Sound effects : : the object voice in fiction / / edited by Jorge Sacido-Romero, Sylvia Mieszkowski.
Sound Effects combines literary criticism and psychoanalytic theory in eleven original articles which explore the potential of the object voice as an analytic tool to approach fiction. Alongside the gaze, the voice is Jacques Lacan’s original addition to the set of partial objects of classical psych...
Saved in:
Superior document: | DQR Studies in Literature, Volume 59 |
---|---|
TeilnehmendeR: | |
Place / Publishing House: | Leiden, Netherlands ;, Boston, [Massachusetts] : : Brill Rodopi,, 2015. ©2015 |
Year of Publication: | 2015 |
Language: | English |
Series: | DQR studies in literature ;
Volume 59. |
Physical Description: | 1 online resource (359 p.) |
Notes: | Includes index. |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
993583028204498 |
---|---|
ctrlnum |
(CKB)3710000000467991 (EBL)2198242 (MiAaPQ)EBC2198242 (OCoLC)921180959 (nllekb)BRILL9789004304406 (EXLCZ)993710000000467991 |
collection |
bib_alma |
record_format |
marc |
spelling |
Sound effects : the object voice in fiction / edited by Jorge Sacido-Romero, Sylvia Mieszkowski. Leiden, Netherlands ; Boston, [Massachusetts] : Brill Rodopi, 2015. ©2015 1 online resource (359 p.) text rdacontent computer rdamedia online resource rdacarrier DQR Studies in Literature, 0921-2507 ; Volume 59 Preliminary Material / Jorge Sacido-Romero and Sylvia Mieszkowski -- Revoicing Writing: An Introduction to Theorizing Vocality / Jorge Sacido-Romero and Sylvia Mieszkowski -- ‘Secondary Vocality’ and the Sound Defect / Garrett Stewart -- The Object Voice in Romantic Irish Novels / Peter Weise -- Poe, Voice and the Origin of Horror Fiction / Fred Botting -- Double Voice and Extimate Singing in Trilby / Bruce Wyse -- Bloom’s Neume: The Object Voice in the “Sirens” Episode in Joyce’s Ulysses / Phillip Mahoney -- Fantasizing Agency and Otherness through Voice and Voicelessness in Ellison’s Invisible Man / Natalja Chestopalova -- The Voice in Twentieth-Century English Short Fiction: E.M. Forster, V.S. Pritchett and Muriel Spark / Jorge Sacido-Romero -- Voices of Terror and Horror: Towards an Acoustics of Modern Gothic / Matt Foley -- Sanctuaries on Mount Penanggungan: Candi Kendalisodo, Candi Yudha, and the Panji statue from Candi Selokelir – the climax Uncanny in Armistead Maupin’s The Night Listener / Sylvia Mieszkowski -- “It’s only combinations of letters, after all, isn’t it”: The “Voice” and Spirit Mediums in Thomas Pynchon’s Against the Day (2006) / Alexander Hope -- ‘Voice-Trace’ in James Chapman’s How Is This Going to Continue? (2007) / Marcin Stawiarski -- Notes on Contributors / Jorge Sacido-Romero and Sylvia Mieszkowski -- Index / Jorge Sacido-Romero and Sylvia Mieszkowski. Sound Effects combines literary criticism and psychoanalytic theory in eleven original articles which explore the potential of the object voice as an analytic tool to approach fiction. Alongside the gaze, the voice is Jacques Lacan’s original addition to the set of partial objects of classical psychoanalysis, and has only recently been theorised by Mladen Dolar in A Voice and Nothing More (2006). With notable exceptions like Garrett Stewart’s Reading Voices (1990), the sonorous element in fiction has received little scholarly attention in comparison with poetry and drama. Sound Effects is a contribution to the burgeoning field of sound studies, and sets out to fill this gap through selective readings of English and American fiction of the last two hundred years. Contributors: Fred Botting, Natalja Chestopalova, Mladen Dolar, Matt Foley, Alex Hope, Phillip Mahoney, Sylvia Mieszkowski, Jorge Sacido-Romero, Marcin Stawiarski, Garrett Stewart, Peter Weise, and Bruce Wyse. Includes bibliographical references and index. Includes index. Description based on print version record. English fiction History and criticism Theory, etc. Voice in literature. Psychoanalysis and literature. Sacido-Romero, Jorge, editor. Mieszkowski, Sylvia, editor. 90-04-30438-X DQR studies in literature ; Volume 59. |
language |
English |
format |
eBook |
author2 |
