A modern miscellany : : Shanghai cartoon artists, Shao Xunmei's circle and the travels of Jack Chen, 1926-1938 / / by Paul Bevan.

In A Modern Miscellany: Shanghai Cartoon Artists, Shao Xunmei’s Circle and the Travels of Jack Chen, 1926-1938 Paul Bevan explores how the cartoon (manhua) emerged from its place in the Chinese modern art world to become a propaganda tool in the hands of left-wing artists. The artists involved in wh...

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Bibliographic Details
Superior document:Ideas, History, and Modern China, Volume 12
VerfasserIn:
Place / Publishing House:Leiden, Netherlands ;, Boston, [Massachusetts] : : Brill,, 2016.
©2016
Year of Publication:2016
Language:English
Series:Ideas, history, and modern China ; Volume 12.
Physical Description:1 online resource (407 p.)
Notes:Outgrowth of the author's thesis (Ph. D.--University of London, School of Oriental and African Studies, 2012) under title: Manhua artists in Shanghai 1926-1938 : from art-for-art's-sake to wartime propaganda.
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245 1 2 |a A modern miscellany :  |b Shanghai cartoon artists, Shao Xunmei's circle and the travels of Jack Chen, 1926-1938 /  |c by Paul Bevan. 
264 1 |a Leiden, Netherlands ;  |a Boston, [Massachusetts] :  |b Brill,  |c 2016. 
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300 |a 1 online resource (407 p.) 
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338 |a online resource  |b cr 
490 1 |a Ideas, History, and Modern China,  |x 1875-9394 ;  |v Volume 12 
546 |a English 
500 |a Outgrowth of the author's thesis (Ph. D.--University of London, School of Oriental and African Studies, 2012) under title: Manhua artists in Shanghai 1926-1938 : from art-for-art's-sake to wartime propaganda. 
505 0 0 |t Front Matter --   |t Copyright Page --   |t Acknowledgements --   |t Note on the Illustrations --   |t List of Illustrations --   |t Notes on Romanization and References --   |t Note on Sources --   |t Introduction --   |t The Beginnings of the Modern Chinese Cartoon --   |t Manhua Artists in Shanghai --   |t Shao Xunmei and his Circle /  |r Shao Xunmei and Pictorial Magazines --   |t Adoption of Foreign Models in Art and Literature --   |t Miguel Covarrubias --   |t The Chinese Cartoonists and George Grosz --   |t The Dissemination of Chinese Political Art --   |t Jack Chen in China --   |t The First National Cartoon Exhibition --   |t Chinese Art and its Part in the Worldwide Fight against Fascism --   |t Conclusion --   |t Back Matter --   |t Bibliography --   |t Index. 
520 |a In A Modern Miscellany: Shanghai Cartoon Artists, Shao Xunmei’s Circle and the Travels of Jack Chen, 1926-1938 Paul Bevan explores how the cartoon (manhua) emerged from its place in the Chinese modern art world to become a propaganda tool in the hands of left-wing artists. The artists involved in what was largely a transcultural phenomenon were an eclectic group working in the areas of fashion and commercial art and design. The book demonstrates that during the build up to all-out war the cartoon was not only important in the sphere of Shanghai popular culture in the eyes of the publishers and readers of pictorial magazines but that it occupied a central place in the primary discourse of Chinese modern art history. 
504 |a Includes bibliographical references and index. 
588 |a Description based on print version record. 
650 0 |a Caricatures and cartoons  |z China  |z Shanghai  |x History  |y 20th century. 
650 0 |a Art and society  |z China  |z Shanghai  |x History  |y 20th century. 
650 0 |a Art  |x Political aspects  |z China  |z Shanghai  |x History  |y 20th century. 
600 1 0 |a Shao, Xunmei,  |d 1906-1968  |x Friends and associates. 
600 1 0 |a Chen, Jack,  |d 1908-1995. 
776 |z 90-04-36284-3 
776 |z 90-04-30793-1 
830 0 |a Ideas, history, and modern China ;  |v Volume 12. 
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