Two Hundred Years of Pushkin. : Pushkin's Legacy / / Volume III : / edited by Robert Reid and Joe Andrew.

Pushkin's status as Russia's national poet rests as much on the breadth of his cultural influence as on the intrinsic quality of his works. Pushkin's Legacy reflects in various ways the areas in which this influence has been felt. Part I considers some of the key factors in defining P...

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Place / Publishing House:Leiden : : BRILL,, 2004.
Year of Publication:2004
Language:English
Series:Studies in Slavic Literature and Poetics ; Volume: 40
Physical Description:1 online resource (x, 220 pages).
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520 |a Pushkin's status as Russia's national poet rests as much on the breadth of his cultural influence as on the intrinsic quality of his works. Pushkin's Legacy reflects in various ways the areas in which this influence has been felt. Part I considers some of the key factors in defining Pushkin for posterity, in particular the crucial role played by the critic Belinskii and the problematics of periodising Pushkin. Part II examines the richness of Pushkin's poetics, including the ways in which his work challenged the established boundaries between poetry and prose. Part III examines Russian music's debt to Pushkin and vice versa: Russian music's role in popularising his works. Part IV examines Pushkin's influence abroad via studies of his influence on Mérimée and Henry James and, on a more personal level, through his descendants in England. Pushkin's Legacy offers a variety of approaches to Pushkin and his oeuvre and to the nature of his complex impact on Russian and European culture. Pushkin's Legacy is the third volume devoted to Pushkin to be published in the SSLP series, under the general title Two Hundred Years of Pushkin . It follows volume I, Pushkin's Secret: Russian Writers Reread and Rewrite Pushkin, and volume II, Alexander Pushkin: Myth and Monument. 
504 |a Includes bibliographical references. 
505 0 |a Preface -- Notes on the Contributors Robert REID and Joe ANDREW: Introduction: Pushkin's Legacy -- PART I Defining Pushkin -- Richard FREEBORN: Belinskii and Pushkin -- Olga SEDAKOVA: 'Non-Mortal and Mysterious Feelings': On Pushkin's Christianity -- Willem G. WESTSTEIJN: Pushkin between Classicism, Romanticism and Realism -- PART II Poetics of the Text -- J. Douglas CLAYTON: Word Order in Russian Poetry: Evgenii Onegin between Poetry and Prose -- Eric de HAARD: Verse Insertions and Prosimetrum in Pushkin's Works -- Maria LANGLEBEN: A Journey to Arzrum: The Structure and the Message -- Angela LIVINGSTONE: Pushkin and the Poetry of Grammar -- Olga SOBOLEV and Robin MILNER-GULLAND: Pushkin's Winter Road: An Analysis -- PART III Pushkin in Music -- Gabriella HIMA: Pushkin as Subtext for Russian Opera Libretti -- Arnold MCMILLIN: Gilding the Lily: Pushkin's Lyrics in the Hands of Russian Composers -- PART IV Pushkin Abroad -- David BAGULEY: Pushkin and Mérimée, The French Connection: On Hoaxes and Impostors -- Neil CORNWELL: Pushkin and Henry James: Secrets, Papers and Figures ( The Queen of Spades, The Aspern Papers and The Figure in the Carpet) -- Samantha T. JOHNSON: Pushkin at Keele: Grand Duke Michael and Countess Torby at Keele, 1901-1910 -- Index. 
650 0 |a Choral music. 
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700 1 |a Reid, Robert,  |e editor. 
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