Michelangelo’s art as a series of social, creative, and emotional exchanges where artistic intention remains flexible; probe deeper into the artist’s formal borrowing and how it affects meaning regarding his early religious works; and consider the making and significance of his late papal painting projects commissioned by Paul III and Paul IV for chapels at the Vatican Palace. Contributors are: William E. Wallace, Joost Keizer, Eric R. Hupe, Emily Fenichel, Jonathan Kline, Erin Sutherland Minter, Margaret Kuntz, Tamara Smithers and Marcia B. Hall | ||
600 | 0 | 0 | |a Michelangelo Buonarroti, |d 1475-1564 |x Criticism and interpretation. |
700 | 1 | |a Smithers, Tamara. | |
776 | |z 90-04-31362-1 | ||
830 | 0 | |a Brill's Studies in Intellectual History |v v. 254. | |
830 | 0 | |a Brill's studies in intellectual history. |p Brill's studies on art, art history, and intellectual history ; |v v. 14. | |
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