A critical approach to the apocalypse. / / edited by Alexandra Simon-López, Heidi Yeandle.
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Place / Publishing House: | Oxford, England : : Inter-Disciplinary Press,, [2013] ©2013 |
Year of Publication: | 2013 |
Language: | English |
Physical Description: | 1 online resource. |
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Table of Contents:
- Preliminary Material / Alexandra Simon-López and Heidi Yeandle
- Ancient and Modern Apocalypse from a Genre Theory Perspective / Allan Weiss
- Destruction from Within: The Significance of the Resurgence of Zombies in Film and Fiction / Jeremy R. Strong
- Zombie Survival Guides: Denying the Apocalypse / Kelly Gardner
- Board Up Your Windows, Lock Your Doors, No Help Is Coming: Zombies and Divine Violence / Russell Ramey
- Lovelock’s Final Warning: Towards a Typology of Religious Narration of Scientific Climate Change Accounts / Seline Reinhardt
- Weather of Mass Destruction: Forecasting the Future as Climate-Driven War / Stephen Jackson
- Myths of the End and Jeanette Winterson’s The Stone Gods / Hatice Yurttas
- Printed Representations of Catholic and Protestant Martyrdom in Tudor England, 1530-1600 / Nick K. Crown
- ‘Apocalypse Now’: The Roles of End-of-Days Prophecies in Islam from the Sublime Taj Mahal to Salafist Anarchy / Cynthia Finlayson
- Postmillennialism and the American Missionary Enterprise in the Ottoman Empire in the Early Nineteenth Century / Justin Michael James Dell
- The Apocalypse Is Here, Again: Moral Ambiguities and Human Failings in Watchmen / Lara Narcisi
- The Eschatological Dimension of C. S. Lewis’ The Last Battle / Magdalena Zegarlińska
- Apocalyptic Images of the Great War in Vera Brittain’s Testament of Youth and Peyami Safa’s Mahşer / Elif Derya Şenduran
- The End of the World of the End: Lars von Trier’s Melancholia and Political Theory / Milo Sweedler
- The Stolen Child: Fear of Hybridisation and Metamorphosis in American Apocalyptic Film / Shane Trayers
- Apocalypse Now and the Bhagavata Purana: The End of the World as We Hardly Know It / Igor Grbić
- Crime and Punishment: Greed, Pride and Guilt in Breaking Bad / Pablo Echart and Alberto N. García
- Black Mirror: ‘The National Anthem’. An Artistic Creation for an Institutional Crisis / Edisa Mondelo González , Alfonso Cuadrado Alvarado and Rubén Sánchez Trigos
- Filming the Domestic Apocalypse: Home and Hell in Narratives of the Crisis / Antonio Sánchez-Escalonilla and Silvia Herreros de Tejada
- Apocalyptic Landscapes in Times of Crisis: Aesthetic Connections between Fiction Cinema and Documentary Images Based on Reality / Raúl Álvarez Gómez and Araceli Rodríguez Mateos
- Facing the Global Financial Crisis and the Great Recession: The Biopic as a Socio-Cultural Response to the Collapse / Marta Frago
- Sex and Seduction at the End of Time: The Apocalypse in Digital Art / Alexandra Simon-López
- John Martin’s Marketing of a Modern Apocalypse / Helen Sutherland
- (Post)Apocalypse Now! David Mitchell’s Postmodern Fiction / Scott Dimovitz
- Angela Carter’s Heroes and Villains: The Post-Apocalyptic Function of the University / Heidi Yeandle
- Post-Apocalyptic Identity: Alderney in the Spotlight / Sheila C. Bibb.