Ford Madox Ford and Englishness / / edited by Dennis Brown, Jenny Plastow.

The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. International Ford Madox Ford Studies has been founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme...

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Superior document:International Ford Madox Ford Studies ; 5
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Place / Publishing House:Leiden; , Boston : : BRILL,, 2006.
Year of Publication:2006
Language:English
Series:International Ford Madox Ford Studies ; 5.
Physical Description:1 online resource (290 pages)
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spelling Ford Madox Ford and Englishness / edited by Dennis Brown, Jenny Plastow.
Leiden; Boston : BRILL, 2006.
1 online resource (290 pages)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
International Ford Madox Ford Studies ; 5
Description based on print version record.
The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. International Ford Madox Ford Studies has been founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; each will relate aspects of Ford's work, life, and contacts, to broader concerns of his time. Ford is best-known for his fiction, especially The Good Soldier , long considered a modernist masterpiece; and Parade's End, which Anthony Burgess described as 'the finest novel about the First World War'; and Samuel Hynes has called 'the greatest war novel ever written by an Englishman'. These works, together with his trilogy The Fifth Queen , about Henry VIII and Katharine Howard, are centrally concerned with the idea of Englishness. All these, and other works across Ford's prolific oeuvre, are studied here. Critics of Edwardian and Modernist literature have been increasingly turning to Ford's brilliant 1905 experiment in Impressionism, The Soul of London , as an exemplary text. His trilogy England and the English (of which this forms the first part) provides a central reference-point for this volume, which presents Ford as a key contributor to Edwardian debates about the 'Condition of England'. His complex, ironic attitude to Englishness makes his approach stand out from contemporary anxieties about race and degeneration, and anticipate the recent reconsideration of Englishness in response to post-colonialism, multiculturalism, globalization, devolution, and the expansion and development of the European Community. Ford's apprehension of the major social transformations of his age lets us read him as a precursor to cultural studies. He considered mass culture and its relation to literary traditions decades before writers like George Orwell, the Leavises, or Raymond Williams. The present book initiates a substantial reassessment, to be continued in future volumes in the series, of Ford's responses to these cultural transformations, his contacts with other writers, and his phases of activity as an editor working to transform modern literature. From another point of view, the essays here also develop the project established in earlier volumes, of reappraising Ford's engagement with the city, history, and modernity.
Includes bibliographical references and index.
John MOLE: Epigraph: 'Fordie' -- Max SAUNDERS: General Editor's Preface -- Dennis BROWN and Jenny PLASTOW: Introduction -- Philip DAVIS: The Saving Remnant -- Ralph PARFECT: Romances of Nationhood: Ford and the Adventure Story Tradition -- Sara HASLAM: England and Englishness: Ford's First Trilogy -- Andrzej GASIOREK: Ford Among the Aliens -- Karen MCDERMOTT: The Impressionistic 'Rendering' of Englishness in Ford's Fifth Queen Trilogy -- Donald MACKENZIE: A Road not Taken: Romance, History and Myth In Ford's Fifth Queen Novels -- Peter EASINGWOOD: 'What I am Always wanting to Say': Ford Madox Ford and the English 'Literary Myth' -- Jason HARDING: The Englishness of The English Review -- Nick HUBBLE: Beyond Mimetic Englishness: Ford's English Trilogy and The Good Soldier -- Anurag JAIN: When Propaganda is Your Argument: Ford and First World War Propaganda -- Jenny PLASTOW: Englishness and Work -- Christine BERBERICH: A Modernist Elegy to the Gentleman? Englishness and the Idea of the Gentleman in Ford's The Good Soldier -- Austin RIEDE: The Decline of English Discourse and the American Invasion in The Good Soldier and Parade's End -- Jörg W. RADEMACHER: Ford Madox Ford's Englishness as Translated into German in Some Do Not... and No More Parades -- Robert E. MCDONOUGH: Escape from Englishness: The Rash Act and Henry For Hugh -- Christopher MACGOWAN: History, Identity and Nationality in Ford's Great Trade Route -- Dennis BROWN: 'But One is English': Ford's Poetry 1893-1921 -- Contributors -- Abstracts -- Abbreviations.
National characteristics, English, in literature.
National characteristics, English.
Print version: Brown, Dennis Ford Madox Ford and Englishness Boston : BRILL,c2006 9789042020535
Brown, Dennis, editor.
Plastow, Jenny, editor.
