Literature and music / / edited by Michael J. Meyer.
This collection of essays centers on musical elements that authors have employed in their work, thus joining heard sounds to a visual perception of their stories. The spectrum of authors represented is a wide one, from Pound to Durrell, from Steinbeck to Cather, from Beckett to Gaines, but even more...
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| Superior document: | Rodopi perspectives on modern literature |
|---|---|
| TeilnehmendeR: | |
| Place / Publishing House: | Amsterdam ;, New York, NY : : Rodopi,, 2002. |
| Year of Publication: | 2002 |
| Language: | English |
| Series: | Rodopi perspectives on modern literature.
|
| Physical Description: | 1 online resource (238 pages) |
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Table of Contents:
- Preliminary Material / Michael J. Meyer
- Introduction / Michael J. Meyer
- Music, Desire, and Death in The Magic Mountain / Michael J. Meyer
- Making Her Work Her Life: Music in Willa Cather’s Fiction / Michael J. Meyer
- The Enslaving Power of Folksong in Jean Toomer’s Cane / Michael J. Meyer
- Samuel Beckett’s Ping and Serialist Music Technique / Michael J. Meyer
- I Gotcha! Signifying and Music in Eudora Welty’s “Powerhouse” / Michael J. Meyer
- “Listening, listening”: Music and Gender in Howards End, Sinister Street and Pilgrimage / Michael J. Meyer
- Ernest J. Gaines and A Lesson Before Dying: The Literary Spiritual / Michael J. Meyer
- A Quartet that is a Quartet: Lawrence Durrell’s Alexandria Quartet / Michael J. Meyer
- Music as a Locus of Social Conflict and Social Connection in Friedrich Torberg’s Süsskind von Trimberg / Michael J. Meyer
- A Defining Moment in Ezra Pound’s Cantos: Musical Scores and Literary Texts / Michael J. Meyer
- Harmonic Dissonance: Steinbeck’s Implementation and Adaptation of Musical Techniques / Michael J. Meyer
- Lady sings the Blues: Gayl Jones’ Corregidora / Michael J. Meyer
- About The Authors / Michael J. Meyer
- Abstracts of Arguments / Michael J. Meyer.