Futurism and the technological imagination / / edited by Günter Berghaus.

This volume, Futurism and the Technological Imagination , results from a conference of the International Society for the Study of European Ideas in Helsinki. It contains a number of re-written conference contributions as well as several specially commissioned essays that address various aspects of t...

Full description

Saved in:
Bibliographic Details
Superior document:Avant-garde critical studies ; 24
TeilnehmendeR:
Place / Publishing House:Amsterdam ;, New York, N.Y. : : Rodopi,, 2009.
Year of Publication:2009
Language:English
Series:Avant-Garde Critical Studies 24.
Physical Description:1 online resource (398 pages).
Tags: Add Tag
No Tags, Be the first to tag this record!
id 993583005104498
lccn 2010365501
ctrlnum (CKB)3710000000776059
(MiAaPQ)EBC5024408
(OCoLC)493011566
(nllekb)BRILL9789042027480
(EXLCZ)993710000000776059
collection bib_alma
record_format marc
spelling Futurism and the technological imagination / edited by Günter Berghaus.
Amsterdam ; New York, N.Y. : Rodopi, 2009.
1 online resource (398 pages).
text rdacontent
computer rdamedia
online resource rdacarrier
Avant-garde critical studies ; 24
Includes bibliographical references and index.
This volume, Futurism and the Technological Imagination , results from a conference of the International Society for the Study of European Ideas in Helsinki. It contains a number of re-written conference contributions as well as several specially commissioned essays that address various aspects of the Futurists’ relationship to technology both on an ideological level and with regard to their artistic languages. In the early twentieth century, many art movements vied with each other to overhaul the aesthetic and ideological foundations of arts and literature and to make them suitable vehicles of expression in the new Era of the Machine. Some of the most remarkable examples came from the Futurist movement, founded in 1909 by Filippo Tommaso Marinetti. By addressing the full spectrum of Futurist attitudes to science and the machine world, this collection of 14 essays offers a multifaceted account of the complex and often contradictory features of the Futurist technological imagination. The volume will appeal to anybody interested in the history of modern culture, art and literature.
Preliminary Material / Günter Berghaus -- Futurism and the Technological Imagination Poised between Machine Cult and Machine Angst / Günter Berghaus -- Science and the Aesthetics of Geometric Splendour in Italian Futurism / Domenico Pietropaolo -- The ‘Futurist Sensibility’: An Anti-philosophy for the Age of Technology / Serge Milan -- The Multiplication of Man: Futurism’s Technolatry Viewed Through the Lens of Modernism / Roger Griffin -- A Futurist before Futurism: Émile Verhaeren and the Technological Epic / Vera Castiglione -- Loie Fuller’s Serpentine Dance and Futurism: Electricity, Technological Imagination and the Myth of the Machine / Patrizia Veroli -- Futurist Machine Art, Constructivism and the Modernity of Mechanization / Maria Elena Versari -- Futurism and Photography: Between Scientific Inquiry and Aesthetic Imagination / Gerardo Regnani -- Futurist Poetics and the Cinematic Imagination: Marinetti’s Cinema without Films / Wanda Strauven -- Futurism and Radio / Margaret Fisher -- From Words-in-Freedom to Electronic Literature: Futurism and the Neo-Avantgarde / Matteo D’Ambrosio -- Tabula rasa or Hybridity? Primitivism and the Vernacular in Futurist and Rationalist Architecture / Michelangelo Sabatino -- Beyond Futurism: Bruno Munari’s Useless Machines / Pierpaolo Antonello -- Futurism and Nature: The Death of the Great Pan? / Marja Härmänmaa -- Illustrations / Günter Berghaus -- Abstracts / Günter Berghaus -- Notes on Contributors / Günter Berghaus -- Index / Günter Berghaus.
Futurism (Art) History 20th century.
Technology Aesthetics.
Art and technology Philosophy.
Avant-garde (Aesthetics) History 20th century.