Sacido-Romero, Jorge, Mieszkowski, Sylvia, |
author_facet |
Sacido-Romero, Jorge, Mieszkowski, Sylvia, |
author2_variant |
j s r jsr s m sm |
author2_role |
TeilnehmendeR TeilnehmendeR |
author_additional |
Jorge Sacido-Romero and Sylvia Mieszkowski -- Garrett Stewart -- Peter Weise -- Fred Botting -- Bruce Wyse -- Phillip Mahoney -- Natalja Chestopalova -- Jorge Sacido-Romero -- Matt Foley -- Sylvia Mieszkowski -- Alexander Hope -- Marcin Stawiarski -- Jorge Sacido-Romero and Sylvia Mieszkowski. |
title |
Sound effects : the object voice in fiction / |
spellingShingle |
Sound effects : the object voice in fiction / DQR Studies in Literature, Preliminary Material / Revoicing Writing: An Introduction to Theorizing Vocality / ‘Secondary Vocality’ and the Sound Defect / The Object Voice in Romantic Irish Novels / Poe, Voice and the Origin of Horror Fiction / Double Voice and Extimate Singing in Trilby / Bloom’s Neume: The Object Voice in the “Sirens” Episode in Joyce’s Ulysses / Fantasizing Agency and Otherness through Voice and Voicelessness in Ellison’s Invisible Man / The Voice in Twentieth-Century English Short Fiction: E.M. Forster, V.S. Pritchett and Muriel Spark / Voices of Terror and Horror: Towards an Acoustics of Modern Gothic / Sanctuaries on Mount Penanggungan: Candi Kendalisodo, Candi Yudha, and the Panji statue from Candi Selokelir – the climax Uncanny in Armistead Maupin’s The Night Listener / “It’s only combinations of letters, after all, isn’t it”: The “Voice” and Spirit Mediums in Thomas Pynchon’s Against the Day (2006) / ‘Voice-Trace’ in James Chapman’s How Is This Going to Continue? (2007) / Notes on Contributors / Index / |
title_sub |
the object voice in fiction / |
title_full |
Sound effects : the object voice in fiction / edited by Jorge Sacido-Romero, Sylvia Mieszkowski. |
title_fullStr |
Sound effects : the object voice in fiction / edited by Jorge Sacido-Romero, Sylvia Mieszkowski. |
title_full_unstemmed |
Sound effects : the object voice in fiction / edited by Jorge Sacido-Romero, Sylvia Mieszkowski. |
title_auth |
Sound effects : the object voice in fiction / |
title_alt |
Preliminary Material / Revoicing Writing: An Introduction to Theorizing Vocality / ‘Secondary Vocality’ and the Sound Defect / The Object Voice in Romantic Irish Novels / Poe, Voice and the Origin of Horror Fiction / Double Voice and Extimate Singing in Trilby / Bloom’s Neume: The Object Voice in the “Sirens” Episode in Joyce’s Ulysses / Fantasizing Agency and Otherness through Voice and Voicelessness in Ellison’s Invisible Man / The Voice in Twentieth-Century English Short Fiction: E.M. Forster, V.S. Pritchett and Muriel Spark / Voices of Terror and Horror: Towards an Acoustics of Modern Gothic / Sanctuaries on Mount Penanggungan: Candi Kendalisodo, Candi Yudha, and the Panji statue from Candi Selokelir – the climax Uncanny in Armistead Maupin’s The Night Listener / “It’s only combinations of letters, after all, isn’t it”: The “Voice” and Spirit Mediums in Thomas Pynchon’s Against the Day (2006) / ‘Voice-Trace’ in James Chapman’s How Is This Going to Continue? (2007) / Notes on Contributors / Index / |
title_new |
Sound effects : |
title_sort |
sound effects : the object voice in fiction / |
series |
DQR Studies in Literature, |
series2 |
DQR Studies in Literature, |
publisher |
Brill Rodopi, |
publishDate |
2015 |
physical |
1 online resource (359 p.) |
contents |
Preliminary Material / Revoicing Writing: An Introduction to Theorizing Vocality / ‘Secondary Vocality’ and the Sound Defect / The Object Voice in Romantic Irish Novels / Poe, Voice and the Origin of Horror Fiction / Double Voice and Extimate Singing in Trilby / Bloom’s Neume: The Object Voice in the “Sirens” Episode in Joyce’s Ulysses / Fantasizing Agency and Otherness through Voice and Voicelessness in Ellison’s Invisible Man / The Voice in Twentieth-Century English Short Fiction: E.M. Forster, V.S. Pritchett and Muriel Spark / Voices of Terror and Horror: Towards an Acoustics of Modern Gothic / Sanctuaries on Mount Penanggungan: Candi Kendalisodo, Candi Yudha, and the Panji statue from Candi Selokelir – the climax Uncanny in Armistead Maupin’s The Night Listener / “It’s only combinations of letters, after all, isn’t it”: The “Voice” and Spirit Mediums in Thomas Pynchon’s Against the Day (2006) / ‘Voice-Trace’ in James Chapman’s How Is This Going to Continue? (2007) / Notes on Contributors / Index / |
