Inscribing Jingju/Peking opera : : textualization and performance, authorship and censorship of the "national drama" of China from the late Qing to the present / / David L. Rolston.

What was the most influential mass medium in China before the internet? Jingju (Peking opera)! Although its actors were commonly thought to have been illiterate, written and other inscripted versions of plays became more and more important and varied. This book shows how increasing textualization an...

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Superior document:Studies in the History of Chinese Texts ; 12
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Place / Publishing House:Leiden, Netherlands ;, Boston, Massachusetts : : Brill,, [2021]
©2021
Year of Publication:2021
Language:English
Series:Studies in the History of Chinese Texts ; 12.
Physical Description:1 online resource.
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id 993582959104498
ctrlnum (CKB)4100000011996532
(OCoLC)1242018594
(nllekb)BRILL9789004463394
(MiAaPQ)EBC6697084
(Au-PeEL)EBL6697084
(EXLCZ)994100000011996532
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spelling Rolston, David L., 1952- author.
Inscribing Jingju/Peking opera : textualization and performance, authorship and censorship of the "national drama" of China from the late Qing to the present / David L. Rolston.
Leiden, Netherlands ; Boston, Massachusetts : Brill, [2021]
©2021
1 online resource.
text txt rdacontent
computer c rdamedia
online resource rdacarrier
Studies in the History of Chinese Texts ; 12
What was the most influential mass medium in China before the internet? Jingju (Peking opera)! Although its actors were commonly thought to have been illiterate, written and other inscripted versions of plays became more and more important and varied. This book shows how increasing textualization and the resulting fixation of a performance tradition that once privileged improvisation changed the genre. It traces, from Jingju 's birth in the 19th century to the present, how texts were used for the production and consumption of this important performance genre and the changes in the concepts of authorship, copyright, and performance rights that took place during the process. The state's desire to police what was performed is shown to have been a major factor in these changes. The scope and coverage of the book is already unprecedented, but it is also supplemented by an additional chapter (on where the plays were performed, who performed them, and who went to see them) available for download online.
Preliminary Material / David L. Rolston -- Copyright page / David L. Rolston -- Preface / David L. Rolston -- Acknowledgments / David L. Rolston -- Introduction What Is Jingju , and Why Should We Care about It? / David L. Rolston -- Chapter 1 Jingju Repertoire(s) and Types of Plays and Playscripts / David L. Rolston -- Chapter 2 Textualization and Authorship before Xikao (Research into Plays) / David L. Rolston -- Chapter 3 The Production of a Mass-Market Collection of Jingju Playscripts: Xikao (Research into Plays) / David L. Rolston -- Chapter 4 After Xikao : The Rise of Theater Studies, Copyright, and New Censorship Regimes / David L. Rolston -- Chapter 5 New Kinds of Playwrights / David L. Rolston -- Chapter 6 New Kinds of Publication / David L. Rolston -- Epilogue Living with Textual Fixity / David L. Rolston -- Appendix List of Plays in Xikao / David L. Rolston -- Bibliography / David L. Rolston -- Index / David L. Rolston.
Includes bibliographical references and index.
Description based on print version record.
Operas, Chinese History and criticism China Beijing.
90-04-46192-2
Studies in the History of Chinese Texts ; 12.
language English
format eBook
author Rolston, David L., 1952-
spellingShingle Rolston, David L., 1952-
Inscribing Jingju/Peking opera : textualization and performance, authorship and censorship of the "national drama" of China from the late Qing to the present /
Studies in the History of Chinese Texts ;
Preliminary Material /
Copyright page /
Preface /
Acknowledgments /
Introduction What Is Jingju , and Why Should We Care about It? /
Chapter 1 Jingju Repertoire(s) and Types of Plays and Playscripts /
Chapter 2 Textualization and Authorship before Xikao (Research into Plays) /
Chapter 3 The Production of a Mass-Market Collection of Jingju Playscripts: Xikao (Research into Plays) /
Chapter 4 After Xikao : The Rise of Theater Studies, Copyright, and New Censorship Regimes /
Chapter 5 New Kinds of Playwrights /
Chapter 6 New Kinds of Publication /
Epilogue Living with Textual Fixity /
Appendix List of Plays in Xikao /
Bibliography /
Index /
author_facet Rolston, David L., 1952-
author_variant d l r dl dlr
author_role VerfasserIn
author_sort Rolston, David L., 1952-
author_additional David L. Rolston --
David L. Rolston.