90-420-2747-9
Berghaus, Günter, 1953-
Avant-Garde Critical Studies 24.
language English
format eBook
author2 Berghaus, Günter, 1953-
author_facet Berghaus, Günter, 1953-
author2_variant g b gb
author2_role TeilnehmendeR
author_sort Berghaus, Günter, 1953-
author_additional Günter Berghaus --
Domenico Pietropaolo --
Serge Milan --
Roger Griffin --
Vera Castiglione --
Patrizia Veroli --
Maria Elena Versari --
Gerardo Regnani --
Wanda Strauven --
Margaret Fisher --
Matteo D’Ambrosio --
Michelangelo Sabatino --
Pierpaolo Antonello --
Marja Härmänmaa --
Günter Berghaus.
title Futurism and the technological imagination /
spellingShingle Futurism and the technological imagination /
Avant-garde critical studies ;
Preliminary Material /
Futurism and the Technological Imagination Poised between Machine Cult and Machine Angst /
Science and the Aesthetics of Geometric Splendour in Italian Futurism /
The ‘Futurist Sensibility’: An Anti-philosophy for the Age of Technology /
The Multiplication of Man: Futurism’s Technolatry Viewed Through the Lens of Modernism /
A Futurist before Futurism: Émile Verhaeren and the Technological Epic /
Loie Fuller’s Serpentine Dance and Futurism: Electricity, Technological Imagination and the Myth of the Machine /
Futurist Machine Art, Constructivism and the Modernity of Mechanization /
Futurism and Photography: Between Scientific Inquiry and Aesthetic Imagination /
Futurist Poetics and the Cinematic Imagination: Marinetti’s Cinema without Films /
Futurism and Radio /
From Words-in-Freedom to Electronic Literature: Futurism and the Neo-Avantgarde /
Tabula rasa or Hybridity? Primitivism and the Vernacular in Futurist and Rationalist Architecture /
Beyond Futurism: Bruno Munari’s Useless Machines /
Futurism and Nature: The Death of the Great Pan? /
Illustrations /
Abstracts /
Notes on Contributors /
Index /
title_full Futurism and the technological imagination / edited by Günter Berghaus.
title_fullStr Futurism and the technological imagination / edited by Günter Berghaus.
title_full_unstemmed Futurism and the technological imagination / edited by Günter Berghaus.
title_auth Futurism and the technological imagination /
title_alt Preliminary Material /
Futurism and the Technological Imagination Poised between Machine Cult and Machine Angst /
Science and the Aesthetics of Geometric Splendour in Italian Futurism /
The ‘Futurist Sensibility’: An Anti-philosophy for the Age of Technology /
The Multiplication of Man: Futurism’s Technolatry Viewed Through the Lens of Modernism /
A Futurist before Futurism: Émile Verhaeren and the Technological Epic /
Loie Fuller’s Serpentine Dance and Futurism: Electricity, Technological Imagination and the Myth of the Machine /
Futurist Machine Art, Constructivism and the Modernity of Mechanization /
Futurism and Photography: Between Scientific Inquiry and Aesthetic Imagination /
Futurist Poetics and the Cinematic Imagination: Marinetti’s Cinema without Films /
Futurism and Radio /
From Words-in-Freedom to Electronic Literature: Futurism and the Neo-Avantgarde /
Tabula rasa or Hybridity? Primitivism and the Vernacular in Futurist and Rationalist Architecture /
Beyond Futurism: Bruno Munari’s Useless Machines /
Futurism and Nature: The Death of the Great Pan? /
Illustrations /
Abstracts /
Notes on Contributors /
Index /
title_new Futurism and the technological imagination /
title_sort futurism and the technological imagination /
series Avant-garde critical studies ;
series2 Avant-garde critical studies ;
publisher Rodopi,
publishDate 2009
physical 1 online resource (398 pages).
