Identity, intertextuality, and performance in early modern song culture / / edited by Dieuwke van der Poel, Louis Peter Grijp and Wim van Anrooij.

Singing together is a tried and true method of establishing and maintaining a group’s identity. Identity, Intertextuality, and Performance in Early Modern Song Culture for the first time explores comparatively the dynamic process of group formation through the production and appropriation of songs i...

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Bibliographic Details
Superior document:Intersections, Volume 43
TeilnehmendeR:
Place / Publishing House:Leiden, Netherlands ;, Boston, Massachusetts : : Brill,, 2016.
©2016
Year of Publication:2016
Language:English
Series:Intersections (Series) ; Volume 43.
Physical Description:1 online resource (397 p.)
Notes:Description based upon print version of record.
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Table of Contents:
  • Preliminary Material
  • 1 Introduction / Louis Peter Grijp and Dieuwke van der Poel
  • 2 Local and Religious Identity in Swedish Popular Hymn Singing during the Seventeenth and Eighteenth Centuries / Ingrid Åkesson
  • 3 Performing Pietism in the Peatlands: Songs in the Manuscript Miscellany of a Village Schoolmaster in the Dutch Republic between 1750 and 1800 / Nelleke Moser
  • 4 Guilielmus Bolognino’s Den Gheestelijcken Leeuwercker: The Collected Songs of a Counter-Reformation Champion / Hubert Meeus and Tine de Koninck
  • 5 Songs and Identities: Handwritten Secular Songbooks in German-Speaking Areas of the Fifteenth and Sixteenth Centuries / Franz-Josef Holznagel
  • 6 ‘Social Networking is in Our dna’: Women’s Alba Amicorum as Places to Build and Affirm Group Identities / Sophie Reinders
  • 7 The Many Shades of Love: Possessors and Inscribers of Sixteenth-Century Women’s Alba / Clara Strijbosch
  • 8 Exploring Love’s Options: Song and Youth Culture in the Sixteenth Century Netherlands / Dieuwke van der Poel
  • 9 Oppositional Political Identity in the Song Culture of the Vormärz and the 1848 Revolution in Germany / David Robb
  • 10 The Perils of Performance: From Political Songs to National Airs in Romantic-Era Wales (1790–1820) / Mary-Ann Constantine
  • 11 Folksongs, Conflicts and Social Protest in Early Modern France / Éva Guillorel
  • 12 “Fortune My Foe”: The Circulation of an English Super-Tune / Christopher Marsh
  • 13 Samuel Pepys and the Making of Ballad Publics / Patricia Fumerton
  • 14 Slave Orchestras and Rainbow Balls: Colonial Culture and Creolisation at the Cape of Good Hope, 1750–1838 / Anne Marieke van der Wal
  • Index Nominum.