The women's music movement : : music as feminist praxis, 1973-1980 / / by Paul Ambrose Shaw III.
"Scholarship on artistic output during second wave feminism (SWF) primarily reflects art-genres such as visual art, performance art, literature, and poetry. In The Women's Music Movement: Music as Feminist Praxis, 1973-1980, Paul Ambrose Shaw III contends the women's music movement (W...
Saved in:
| Superior document: | Arts, creativities, and learning environments in global perspectives, volume 8 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Leiden ;, Boston : : Brill,, [2023] |
| Year of Publication: | 2023 |
| Language: | English |
| Series: | Arts, creativities, and learning environments in global perspectives ;
v. 8. |
| Physical Description: | 1 online resource :; illustrations, music |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Introduction. Why This Study?
- Feminism and Women's Music : Definitions, Context, and Terms
- Considerations : Epistemology, Feminist Criteria, Gender and Pop
- Music as Social, Personal, and Political
- Analysis Process : Limitations, the Songwriters, and the Songs
- Meg Christian's "Valentine Song"
- Ferron's "Ain't Life a Brook"
- Cris Williamson's "Sister"
- Holly Near's "Riverboat"
- Linda Tillery's "Womanly Way"
- Women's Music Movement Conclusion.