Mudejarismo and Moorish revival in Europe : : cultural negotiations and artistic translations in the Middle Ages and 19th-century historicism / / edited by Francine Giese.

Mudejarismo and Moorish Revival in Europe examines key aspects related to the reception of Ibero-Islamic architecture in medieval Iberia and 19th-century Europe. It challenges prevalent readings of architecture and interiors whose creation was the result of cultural encounters. As Mudéjar and neo-M...

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Bibliographic Details
Superior document:Visualising the Middle Ages ; 13
TeilnehmendeR:
Place / Publishing House:Leiden, Netherlands : : Brill,, [2021]
©2021
Year of Publication:2021
Language:English
Series:Visualising the Middle Ages ; 13.
Physical Description:1 online resource.
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Table of Contents:
  • Acknowledgments
  • Abbreviations
  • List of Figures
  • Notes on Contributors
  • Introduction: Towards a Comprehensive Understanding of Interconnected Realities
  • Francine Giese
  • PART 1 Between Fascination and Conflict
  • 1 Where Does Mudéjar Architecture Belong?
  • Francine Giese
  • 2 When Warriors Become Teachers
  • Alfonso x's Cultural Endeavors and the Crusade Ideology
  • Michael A. Conrad
  • 3 "Ennobling Muslims and Jews"? The Instrumentalization of Mudéjar under the House of Trastámara 1369-1474
  • Michael A. Conrad
  • 4 Reassessing the Moorish Revival in 19th- Century Europe
  • Francine Giese
  • PART 2
  • Agents and Networks
  • 5 "Oh, You Seeker of Knowledge! This is Its Gate Opened Wide." The Transcultural Networks of Patrons, Artists, Scholars, Writers and Diplomats Between Medieval Iberia and North Africa in the 14th Century
  • Michael A. Conrad
  • 6 Beyond Kings and Sultans
  • Vertical Diffusion and the Patrons of Urban Palaces in 14th-Century Toledo
  • Michael A. Conrad
  • 7 Spanish Intellectuals of the 19th Century and Their Role for Knowledge Exchange Across Europe
  • Christian M. Schweizer
  • 8 Mentors, Patrons and Social Networks
  • The Trajectories of Architects in a Globalized Century
  • Francine Giese
  • 9 Il Gusto Moresco
  • Amateurs and Artists in Florence and Rome during the Second Half of the 19th Century
  • Ariane Varela Braga
  • PART 3
  • Artisans and Architects as Protagonists of Transcultural Exchange and Artistic Transfer
  • 10 An Interconnected World
  • Mudéjar Artisans and the Aristocracy in 15th-Century Castile
  • Luis Araus Ballesteros
  • 11 Reproducing the Alhambra
  • Monument Conservators and Artisans in Granada
  • Francine Giese and Alejandro Jiménez Hernández
  • 12 Learning from Casts and Models
  • Schools and Academies in 19th-Century Europe and the Specific Case of the Alhambra Collection in St. Petersburg
  • Katrin Kaufmann, Ekaterina Savinova and Ariane Varela Braga
  • PART 4
  • Artistic Translations between Imagination, Politics and Ideology
  • 13 The Limits of Otherness
  • Decoding the Entangled Heritage of Medieval Iberia
  • Francine Giese and Sarah Keller.
  • 14 Political Ruptures and Artistic Continuities
  • Pedro I, Enrique II and the First Trastámara Architecture in Context
  • Elena Paulino Montero
  • 15 Oriental Carpets a
  • nd Gothic Windows
  • Stained Glass in Neo-Moorish Architecture
  • Sarah Keller
  • 16 The Alhambra as a Historicist Matrix for Museum Displays
  • Francine Giese and Ariane Varela Braga
  • 17 Stylistic Eclecticism and Its Oriental Languages Alhambrismo in St. Petersburg
  • Katrin Kaufmann
  • PART 5
  • Transmitting Islamic Aesthetics Across Centuries
  • 1
  • Architectural Transformation
  • 18 The Fortune of the Court of the Lions and the Court of the Dolls
  • Artistic Translations and Processes of Decontextualization
  • Francine Giese and Ariane Varela Braga
  • 19 Domes Reinvented
  • Changing Meanings and Artistic Translations of Ibero-Islamic Rib and Muqarnas Vaults
  • Francine Giese
  • 20 The Hybridization of Sebka Ornament
  • Francine Giese and Ariane Varela Braga
  • 2
  • Transmateriality
  • 21 Revisiting the Alhambra
  • Transmediality and Transmateriality in 19th-Century Italy
  • Ariane Varela Braga
  • 22 Neo-Moorish Ceilings
  • On the Models and Materiality of Russian Alhambrismo
  • Katrin Kaufmann
  • 23 Illuminating Transennae - A Technical Reinterpretation
  • Sarah Keller
  • PART 6
  • Epilogue
  • 24 An Endangered Heritage
  • Mudéjar and Neo-Moorish Architecture in 20th-Century Europe
  • Francine Giese and Laura Álvarez Acosta
  • Appendix
  • 1 Catalogue of 19th-Century Alhambra Casts and Models at the Scientific-Research Museum of the Russian Academy of Arts in St. Petersburg
  • Ekaterina Savinova
  • Bibliography
  • Index.