Red legacies in China : : cultural afterlives of the communist revolution / / edited by Jie Li and Enhua Zhang.

• Superior document: Harvard Contemporary China Series ; 18
• TeilnehmendeR: Li, Jie, 1979-; Zhang, Enhua, 1974-
• Place / Publishing House: Cambridge, Massachusetts ;, London : : Harvard University Asia Center,, [2016]; 2016
• Year of Publication: 2016
• Edition: 1st ed.
• Language: English
• Series: Harvard contemporary China series ; 18.
• Physical Description: 1 online resource.
• Other title: Introduction: discerning red legacies in China /; Red foundations: Making a revolutionary monument: the site of the first National Congress of the Chinese Communist party /; Building big, with no regret: from Beijing's "ten great buildings" in the 1950s to China's mega-projects today /; Red art: Ambiguities of address: cultural revolution posters and their post-Mao appeal /; The legacy of socialist visual experience /; Red classics: Performing the "Red classics": from the East is Red to the Road to prosperity /; Red legacy in fiction /; Post-socialist realism in Chinese cinema /; Red bodies: Mao's two bodies: on the curious (political) art of impersonating the great helmsman /; "Human wave tactics": Zhang Yimou, cinematic ritual, and the problems of crowds /; Time out of joint: commemoration and commodification of socialism in Yan Lianke's Lenin's kisses /; Part 5.; Red shadows: Memory places of the Mao era: a survey and notes for future curators /; Red allure and the crimson blindfold /
• Hierarchical level: Monograph
• Statement of Responsibility: edited by Jie Li and Enhua Zhang.

What has contemporary China inherited from its revolutionary past? How do the realities and memories, aesthetics and practices of the Mao era still reverberate in the post-Mao cultural landscape? The essays in this volume propose "red legacies" as a new critical framework from which to examine the profusion of cultural productions and afterlives of the communist revolution in order to understand China's continuities and transformations from socialism to postsocialism. Organized into five parts--red foundations, red icons, red classics, red bodies, and red shadows--the book's interdisciplinary contributions focus on visual and performing arts, literature and film, language and thought, architecture, museums, and memorials. Mediating at once unfulfilled ideals and unmourned ghosts across generations, red cultural legacies suggest both inheritance and debt, and can be mobilized to support as well as to critique the status quo.