Dancing the Dharma : : Religious and Political Allegory in Japanese Noh Theater / / Susan Blakeley Klein.

"Dancing the Dharma examines the theory and practice of allegory by exploring a select group of medieval Japanese noh plays and treatises. Author Susan Blakeley Klein demonstrates how medieval esoteric commentaries on the tenth-century poem-tale Ise monogatari (Tales of Ise) and the first imper...

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Superior document:Harvard East Asian Monographs ; Volume 435
VerfasserIn:
Place / Publishing House:Cambridge : : Harvard University Asia Center,, [2021]
©2021
Year of Publication:2021
Edition:First edition.
Language:English
Series:Harvard East Asian monographs ; Volume 435.
Physical Description:1 online resource.
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(nllekb)BRILL9781684176236
(MiAaPQ)EBC30672001
(Au-PeEL)EBL30672001
(OCoLC)1313643484
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spelling Klein, Susan Blakeley, author.
Dancing the Dharma : Religious and Political Allegory in Japanese Noh Theater / Susan Blakeley Klein.
First edition.
Cambridge : Harvard University Asia Center, [2021]
©2021
1 online resource.
text txt rdacontent
computer c rdamedia
online resource rdacarrier
Harvard East Asian Monographs ; Volume 435
Includes bibliographical references and index.
Introduction -- Part I: Allegory and the commentary tradition in poetry and noh -- Establishing the frame: Allegory, commentary, narihira -- Six poetic modes: A medieval understanding of allegory -- Zenchiku, Meishukushu, and allegoresis -- Part II: Ise Monogatari commentaries and Noh -- Early Noh and medieval commentaries on Ise Monogatari -- A storm of blossoms: An unstable Narihira in Unrin'in -- Spellbound by blossoms: Oshio as political and religious allegory -- Color of love: Desire and enlightenment in Kakitsubata -- Part III: Kokinshu commentaries and Noh -- Turning damsel flowers into lotus blossoms: Female soteriology in Ominameshi -- Emerging from the waves: Sumiyoshi as protector of Japan in Haku Rakuten.
"Dancing the Dharma examines the theory and practice of allegory by exploring a select group of medieval Japanese noh plays and treatises. Author Susan Blakeley Klein demonstrates how medieval esoteric commentaries on the tenth-century poem-tale Ise monogatari (Tales of Ise) and the first imperial waka poetry anthology Kokin wakashū influenced the plots, characters, imagery, and rhetorical structure of seven plays (Maiguruma, Kuzu no hakama, Unrin'in, Oshio, Kakitsubata, Ominameshi, Haku Rakuten) and two treatises (Zeami's Rikugi and Zenchiku's Meishukushū). In so doing, she shows that it was precisely the allegorical mode-vital to medieval Japanese culture as a whole-that enabled the complex layering of character and poetic landscape we typically associate with noh. Understanding noh's allegorical structure and paying attention to the localized historical context for individual plays, argues Klein, are key to recovering their original function as political and religious allegories. Now viewed in the context of contemporaneous beliefs and practices of the medieval period, noh plays take on a greater range and depth of meaning and offer new insights into medieval Japan to readers today"-- Provided by publisher.
Description based on print version record.
Allegories.
Allegory.
Nō plays.
Symbolism in literature.
0-674-24784-1
Harvard East Asian monographs ; Volume 435.
language English
format eBook
author Klein, Susan Blakeley,
spellingShingle Klein, Susan Blakeley,
Dancing the Dharma : Religious and Political Allegory in Japanese Noh Theater /
Harvard East Asian Monographs ;
Introduction --
Allegory and the commentary tradition in poetry and noh --
Establishing the frame: Allegory, commentary, narihira --
Six poetic modes: A medieval understanding of allegory --
Zenchiku, Meishukushu, and allegoresis --
Ise Monogatari commentaries and Noh --
Early Noh and medieval commentaries on Ise Monogatari --
A storm of blossoms: An unstable Narihira in Unrin'in --
Spellbound by blossoms: Oshio as political and religious allegory --
Color of love: Desire and enlightenment in Kakitsubata --
Kokinshu commentaries and Noh --
Turning damsel flowers into lotus blossoms: Female soteriology in Ominameshi --
Emerging from the waves: Sumiyoshi as protector of Japan in Haku Rakuten.
