Picturing America : : Photography and the Sense of Place / / Kerstin Schmidt, Julia Isabel Faisst.
Picturing America: Photography and the Sense of Place argues that photography is a prevalent practice of making American places. Its collected essays epitomize not only how pictures situate us in a specific place, but also how they create a sense of such mutable place-worlds. Understanding photograp...
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| Place / Publishing House: | Leiden, , Boston : : Brill | Rodopi,, 2019. |
| Year of Publication: | 2019 |
| Language: | English |
| Series: | Spatial Practices
26. |
| Physical Description: | 1 online resource (269 pages). |
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| 245 | 1 | 0 | |a Picturing America : |b Photography and the Sense of Place / |c Kerstin Schmidt, Julia Isabel Faisst. |
| 264 | 1 | |a Leiden, |a Boston : |b Brill | Rodopi, |c 2019. | |
| 300 | |a 1 online resource (269 pages). | ||
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| 490 | 0 | |a Spatial Practices ; |v v. 26 | |
| 520 | |a Picturing America: Photography and the Sense of Place argues that photography is a prevalent practice of making American places. Its collected essays epitomize not only how pictures situate us in a specific place, but also how they create a sense of such mutable place-worlds. Understanding photographs as prime sites of knowledge production and advocates of socio-political transformations, a transnational set of scholars reveals how images enact both our perception and conception of American environments. They investigate the power photography yields in shaping our ideas of self, nation, and empire, of private and public space, through urban, landscape, wasteland and portrait photography. The volume radically reconfigures how pictures alter the development of American places in the past, present, and future. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |t Front Matter -- |t Copyright Page -- |t Introduction: The Place of Photography / |r Kerstin Schmidt and Julia Faisst -- |t From Sewers to Selfies: the Evolution of Photographs into Infrastructure / |r Mitchell Schwarzer -- |t Nowhere, Now Here: Lee Friedlander’s Self Portrait and the National Ground / |r Shamoon Zamir -- |t Photography, Revision, and the City in Henry James’s New York Edition and Alvin Langdon Coburn’s London / |r Emily Setina -- |t Gogol + Nikhil = Nikon? Power, Place, and Photography in Jhumpa Lahiri’s The Namesake / |r Michael Wutz -- |t Relations to the Real: the Fugitive Documentary of Stan Douglas and James Casebere / |r Kerstin Schmidt -- |t Waste Landscapes: Photographing the Course of Empire / |r Miles Orvell -- |t Wear Your Shelter: Climate Change Photography and Mary Mattingly’s Nomadographies / |r Julia Faisst -- |t At Home: the Visual Culture of Privacy / |r Joseph Imorde -- |t Pictorialism in the American West and Regionalism Writ-Large / |r Rachel McLean Sailor -- |t The Governing Eye: Heart Mountain through the Lens of War Relocation Authority and Bureau of Reclamation Photographs / |r Eric J. Sandeen -- |t Over Here, Over There, Down Below: American Photographers Confront the Great War / |r David M. Lubin -- |t Remapping the Geography of Class: Photography, Protest, and the Politics of Space in the 1968 Poor People’s Campaign / |r Katharina Fackler -- |t The Power of Place in Holocaust Postmemory Photography / |r Bettina Lockemann -- |t Non-Places: Stone Quarries Near Eichstätt, Germany / |r Hubert P. Klotzeck -- |t Back Matter -- |t Index. |
| 650 | 0 | |a Photography |x Philosophy. | |
| 650 | 0 | |a Photography |z United States. | |
| 700 | 1 | |a Schmidt, Kerstin, |e editor. | |
| 700 | 1 | |a Faisst, Julia Isabel, |e editor. | |
| 830 | 0 | |a Spatial Practices |v 26. | |
| 906 | |a BOOK | ||
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