The montage principle : : Eisenstein in new cultural and critical contexts / / edited by Jean Antoine-Dunne with Paula Quigley.

This book of essays is quite unique in that it intervenes in a still contested area within many universities, that of the relevance of film to literature, critical theory, politics, sociology and anthropology. The essays were commissioned by Jean Antoine-Dunne whose research has explored the impact...

Full description

Saved in:
Bibliographic Details
TeilnehmendeR:
Place / Publishing House:Amsterdam ;, New York, NY : : Rodopi,, 2004.
Year of Publication:2004
Language:English
Series:Critical Studies 21.
Physical Description:1 online resource (xviii, 220 pages)
Tags: Add Tag
No Tags, Be the first to tag this record!
Table of Contents:
  • Introducing Eisenstein’s Theory / Jean Antoine-Dunne
  • General Introduction / Jean Antoine-Dunne and Paula Quigley
  • Sergei Eisenstein: The Life and Times of A Boy from Riga / Richard Taylor
  • Eisenstein’s Regenerative Aesthetics: From Montage to Mimesis / Arthur McCullough
  • The Politics of Sound and Image: Eisenstein, Artifice and Acoustic Montage in Contemporary Feminist Cinema / Debbie Ging
  • Healing the Rupture: The Influence of Eisenstein on the work of Ritwik Ghatak / Anne Sheridan
  • Time and Space in Their Indissoluble Connection: Towards an Audio-Visual Caribbean Aesthetic / Jean Antoine-Dunne
  • Eisenstein, Montage, and ‘filmic writing’ / Paula Quigley
  • Reflections on Eisenstein and Digital Imagery: Of Mice and Men / Paul Willemen
  • Beckett, Eisenstein and the Image: Making an Inside an Outside / Jean Antoine-Dunne.