Modern archaics : : continuity and innovation in the Chinese lyric tradition, 1900-1937 / / Shengqing Wu.
"Drawing upon extensive archival research into the poetry collections and literary journals of two generations of poets and critics, Wu explores the transformation of Chinese classical-style poetry in the early twentieth century and highlights the mutually transformative power of the modern and...
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Superior document: | Harvard-Yenching Institute Monograph Series ; 88 |
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VerfasserIn: | |
Place / Publishing House: | Cambridge, Massachusetts ;, London : : Harvard University Asia Center,, [2013] 2013 |
Year of Publication: | 2013 |
Edition: | 1st ed. |
Language: | English |
Series: | Harvard-Yenching Institute monograph series ;
88. |
Physical Description: | 1 online resource. |
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490 | 1 | |a Harvard-Yenching Institute Monograph Series ; |v 88 | |
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520 | |a "Drawing upon extensive archival research into the poetry collections and literary journals of two generations of poets and critics, Wu explores the transformation of Chinese classical-style poetry in the early twentieth century and highlights the mutually transformative power of the modern and the archaic"--Provided by publisher. | ||
505 | 0 | |a Falling leaves and grieving cicadas: allegory and the experience of loss in song lyrics -- Radical antiquarianism: Chen Sanli's poetic response to cultural crisis -- Contested Fengya: loyalists and classical poetry clubs -- A lonely enterprise: classical poetry and new means of cultural production -- Re-feminizing modern space: Lu Bicheng and her overseas lyrics -- "O my love is like a red red rose": classical form and translation -- Epilogue: Translations of tradition. | |
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