isbn |
90-04-30440-1 90-04-30438-X |
issn |
0921-2507 ; |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PR - English Literature |
callnumber-label |
PR826 |
callnumber-sort |
PR 3826 S686 42015 |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
820 - English & Old English literatures |
dewey-ones |
823 - English fiction |
dewey-full |
823.009 |
dewey-sort |
3823.009 |
dewey-raw |
823.009 |
dewey-search |
823.009 |
oclc_num |
921180959 |
work_keys_str_mv |
AT sacidoromerojorge soundeffectstheobjectvoiceinfiction AT mieszkowskisylvia soundeffectstheobjectvoiceinfiction |
status_str |
n |
ids_txt_mv |
(CKB)3710000000467991 (EBL)2198242 (MiAaPQ)EBC2198242 (OCoLC)921180959 (nllekb)BRILL9789004304406 (EXLCZ)993710000000467991 |
hierarchy_parent_title |
DQR Studies in Literature, Volume 59 |
hierarchy_sequence |
Volume 59. |
is_hierarchy_title |
Sound effects : the object voice in fiction / |
container_title |
DQR Studies in Literature, Volume 59 |
author2_original_writing_str_mv |
noLinkedField noLinkedField |
_version_ |
1796652904037220352 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04189nam a2200481 i 4500</leader><controlfield tag="001">993583028204498</controlfield><controlfield tag="005">20230807221744.0</controlfield><controlfield tag="006">m o d | </controlfield><controlfield tag="007">cr -n---------</controlfield><controlfield tag="008">170310t20152015ne o 001 0 eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">90-04-30440-1</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1163/9789004304406</subfield><subfield code="2">DOI</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)3710000000467991</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EBL)2198242</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)EBC2198242</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)921180959</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(nllekb)BRILL9789004304406</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)993710000000467991</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">MiAaPQ</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">MiAaPQ</subfield><subfield code="d">MiAaPQ</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PR826</subfield><subfield code="b">.S686 2015</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">DS</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">823.009</subfield><subfield code="2">23</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Sound effects :</subfield><subfield code="b">the object voice in fiction /</subfield><subfield code="c">edited by Jorge Sacido-Romero, Sylvia Mieszkowski.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Leiden, Netherlands ;</subfield><subfield code="a">Boston, [Massachusetts] :</subfield><subfield code="b">Brill Rodopi,</subfield><subfield code="c">2015.</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (359 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">DQR Studies in Literature,</subfield><subfield code="x">0921-2507 ;</subfield><subfield code="v">Volume 59</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Preliminary Material /</subfield><subfield code="r">Jorge Sacido-Romero and Sylvia Mieszkowski -- </subfield><subfield code="t">Revoicing Writing: An Introduction to Theorizing Vocality /</subfield><subfield code="r">Jorge Sacido-Romero and Sylvia Mieszkowski -- </subfield><subfield code="t">‘Secondary Vocality’ and the Sound Defect /</subfield><subfield code="r">Garrett Stewart -- </subfield><subfield code="t">The Object Voice in Romantic Irish Novels /</subfield><subfield code="r">Peter Weise -- </subfield><subfield code="t">Poe, Voice and the Origin of Horror Fiction /</subfield><subfield code="r">Fred Botting -- </subfield><subfield code="t">Double Voice and Extimate Singing in Trilby /</subfield><subfield