title Inscribing Jingju/Peking opera : textualization and performance, authorship and censorship of the "national drama" of China from the late Qing to the present /
title_sub textualization and performance, authorship and censorship of the "national drama" of China from the late Qing to the present /
title_full Inscribing Jingju/Peking opera : textualization and performance, authorship and censorship of the "national drama" of China from the late Qing to the present / David L. Rolston.
title_fullStr Inscribing Jingju/Peking opera : textualization and performance, authorship and censorship of the "national drama" of China from the late Qing to the present / David L. Rolston.
title_full_unstemmed Inscribing Jingju/Peking opera : textualization and performance, authorship and censorship of the "national drama" of China from the late Qing to the present / David L. Rolston.
title_auth Inscribing Jingju/Peking opera : textualization and performance, authorship and censorship of the "national drama" of China from the late Qing to the present /
title_alt Preliminary Material /
Copyright page /
Preface /
Acknowledgments /
Introduction What Is Jingju , and Why Should We Care about It? /
Chapter 1 Jingju Repertoire(s) and Types of Plays and Playscripts /
Chapter 2 Textualization and Authorship before Xikao (Research into Plays) /
Chapter 3 The Production of a Mass-Market Collection of Jingju Playscripts: Xikao (Research into Plays) /
Chapter 4 After Xikao : The Rise of Theater Studies, Copyright, and New Censorship Regimes /
Chapter 5 New Kinds of Playwrights /
Chapter 6 New Kinds of Publication /
Epilogue Living with Textual Fixity /
Appendix List of Plays in Xikao /
Bibliography /
Index /
title_new Inscribing Jingju/Peking opera :
title_sort inscribing jingju/peking opera : textualization and performance, authorship and censorship of the "national drama" of china from the late qing to the present /
series Studies in the History of Chinese Texts ;
series2 Studies in the History of Chinese Texts ;
publisher Brill,
publishDate 2021
physical 1 online resource.
contents Preliminary Material /
Copyright page /
Preface /
Acknowledgments /
Introduction What Is Jingju , and Why Should We Care about It? /
Chapter 1 Jingju Repertoire(s) and Types of Plays and Playscripts /
Chapter 2 Textualization and Authorship before Xikao (Research into Plays) /
Chapter 3 The Production of a Mass-Market Collection of Jingju Playscripts: Xikao (Research into Plays) /
Chapter 4 After Xikao : The Rise of Theater Studies, Copyright, and New Censorship Regimes /
Chapter 5 New Kinds of Playwrights /
Chapter 6 New Kinds of Publication /
Epilogue Living with Textual Fixity /
Appendix List of Plays in Xikao /
Bibliography /
Index /
isbn 90-04-46339-9
90-04-46192-2
callnumber-first M - Music
callnumber-subject ML - Literature on Music
callnumber-label ML1751
callnumber-sort ML 41751 C58 R657 42021
geographic_facet China
Beijing.
illustrated Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 792 - Stage presentations
dewey-full 792.50951156
dewey-sort 3792.50951156
dewey-raw 792.50951156
dewey-search 792.50951156
oclc_num 1242018594
work_keys_str_mv AT rolstondavidl inscribingjingjupekingoperatextualizationandperformanceauthorshipandcensorshipofthenationaldramaofchinafromthelateqingtothepresent
status_str n
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hierarchy_parent_title Studies in the History of Chinese Texts ; 12
hierarchy_sequence 12.
is_hierarchy_title Inscribing Jingju/Peking opera : textualization and performance, authorship and censorship of the "national drama" of China from the late Qing to the present /
container_title Studies in the History of Chinese Texts ; 12
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