author_facet Klein, Susan Blakeley,
author_variant s b k sb sbk
author_role VerfasserIn
author_sort Klein, Susan Blakeley,
title Dancing the Dharma : Religious and Political Allegory in Japanese Noh Theater /
title_sub Religious and Political Allegory in Japanese Noh Theater /
title_full Dancing the Dharma : Religious and Political Allegory in Japanese Noh Theater / Susan Blakeley Klein.
title_fullStr Dancing the Dharma : Religious and Political Allegory in Japanese Noh Theater / Susan Blakeley Klein.
title_full_unstemmed Dancing the Dharma : Religious and Political Allegory in Japanese Noh Theater / Susan Blakeley Klein.
title_auth Dancing the Dharma : Religious and Political Allegory in Japanese Noh Theater /
title_alt Introduction --
Allegory and the commentary tradition in poetry and noh --
Establishing the frame: Allegory, commentary, narihira --
Six poetic modes: A medieval understanding of allegory --
Zenchiku, Meishukushu, and allegoresis --
Ise Monogatari commentaries and Noh --
Early Noh and medieval commentaries on Ise Monogatari --
A storm of blossoms: An unstable Narihira in Unrin'in --
Spellbound by blossoms: Oshio as political and religious allegory --
Color of love: Desire and enlightenment in Kakitsubata --
Kokinshu commentaries and Noh --
Turning damsel flowers into lotus blossoms: Female soteriology in Ominameshi --
Emerging from the waves: Sumiyoshi as protector of Japan in Haku Rakuten.
title_new Dancing the Dharma :
title_sort dancing the dharma : religious and political allegory in japanese noh theater /
series Harvard East Asian Monographs ;
series2 Harvard East Asian Monographs ;
publisher Harvard University Asia Center,
publishDate 2021
physical 1 online resource.
edition First edition.
contents Introduction --
Allegory and the commentary tradition in poetry and noh --
Establishing the frame: Allegory, commentary, narihira --
Six poetic modes: A medieval understanding of allegory --
Zenchiku, Meishukushu, and allegoresis --
Ise Monogatari commentaries and Noh --
Early Noh and medieval commentaries on Ise Monogatari --
A storm of blossoms: An unstable Narihira in Unrin'in --
Spellbound by blossoms: Oshio as political and religious allegory --
Color of love: Desire and enlightenment in Kakitsubata --
Kokinshu commentaries and Noh --
Turning damsel flowers into lotus blossoms: Female soteriology in Ominameshi --
Emerging from the waves: Sumiyoshi as protector of Japan in Haku Rakuten.
isbn 1-68417-623-9
0-674-24784-1
callnumber-first N - Fine Arts
callnumber-subject NX - Arts in General
callnumber-label NX650
callnumber-sort NX 3650 A44 K545 42021
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 700 - Arts
dewey-ones 704 - Special topics in fine & decorative arts
dewey-full 704.946
dewey-sort 3704.946
dewey-raw 704.946
dewey-search 704.946
oclc_num 1313643484
work_keys_str_mv AT kleinsusanblakeley dancingthedharmareligiousandpoliticalallegoryinjapanesenohtheater
status_str n
ids_txt_mv (CKB)4900000001455821
(OCoLC)1224041466
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hierarchy_parent_title Harvard East Asian Monographs ; Volume 435
hierarchy_sequence Volume 435.
is_hierarchy_title Dancing the Dharma : Religious and Political Allegory in Japanese Noh Theater /
container_title Harvard East Asian Monographs ; Volume 435
_version_ 1796652878950039552
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