After one hundred years : : the 1910 exhibition "Meisterwerke muhammedanischer Kunst" reconsidered / / edited by Andrea Lermer, Avinoam Shalem.
The exhibition \'Meisterwerke muhammedanischer Kunst\' that took place in Munich in 1910 marked a turning point in the approach to Islamic Art. The show attempted to break free of Orientalism and exotic fantasies and, in doing so, set a new standard for the reception of Islamic art in Euro...
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| Year of Publication: | 2010 |
| Language: | English |
| Series: | Islamic history and civilization ;
v. 82 Islamic History and Civilization 82. |
| Physical Description: | 1 online resource (452 p.) |
| Notes: | Outgrowth of a scholarly conference held in Munich on the 24th and 25th of October 2008 in the International Meeting Centre (IBZ) of the Ludwig-Maximilians-University of Munich. |
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| 245 | 0 | 0 | |a After one hundred years : |b the 1910 exhibition "Meisterwerke muhammedanischer Kunst" reconsidered / |c edited by Andrea Lermer, Avinoam Shalem. |
| 246 | 3 | |a After 100 years : |b the 1910 exhibition "Meisterwerke muhammedanischer Kunst" reconsidered | |
| 260 | |a Leiden ; |a Boston : |b Brill, |c 2010. | ||
| 300 | |a 1 online resource (452 p.) | ||
| 336 | |a text |b txt | ||
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| 338 | |a online resource |b cr | ||
| 440 | 0 | |a Islamic history and civilization ; |v v. 82 | |
| 546 | |a English | ||
| 505 | 0 | 0 | |t Preliminary material / |r Andrea Lermer and Avinoam Shalem -- |t THE 1910 EXHIBITION “MEISTERWERKE MUHAMMEDANISCHER KUNST” REVISITED / |r Avinoam Shalem -- |t ORIENTALISTIK AND POPULAR ORIENTALISM IN FIN DE SIÈCLE GERMANY / |r Suzanne Marchand -- |t FRAMING THE ARTWORK: MUNICH 1910 AND THE IMAGE OF ISLAMIC ART / |r Eva-Maria Troelenberg -- |t THE 1910 EXHIBITION “MEISTERWERKE MUHAMMEDANISCHER KUNST”: ITS PROTAGONISTS AND ITS CONSEQUENCES FOR THE DISPLAY OF ISLAMIC ART IN BERLIN / |r Jens Kröger and Ernst Kühnel -- |t ARABISCH FÜR NICHTLESER / |r Claus-Peter Haase -- |t ZU DEN BAYERISCH-TÜRKISCHEN BEZIEHUNGEN ZWISCHEN 1825 UND 1914 / |r Klaus Kreiser -- |t HUGO VON TSCHUDI, DIE AUSSTELLUNG VON „MEISTERWERKEN MUHAMMEDANISCHER KUNST“ UND DIE MODERNE / |r Joachim Kaak -- |t ORIENTALISING MUNICH: LOCAL CONDITIONS AND GRAPHIC DESIGN FOR THE MUNICH 1910 EXHIBITION / |r Andrea Lermer -- |t WESTERN SCHOLARSHIP ON PERSIAN PAINTING BEFORE 1914: COLLECTORS, EXHIBITIONS AND FRANCOGERMAN RIVALRY / |r Robert Hillenbrand -- |t HISPANO-MORESQUE ART IN EUROPEAN COLLECTIONS, C. 1910 / |r Stephen Vernoit -- |t ISLAMIC ART IN VIENNA CIRCA 1900 AND THE MUNICH EXHIBITION / |r Amely Haslauer -- |t DER EINFLUSS DER AUSSTELLUNG „MEISTERWERKE MUHAMMEDANISCHER KUNST“ AUF DIE ZEITGENÖSSISCHE KUNST / |r Annette Hagedorn -- |t FROM THE “MEISTERWERKE MUHAMMEDANISCHER KUNST” TO THE SURVEY OF PERSIAN ART. THE MUNICH EXHIBITION AND ITS AFTERMATH / |r Lorenz Korn -- |t LE CORBUSIER UND SEIN‚ VOYAGE D’ORIENT‘ 1911. EINFLÜSSE ISLAMISCHER BAUKUNST AUF DAS WERK DES ARCHITEKTEN IN DER ZEIT DER KLASSISCHEN MODERNE / |r Steffen Krämer -- |t AFTER MUNICH: REFLECTIONS ON RECENT EXHIBITIONS / |r David J. Roxburgh -- |t LIST OF CONTRIBUTORS / |r Andrea Lermer and Avinoam Shalem -- |t INDEX OF NAMES, TITLES AND TERMS / |r Andrea Lermer and Avinoam Shalem -- |t INDEX OF PLACES / |r Andrea Lermer and Avinoam Shalem -- |t ISLAMIC HISTORY AND CIVILIZATION / |r Andrea Lermer and Avinoam Shalem. |
| 520 | |a The exhibition \'Meisterwerke muhammedanischer Kunst\' that took place in Munich in 1910 marked a turning point in the approach to Islamic Art. The show attempted to break free of Orientalism and exotic fantasies and, in doing so, set a new standard for the reception of Islamic art in Europe. Moreover, naming the Islamic artefacts masterpieces, it layed claim to bestow upon Islamic art “a place equal to that of other cultural periods”. This book is the first comprehensive study on this path-breaking exhibition. It includes a wealth of unpublished material and numerous novel ideas on the subject and addresses the exhibition’s historical context, organization, realization and display as well as its reception in the West and its later influence on the study of Islamic art. | ||
| 500 | |a Outgrowth of a scholarly conference held in Munich on the 24th and 25th of October 2008 in the International Meeting Centre (IBZ) of the Ludwig-Maximilians-University of Munich. | ||
| 504 | |a Includes bibliographical references and indexes. | ||
| 650 | 0 | |a Islamic art |x Appreciation |z Western countries |v Congresses. | |
| 650 | 0 | |a Islamic art |x Exhibitions |x Social aspects |z Western countries |v Congresses. | |
| 611 | 2 | 0 | |a Meisterwerke muhammedanischer Kunst |d (1910 : |c Munich, Germany) |v Congresses. |
| 776 | |z 90-04-19001-5 | ||
| 700 | 1 | |a Lermer, Andrea. | |
| 700 | 1 | |a Shalem, Avinoam. | |
| 830 | 0 | |a Islamic History and Civilization |v 82. | |
| 906 | |a BOOK | ||
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