Testimony and Trauma : : Engaging Common Ground / / Christina Santos, Adriana Spahr, Tracy Crowe Morey.

This book offers a collection of reflective essays on current testimonial production by researchers and practitioners working in multifaceted fields such as art and film performance, public memorialization, scriptotherapy, and fictional and non-fictional testimony. The inter-disciplinary approach to...

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Bibliographic Details
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Place / Publishing House:Leiden,, Boston : : Brill | Rodopi,, 2019.
Year of Publication:2019
Language:English
Series:At the Interface / Probing the Boundaries 118.
Physical Description:1 online resource (xii, 326 pages) :; illustrations.
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Other title:Front Matter --
Copyright --
Notes on Contributors --
Introduction: Testimony and Trauma: Engaging Common Ground /
Testimony, Time (In)Memorial --
Material Testimony: Memorials Bearing Witness to Experiences of Loss and Trauma /
Spanish Republicans in the Holocaust: Historical Rights and Testimonial Literature /
Writing Spain’s Fraught History: Testimony or Fiction? /
Suffer the Children --
When the Personal Becomes Collective: a Mother’s Re-Membering of a Disappeared Daughter in Madre de Mendoza /
Growing Up in Pain: Children of the Victims of the Argentinean Dictatorship /
Non-Standard Witness: Lessons from Working with/for Traumatized Children /
Scripts and Performances of Testimony --
Trauma and Healing in Izzeldin Abuelaish’s I Shall Not Hate /
The ‘Piercing Breach of a Border’: Irish Cinema as a Mediator of Modern Trauma /
Performing Witnesses: Frameworks of Memory in Contemporary Performing Arts /
Testimonial Embodiments --
Sick: Negotiating Body Trauma through Visual Art Practice /
Very Becoming: Transforming Our Settler Selves in Occupied Australia /
The Curatorial Turn: Objects, Space, and Frames of Testimony --
Haunted Geographies in Atom Egoyan’s Calendar and Return to the Flock /
Atom Egoyan’s Auroras: a Chorus of Witnesses /
Immersive Space and the Place of the Witness /
Summary:This book offers a collection of reflective essays on current testimonial production by researchers and practitioners working in multifaceted fields such as art and film performance, public memorialization, scriptotherapy, and fictional and non-fictional testimony. The inter-disciplinary approach to the question of testimony offers a current account of testimony’s diversity in the twenty-first century as well as its relevance within the fields of art, storytelling, trauma, and activism. The range of topics engage with questions of genre and modes of representation, ethical and political concerns of testimony, and the flaws and limitations of testimonial production giving testament to some of the ethical concerns of our present age. Contributors are Alison Atkinson-Phillips, Olga Bezhanova, Melissa Burchard, Mateusz Chaberski, Candace Couse, Tracy Crowe Morey, Marwa Sayed Hanafy, Rachel Joy, Emma Kelly, Timothy Long, Elizabeth Matheson, Antonio Prado del Santo, Christine Ramsay, Cristina Santos and Adriana Spahr.
Bibliography:Includes bibliographical references and index.
Hierarchical level:Monograph
Statement of Responsibility: Christina Santos, Adriana Spahr, Tracy Crowe Morey.