Inhabiting the meta visual : : contemporary performance themes / / edited by Helene Gee Markstein and Arthur Maria Steijn.

Theatre and the many varied expressions of performance practice in live and mediated performance forms, are by their nature inter-disciplinary. The goal of this volume is to develop discussion with a focus on the visual aspects of performance brought up by artists and researchers in various performa...

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Place / Publishing House:Oxford, United Kingdom : : Inter-Disciplinary Press,, [2016]
2016
Year of Publication:2016
Language:English
Physical Description:1 online resource
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520 |a Theatre and the many varied expressions of performance practice in live and mediated performance forms, are by their nature inter-disciplinary. The goal of this volume is to develop discussion with a focus on the visual aspects of performance brought up by artists and researchers in various performance disciplines and practices. The volume facilitates inter-personal communication and the exchange of global perspectives, to engage a community in meaningful dialogue. Scenography describes the discipline of performing arts, which include all elements of theatrical presentation. As a definition here it is useful for this volume, because it outlines the understanding of scenographic practice as a combination of numerous theatre-practices that collaborate and include: architecture, lighting, costume, make-up, sound, settings and stage properties, movement, as well as audience participation. 
505 0 0 |a Preliminary Material /  |r Helene Gee Markstein and Arthur Maria Steijn -- In Pursuit of the Social in Site-Specific Performance /  |r Artemis Sierra -- The Dramaturgy of Wine, the Terroir of Performance: Multi-Sensory Performance-Making in Through the Grapevine /  |r Roanna Mitchell and Krysta Dennis -- The Theatricality of the Human Body in Performance Art /  |r Pnina Porter -- Facing Things /  |r Andrew Cope -- Psychical Distance as a Basis for Perception and Creative Participation /  |r Tereza Sluková -- Theatrical Performance in Light of Jean Paul Sartre’s Theory of the Imagination /  |r Mahdi Ansari -- Is that a Watermelon on Your Head or a Basket of Fruits? Orthodox Masculinity in Sports and the Paradoxical Erotic Experience of the Roughriders Male Fans’ Drag Expressions /  |r Jorge Sandoval -- Live from New York: Movement Performance and the Representation of American Heteronormativity /  |r Colleen Culley -- American Showgirl: Ziegfeld to J Lo /  |r Virginia L. Vogel -- Reduction as a Means to Enhance Choreographic Potential in Musical Performance /  |r Falk Hübner -- Songs for an Injured Environment: Creating Visual Metaphors From a Theatre of Nature /  |r Lisa Parkins -- Symbolic Use of Dress: Related Ritual in English and Spanish Oral Traditions /  |r Ana Belén Martínez García -- Utzon’s Use of Light to Influence the Audience’s Perception of the Sydney Opera House /  |r Simon Dwyer -- iPad Svoboda: The Physical Theatre of Projected Light /  |r Andy Hurst and Judita Vivas -- Experimental Music Theatre and Its Investigation: Dieter Schnebel’s Körper-Sprache /  |r Christa Brüstle -- Set the Machine into Motion: On Hotel Pro Forma’s Performance Laughter in the Dark /  |r Maria Carneiro -- A Live-Time Relation: Motion Graphics Meets Classical Music /  |r Arthur Maria Steijn. 
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700 1 |a Markstein, Helene Gee,  |d 1947-  |e editor. 
700 1 |a Steijn, Arthur Maria,  |e editor. 
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