Public memory in early China / / K. E. Brashier.
In early imperial China, the dead were remembered by stereotyping them, by relating them to the existing public memory and not by vaunting what made each person individually distinct and extraordinary in his or her lifetime. Their posthumous names were chosen from a limited predetermined pool; their...
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Superior document: | Harvard-Yenching Institute Monographs ; 91 |
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VerfasserIn: | |
Place / Publishing House: | Cambridge, Massachusetts ;, London : : Harvard University Asia Center,, [2014] 2014 |
Year of Publication: | 2014 |
Edition: | 1st ed. |
Language: | English |
Series: | Harvard-Yenching Institute monograph series ;
91. |
Physical Description: | 1 online resource (viii, 511 pages :); illustrations ; |
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100 | 1 | |a Brashier, K. E., |d 1965- |e author. | |
245 | 1 | 0 | |a Public memory in early China / |c K. E. Brashier. |
250 | |a 1st ed. | ||
264 | 1 | |a Cambridge, Massachusetts ; |a London : |b Harvard University Asia Center, |c [2014] | |
264 | 4 | |c 2014 | |
300 | |a 1 online resource (viii, 511 pages :) |b illustrations ; | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a Harvard-Yenching Institute Monographs ; |v 91 | |
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Introduction : han memorial culture -- "Repeated inking" and the backdrop of a manuscript culture -- "Continuous chanting" and the backdrop of an oral performance culture -- Inking and chanting share their secret of longevity -- The ancestor's given names as locative markers -- The ancestor's surname as a spatial marker -- Following the named lineage back through time -- The age of childhood -- The age of adulthood -- The age of advanced years -- The age of death -- The age of afterlife -- Weakening personal agency -- Strengthening interpersonal bonds -- A dynamic relationship net -- Calling cards and the trafficking of names -- The ancestral shrine and its tools of remembrance -- The cemetery and its tools of remembrance -- Commemorative portraiture as a tool of remembrance -- Reduction -- Conversion -- Association. | |
588 | |a Description based on print version record. | ||
520 | |a In early imperial China, the dead were remembered by stereotyping them, by relating them to the existing public memory and not by vaunting what made each person individually distinct and extraordinary in his or her lifetime. Their posthumous names were chosen from a limited predetermined pool; their descriptors were derived from set phrases in the classical tradition; and their identities were explicitly categorized as being like this cultural hero or that sage official in antiquity. In other words, postmortem remembrance was a process of pouring new ancestors into prefabricated molds or stamping them with rigid cookie cutters. Public Memory in Early China is an examination of this pouring and stamping process. After surveying ways in which learning in the early imperial period relied upon memorization and recitation, K. E. Brashier treats three definitive parameters of identity--name, age, and kinship--as ways of negotiating a person's relative position within the collective consciousness. He then examines both the tangible and intangible media responsible for keeping that defined identity welded into the infrastructure of Han public memory. | ||
650 | 0 | |a Memorials |x Chinese |x History |y To 1500. | |
650 | 0 | |a Funeral rites and ceremonies |z China |x History |y To 1500. | |
650 | 0 | |a Burial |z China |x History |y To 1500. | |
776 | |z 0-674-49203-X | ||
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830 | 0 | |a Harvard-Yenching Institute monograph series ; |v 91. | |
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