Leonardo da Vinci : nature and architecture / / edited by Constance Moffatt, Sara Taglialagamba.

• TeilnehmendeR: Moffatt, Constance J.,; Taglialagamba, Sara,
• Place / Publishing House: Leiden ;, Boston : : Brill,, [2019]
• Year of Publication: 2019
• Language: English
• Series: Leonardo Studies 2.
• Physical Description: 1 online resource (449 pages).
• Other title: Leonardo da Vinci (Brill Academic Publishers); Front Matter --; AcknowledgmentsAcknowledgments --; Figures --; Notes on Contributors --; Introduction --; The Treatise on Painting as a Guide to Nature: Light and Color /; Experimenting and Measuring Natural Powers: a Preliminary Study on Leonardo’s Ways to Quantify the Intensity of Percussion /; The Weight of Water /; Leonardo and the Whale /; Geology and Anatomy in the Sixteenth–Nineteenth Centuries: Some Suggestions towards a Comparative Analysis /; Leonardo’s Brambles and Their Afterlife in Rubens’s Studies of Nature /; “Under the Shade of the Mulberry Tree”: Reconstructing Nature in Leonardo’s Sala delle Asse /; Leonardo, St. Jerome, and the Illyrians’ Church in Rome /; Idea and Authorship in Renaissance Architecture /; A Humanistic Debate in Renaissance Milan Surrounding the Tiburio of the Duomo, from Filarete to Bramante and Leonardo da Vinci /; Leonardo and Architecture in the Critical Views of Giuseppe Bossi (1808–1810) /; Aspects of Church Design from Brunelleschi and Alberti to Leonardo and Bramante /; Leonardo’s edifici d’acqua /; Leonardo’s Town Planning Studies: the Encounter of Nature, Economy and Politics /; Ludovico il Moro and the Dynastic Homeland as the “Ideal City”: Cotignola in the Opinion of Leonardo and Luca Pacioli /; Back Matter --; Bibliography --; Index.
• Bibliography: Includes bibliographical references and index.
• ISBN: 9004398449
• Hierarchical level: Monograph
• Statement of Responsibility: edited by Constance Moffatt, Sara Taglialagamba.

The second volume of Leonardo Studies explores a dual theme of nature and architecture, offering a wide-ranging overview of current Leonardo scholarship on these two abundant subjects. While Leonardo worked on his Treatise on Painting , he noted that understanding the physical properties of nature must precede individual projects of painting or designing buildings. The volume begins with the Trattato , and follows with physics, geology, painting that imitates architectural structure and vice-versa, and proceeds to architectural projects, questions of attribution, urban planning, and and the dissemination of Leonardo’s writings in the Trattato and its historiography. This impressive group of articles constitutes not only new research, but also a departure point for future studies on these topics. Contributors are: Janis Bell, Andrea Bernardoni, Marco Carpiceci, Paolo Cavagnero, Fabio Colonnese, Kay Etheridge, Diane Ghirardo, Claudio Giorgione, Domenico Laurenza, Catherine Lucheck, Silvio Mara, Jill Pederson, Richard Schofield, Sara Taglialagamba, Cristiano Tessari, Marco Versiero, and Raffaella Zama.