International Ford Madox Ford Studies ; 5.
language English
format eBook
author2 Brown, Dennis,
Plastow, Jenny,
author_facet Brown, Dennis,
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author2_role TeilnehmendeR
TeilnehmendeR
title Ford Madox Ford and Englishness /
spellingShingle Ford Madox Ford and Englishness /
International Ford Madox Ford Studies ;
John MOLE: Epigraph: 'Fordie' -- Max SAUNDERS: General Editor's Preface -- Dennis BROWN and Jenny PLASTOW: Introduction -- Philip DAVIS: The Saving Remnant -- Ralph PARFECT: Romances of Nationhood: Ford and the Adventure Story Tradition -- Sara HASLAM: England and Englishness: Ford's First Trilogy -- Andrzej GASIOREK: Ford Among the Aliens -- Karen MCDERMOTT: The Impressionistic 'Rendering' of Englishness in Ford's Fifth Queen Trilogy -- Donald MACKENZIE: A Road not Taken: Romance, History and Myth In Ford's Fifth Queen Novels -- Peter EASINGWOOD: 'What I am Always wanting to Say': Ford Madox Ford and the English 'Literary Myth' -- Jason HARDING: The Englishness of The English Review -- Nick HUBBLE: Beyond Mimetic Englishness: Ford's English Trilogy and The Good Soldier -- Anurag JAIN: When Propaganda is Your Argument: Ford and First World War Propaganda -- Jenny PLASTOW: Englishness and Work -- Christine BERBERICH: A Modernist Elegy to the Gentleman? Englishness and the Idea of the Gentleman in Ford's The Good Soldier -- Austin RIEDE: The Decline of English Discourse and the American Invasion in The Good Soldier and Parade's End -- Jörg W. RADEMACHER: Ford Madox Ford's Englishness as Translated into German in Some Do Not... and No More Parades -- Robert E. MCDONOUGH: Escape from Englishness: The Rash Act and Henry For Hugh -- Christopher MACGOWAN: History, Identity and Nationality in Ford's Great Trade Route -- Dennis BROWN: 'But One is English': Ford's Poetry 1893-1921 -- Contributors -- Abstracts -- Abbreviations.
title_full Ford Madox Ford and Englishness / edited by Dennis Brown, Jenny Plastow.
title_fullStr Ford Madox Ford and Englishness / edited by Dennis Brown, Jenny Plastow.
title_full_unstemmed Ford Madox Ford and Englishness / edited by Dennis Brown, Jenny Plastow.
title_auth Ford Madox Ford and Englishness /
title_new Ford Madox Ford and Englishness /
title_sort ford madox ford and englishness /
series International Ford Madox Ford Studies ;
series2 International Ford Madox Ford Studies ;
publisher BRILL,
publishDate 2006
physical 1 online resource (290 pages)
contents John MOLE: Epigraph: 'Fordie' -- Max SAUNDERS: General Editor's Preface -- Dennis BROWN and Jenny PLASTOW: Introduction -- Philip DAVIS: The Saving Remnant -- Ralph PARFECT: Romances of Nationhood: Ford and the Adventure Story Tradition -- Sara HASLAM: England and Englishness: Ford's First Trilogy -- Andrzej GASIOREK: Ford Among the Aliens -- Karen MCDERMOTT: The Impressionistic 'Rendering' of Englishness in Ford's Fifth Queen Trilogy -- Donald MACKENZIE: A Road not Taken: Romance, History and Myth In Ford's Fifth Queen Novels -- Peter EASINGWOOD: 'What I am Always wanting to Say': Ford Madox Ford and the English 'Literary Myth' -- Jason HARDING: The Englishness of The English Review -- Nick HUBBLE: Beyond Mimetic Englishness: Ford's English Trilogy and The Good Soldier -- Anurag JAIN: When Propaganda is Your Argument: Ford and First World War Propaganda -- Jenny PLASTOW: Englishness and Work -- Christine BERBERICH: A Modernist Elegy to the Gentleman? Englishness and the Idea of the Gentleman in Ford's The Good Soldier -- Austin RIEDE: The Decline of English Discourse and the American Invasion in The Good Soldier and Parade's End -- Jörg W. RADEMACHER: Ford Madox Ford's Englishness as Translated into German in Some Do Not... and No More Parades -- Robert E. MCDONOUGH: Escape from Englishness: The Rash Act and Henry For Hugh -- Christopher MACGOWAN: History, Identity and Nationality in Ford's Great Trade Route -- Dennis BROWN: 'But One is English': Ford's Poetry 1893-1921 -- Contributors -- Abstracts -- Abbreviations.
isbn 90-04-50148-7
9789042020535
callnumber-first P - Language and Literature
callnumber-subject PR - English Literature
callnumber-label PR6011
callnumber-sort PR 46011 O53
illustrated Not Illustrated
dewey-hundreds 800 - Literature
dewey-tens 820 - English & Old English literatures
dewey-ones 823 - English fiction
dewey-full 823.912
dewey-sort 3823.912
dewey-raw 823.912
dewey-search 823.912
oclc_num 608024743
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His trilogy England and the English (of which this forms the first part) provides a central reference-point for this volume, which presents Ford as a key contributor to Edwardian debates about the 'Condition of England'. His complex, ironic attitude to Englishness makes his approach stand out from contemporary anxieties about race and degeneration, and anticipate the recent reconsideration of Englishness in response to post-colonialism, multiculturalism, globalization, devolution, and the expansion and development of the European Community. Ford's apprehension of the major social transformations of his age lets us read him as a precursor to cultural studies. He considered mass culture and its relation to literary traditions decades before writers like George Orwell, the Leavises, or Raymond Williams. 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