contents Preliminary Material /
Futurism and the Technological Imagination Poised between Machine Cult and Machine Angst /
Science and the Aesthetics of Geometric Splendour in Italian Futurism /
The ‘Futurist Sensibility’: An Anti-philosophy for the Age of Technology /
The Multiplication of Man: Futurism’s Technolatry Viewed Through the Lens of Modernism /
A Futurist before Futurism: Émile Verhaeren and the Technological Epic /
Loie Fuller’s Serpentine Dance and Futurism: Electricity, Technological Imagination and the Myth of the Machine /
Futurist Machine Art, Constructivism and the Modernity of Mechanization /
Futurism and Photography: Between Scientific Inquiry and Aesthetic Imagination /
Futurist Poetics and the Cinematic Imagination: Marinetti’s Cinema without Films /
Futurism and Radio /
From Words-in-Freedom to Electronic Literature: Futurism and the Neo-Avantgarde /
Tabula rasa or Hybridity? Primitivism and the Vernacular in Futurist and Rationalist Architecture /
Beyond Futurism: Bruno Munari’s Useless Machines /
Futurism and Nature: The Death of the Great Pan? /
Illustrations /
Abstracts /
Notes on Contributors /
Index /
isbn 90-420-2748-7
90-420-2747-9
callnumber-first N - Fine Arts
callnumber-subject NX - Arts in General
callnumber-label NX1
callnumber-sort NX 11 A1 A936 224
era_facet 20th century.
illustrated Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 700 - Arts
dewey-ones 700 - The arts; fine & decorative arts
dewey-full 700.5
dewey-sort 3700.5
dewey-raw 700.5
dewey-search 700.5
oclc_num 493011566
work_keys_str_mv AT berghausgunter futurismandthetechnologicalimagination
status_str n
ids_txt_mv (CKB)3710000000776059
(MiAaPQ)EBC5024408
(OCoLC)493011566
(nllekb)BRILL9789042027480
(EXLCZ)993710000000776059
hierarchy_parent_title Avant-garde critical studies ; 24
hierarchy_sequence 24.
is_hierarchy_title Futurism and the technological imagination /
container_title Avant-garde critical studies ; 24
author2_original_writing_str_mv noLinkedField
_version_ 1796652913523687425
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04201nam a2200445 i 4500</leader><controlfield tag="001">993583005104498</controlfield><controlfield tag="005">20230721043255.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu||||||||</controlfield><controlfield tag="008">091222s2009 ne a ob 001 0 eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a"> 2010365501</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">90-420-2748-7</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1163/9789042027480</subfield><subfield code="2">DOI</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)3710000000776059</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)EBC5024408</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)493011566</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(nllekb)BRILL9789042027480</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)993710000000776059</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">NL-LeKB</subfield><subfield code="c">NL-LeKB</subfield><subfield code="e">rda</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">NX1.A1</subfield><subfield code="b">A936 24</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">GT</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">POL000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">700.5</subfield><subfield code="2">23</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Futurism and the technological imagination /</subfield><subfield code="c">edited by Günter Berghaus.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam ;</subfield><subfield code="a">New York, N.Y. :</subfield><subfield code="b">Rodopi,</subfield><subfield code="c">2009.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (398 pages).</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Avant-garde critical studies ;</subfield><subfield code="v">24</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This volume, Futurism and the Technological Imagination , results from a conference of the International Society for the Study of European Ideas in Helsinki. It contains a number of re-written conference contributions as well as several specially commissioned essays that address various aspects of the Futurists’ relationship to technology both on an ideological level and with regard to their artistic languages. In the early twentieth century, many art movements vied with each other to overhaul the aesthetic and ideological foundations of arts and literature and to make them suitable vehicles of expression in the new Era of the Machine. Some of the most remarkable examples came from the Futurist movement, founded in 1909 by Filippo Tommaso Marinetti. By addressing the full spectrum of Futurist attitudes to science and the machine world, this collection of 14 essays offers a multifaceted account of the complex and often contradictory features of the Futurist technological imagination. The volume will appeal to anybody interested in the history of modern culture, art and literature.