Hammering techniques in Greek and Roman jewellery and toreutics / / Michail Yu Treister.

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Bibliographic Details
Superior document:Colloquia Pontica
VerfasserIn:
Place / Publishing House:Leiden : : Brill,, [2021]
©2021
Year of Publication:2021
Language:English
Series:Colloquia Pontica
Physical Description:1 online resource (649 pages)
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Table of Contents:
  • Machine generated contents note: Introduction to the Issue
  • by G.R. Tsetskhladze
  • Preface
  • List of Illustrations
  • Chapter 1. Introduction
  • Chapter 2. Hammering Techniques in Archaic Greece
  • Excursus 1. A Bronze Matrix from Corfu in the Ashmolean Museum
  • Excursus 2. Matrices, Punches and Formers in the Archaic Toreutics of Lydia, North Ionia and the North Pontic Area
  • Chapter 3. Hammering Techniques in the Classical Period
  • Excursus 1. Hammering Techniques in Jewellery and Toreutics from the 7th-4th Century BC Scythian Barrows
  • Excursus 2. A Matrix from Garchinovo
  • Chapter 4. The Development of Hammering Techniques in the Hellenistic Period
  • Excursus 1. Matrix from Berlin and Samnite Girdle from Reggio Calabria
  • Excursus 2. A Circular Matrix from the Robinson Collection
  • Excursus 3. An Early Ptolemaic Matrix with Achaemenid Motifs from the George Ortiz Collection
  • Excursus 4. A Stone Matrix from Pantikapaion
  • Excursus 5. The Galjfib Hoard
  • Excursus 6. Matrices and Formers from the Tomb of a Jeweller in Heraklea
  • Excursus 7. The Hoard of a Jeweller and Toreut from Illyria
  • Chapter 5. The Development of Hammering Techniques in the First Centuries AD
  • Excursus 1. A Bronze Matrix of the First Centuries AD in the George Ortiz Collection
  • Excursus 2. A Bronze Matrix in the Fogg Art Museum, Harvard University and the Genesis of 2nd-3rd Century AD Matrices in the Balkans
  • Excursus 3. A Bronze Matrix from Chersonesos
  • Excursus 4. Bronze Matrices in the Museums of Athens and Karlsruhe
  • Conclusions
  • Figures 1-133
  • List of Abbreviations
  • Bibliography
  • Indices
  • 1. Museums and Collections
  • 2. Sites and Provenance.