code="r">Bruce Wyse -- </subfield><subfield code="t">Bloom’s Neume: The Object Voice in the “Sirens” Episode in Joyce’s Ulysses /</subfield><subfield code="r">Phillip Mahoney -- </subfield><subfield code="t">Fantasizing Agency and Otherness through Voice and Voicelessness in Ellison’s Invisible Man /</subfield><subfield code="r">Natalja Chestopalova -- </subfield><subfield code="t">The Voice in Twentieth-Century English Short Fiction: E.M. Forster, V.S. Pritchett and Muriel Spark /</subfield><subfield code="r">Jorge Sacido-Romero -- </subfield><subfield code="t">Voices of Terror and Horror: Towards an Acoustics of Modern Gothic /</subfield><subfield code="r">Matt Foley -- </subfield><subfield code="t">Sanctuaries on Mount Penanggungan: Candi Kendalisodo, Candi Yudha, and the Panji statue from Candi Selokelir – the climax Uncanny in Armistead Maupin’s The Night Listener /</subfield><subfield code="r">Sylvia Mieszkowski -- </subfield><subfield code="t">“It’s only combinations of letters, after all, isn’t it”: The “Voice” and Spirit Mediums in Thomas Pynchon’s Against the Day (2006) /</subfield><subfield code="r">Alexander Hope -- </subfield><subfield code="t">‘Voice-Trace’ in James Chapman’s How Is This Going to Continue? (2007) /</subfield><subfield code="r">Marcin Stawiarski -- </subfield><subfield code="t">Notes on Contributors /</subfield><subfield code="r">Jorge Sacido-Romero and Sylvia Mieszkowski -- </subfield><subfield code="t">Index /</subfield><subfield code="r">Jorge Sacido-Romero and Sylvia Mieszkowski.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Sound Effects combines literary criticism and psychoanalytic theory in eleven original articles which explore the potential of the object voice as an analytic tool to approach fiction. Alongside the gaze, the voice is Jacques Lacan’s original addition to the set of partial objects of classical psychoanalysis, and has only recently been theorised by Mladen Dolar in A Voice and Nothing More (2006). With notable exceptions like Garrett Stewart’s Reading Voices (1990), the sonorous element in fiction has received little scholarly attention in comparison with poetry and drama. Sound Effects is a contribution to the burgeoning field of sound studies, and sets out to fill this gap through selective readings of English and American fiction of the last two hundred years. Contributors: Fred Botting, Natalja Chestopalova, Mladen Dolar, Matt Foley, Alex Hope, Phillip Mahoney, Sylvia Mieszkowski, Jorge Sacido-Romero, Marcin Stawiarski, Garrett Stewart, Peter Weise, and Bruce Wyse.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes index.</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on print version record.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">English fiction</subfield><subfield code="x">History and criticism</subfield><subfield code="x">Theory, etc.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Voice in literature.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Psychoanalysis and literature.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Sacido-Romero, Jorge,</subfield><subfield code="e">editor.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Mieszkowski, Sylvia,</subfield><subfield code="e">editor.</subfield></datafield><datafield tag="776" ind1=" " ind2=" "><subfield code="z">90-04-30438-X</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">DQR studies in literature ;</subfield><subfield code="v">Volume 59.</subfield></datafield><datafield tag="906" ind1=" " ind2=" "><subfield code="a">BOOK</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2023-08-08 06:23:13 Europe/Vienna</subfield><subfield code="f">system</subfield><subfield code="c">marc21</subfield><subfield code="a">2015-09-06 00:20:29 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">Brill</subfield><subfield code="P">EBA Brill All</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5343465950004498&Force_direct=true</subfield><subfield code="Z">5343465950004498</subfield><subfield code="b">Available</subfield><subfield code="8">5343465950004498</subfield></datafield></record></collection> |