E. T. A. Hoffmann, cosmopolitanism, and the struggle for German opera / / by Francien Markx.

In this first monograph on E. T. A. Hoffmann and opera, Francien Markx examines Hoffmann’s writings on opera and the challenges they pose to established narratives of aesthetic autonomy, the search for a national opera, and Hoffmann’s biography. Markx discusses Hoffmann’s lifelong fascination with o...

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Bibliographic Details
Superior document:Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, Volume 192
VerfasserIn:
Place / Publishing House:Leiden, Netherlands ;, Boston, [Massachusetts] : : Brill Rodopi,, 2016.
©2016
Year of Publication:2016
Language:English
Series:Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; Volume 192.
Physical Description:1 online resource (496 p.)
Notes:Description based upon print version of record.
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Summary:In this first monograph on E. T. A. Hoffmann and opera, Francien Markx examines Hoffmann’s writings on opera and the challenges they pose to established narratives of aesthetic autonomy, the search for a national opera, and Hoffmann’s biography. Markx discusses Hoffmann’s lifelong fascination with opera against the backdrop of eighteenth-century theater reform, the creation of national identity, contemporary performance practices and musical and aesthetic discourses as voiced by C. M. von Weber, A. W. Schlegel, Heine, and Wagner, among others. The book reconsiders the traditional view that German opera followed a deterministic trajectory toward Wagner’s Gesamtkunstwerk and reveals a cosmopolitan spirit in Hoffmann’s operatic vision, most notably exemplified by his controversial advocacy for Spontini in Berlin.
Bibliography:Includes bibliographical references and index.
ISBN:9004309578
ISSN:0929-6999 ;
Hierarchical level:Monograph
Statement of Responsibility: by Francien Markx.