Staged experiences / / edited by Arthur Maria Stein, Ana Penjak, and Celia Morgan.
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Place / Publishing House: | Oxford, United Kingdom : : Inter-Disciplinary Press,, [2014] ©2014 |
Year of Publication: | 2014 |
Language: | English |
Series: | Critical issues
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Physical Description: | 1 online resource. |
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245 | 0 | 0 | |a Staged experiences / |c edited by Arthur Maria Stein, Ana Penjak, and Celia Morgan. |
264 | 1 | |a Oxford, United Kingdom : |b Inter-Disciplinary Press, |c [2014] | |
264 | 4 | |c ©2014 | |
300 | |a 1 online resource. | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |2 rdacarrier | ||
490 | 0 | |a Critical issues | |
504 | |a Includes bibliographical references and index. | ||
505 | 0 | 0 | |t Preliminary Material / |r Arthur Maria Steijn , Ana Penjak and Celia Morgan -- |t Hypnagogia and Imagination: Scenographic Constructions of Venice / |r Lilja Blumenfeld -- |t Language in Performance / |r Sadia Zoubir-Shaw -- |t Scenography as a Means for Youth Education and Creative Interaction in the ‘Interactive Opera in Primary Schools’ Research Project / |r Sofia Pantouvaki -- |t Life and Liveness: Using Film in the Theatre / |r Bilha Blum -- |t Imagined Spaces: Motion Graphics in Spatial Experience Design / |r Arthur Maria Steijn -- |t Costume Narrative: Recognition and Comprehension / |r Hilary Baxter -- |t From Lucile’s Showroom to Ziegfeld’s Stage: Fashion, Celebrity Culture and Theatrical Spectacle / |r Anne K. Reilly -- |t Brazilian Extravaganza and Social Consequences behind It: Men, Women and Drag Queens / |r Fausto Viana -- |t Costume Identity in the Globalised World / |r Rosane Muniz -- |t From Butoh to Butohs: Produits d’Autres Circonstances (2009) by Xavier Leroy and the Image Processing of a Body Practice / |r Catherine Girardin -- |t Hotel Pro Forma: The Demand for Flat Images in a Three-Dimensional Space / |r Maria Carneiro -- |t Drawing the Scene / |r Filipa Malva -- |t De-Signing for a Dancer/Choreographer’s Visual Literacy / |r Helene Gee Markstein -- |t From Scenography to Narrative Environments / |r Ekavi-Louise Whitlock-Blundell -- |t Situated Vagrancy / |r Benedict Anderson -- |t From Abstraction to Performance: Three Moves through the Visual Traces / |r Adele Anderson -- |t Experience and Perception of the Audience: Momentums of Intimacy within Performance / |r Haya Cohen -- |t Imagining Absence: Performance in the Text / |r Ulla Kallenbach -- |t Hamlet Domesticus: Three Directors’ Productions of Hamlet on the Modern Croatian Stage / |r Ana Penjak. |
588 | |a Description based on print version record. | ||
650 | 0 | |a Music |x Performance |x History. | |
650 | 0 | |a Performance practice (Music) | |
776 | |z 90-04-37438-8 | ||
700 | 1 | |a Stein, Arthur Maria, |e editor. | |
700 | 1 | |a Penjak, Ana, |e editor. | |
700 | 1 | |a Morgan, Celia, |e editor. | |
797 | 2 | |a ebrary | |
906 | |a BOOK | ||
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