</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Preliminary Material /</subfield><subfield code="r">Günter Berghaus -- </subfield><subfield code="t">Futurism and the Technological Imagination Poised between Machine Cult and Machine Angst /</subfield><subfield code="r">Günter Berghaus -- </subfield><subfield code="t">Science and the Aesthetics of Geometric Splendour in Italian Futurism /</subfield><subfield code="r">Domenico Pietropaolo -- </subfield><subfield code="t">The ‘Futurist Sensibility’: An Anti-philosophy for the Age of Technology /</subfield><subfield code="r">Serge Milan -- </subfield><subfield code="t">The Multiplication of Man: Futurism’s Technolatry Viewed Through the Lens of Modernism /</subfield><subfield code="r">Roger Griffin -- </subfield><subfield code="t">A Futurist before Futurism: Émile Verhaeren and the Technological Epic /</subfield><subfield code="r">Vera Castiglione -- </subfield><subfield code="t">Loie Fuller’s Serpentine Dance and Futurism: Electricity, Technological Imagination and the Myth of the Machine /</subfield><subfield code="r">Patrizia Veroli -- </subfield><subfield code="t">Futurist Machine Art, Constructivism and the Modernity of Mechanization /</subfield><subfield code="r">Maria Elena Versari -- </subfield><subfield code="t">Futurism and Photography: Between Scientific Inquiry and Aesthetic Imagination /</subfield><subfield code="r">Gerardo Regnani -- </subfield><subfield code="t">Futurist Poetics and the Cinematic Imagination: Marinetti’s Cinema without Films /</subfield><subfield code="r">Wanda Strauven -- </subfield><subfield code="t">Futurism and Radio /</subfield><subfield code="r">Margaret Fisher -- </subfield><subfield code="t">From Words-in-Freedom to Electronic Literature: Futurism and the Neo-Avantgarde /</subfield><subfield code="r">Matteo D’Ambrosio -- </subfield><subfield code="t">Tabula rasa or Hybridity? Primitivism and the Vernacular in Futurist and Rationalist Architecture /</subfield><subfield code="r">Michelangelo Sabatino -- </subfield><subfield code="t">Beyond Futurism: Bruno Munari’s Useless Machines /</subfield><subfield code="r">Pierpaolo Antonello -- </subfield><subfield code="t">Futurism and Nature: The Death of the Great Pan? /</subfield><subfield code="r">Marja Härmänmaa -- </subfield><subfield code="t">Illustrations /</subfield><subfield code="r">Günter Berghaus -- </subfield><subfield code="t">Abstracts /</subfield><subfield code="r">Günter Berghaus -- </subfield><subfield code="t">Notes on Contributors /</subfield><subfield code="r">Günter Berghaus -- </subfield><subfield code="t">Index /</subfield><subfield code="r">Günter Berghaus.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Futurism (Art)</subfield><subfield code="x">History</subfield><subfield code="y">20th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Technology</subfield><subfield code="x">Aesthetics.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Art and technology</subfield><subfield code="x">Philosophy.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Avant-garde (Aesthetics)</subfield><subfield code="x">History</subfield><subfield code="y">20th century.</subfield></datafield><datafield tag="776" ind1=" " ind2=" "><subfield code="z">90-420-2747-9</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Berghaus, Günter,</subfield><subfield code="d">1953-</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Avant-Garde Critical Studies</subfield><subfield code="v">24.</subfield></datafield><datafield tag="906" ind1=" " ind2=" "><subfield code="a">BOOK</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2023-07-22 09:43:52 Europe/Vienna</subfield><subfield code="f">system</subfield><subfield code="c">marc21</subfield><subfield code="a">2016-08-13 16:41:26 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">Brill</subfield><subfield code="P">EBA Brill All</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&amp;portfolio_pid=5343488920004498&amp;Force_direct=true</subfield><subfield code="Z">5343488920004498</subfield><subfield code="b">Available</subfield><subfield code="8">5343488920004498</subfield></datafield></record></collection>