Frans Floris (1519/20-70) : : imagining a Northern Renaissance / / by Edward H. Wouk.
Frans Floris de Vriendt radically transformed Netherlandish art. His monumental mythologies introduced a new appreciation for the heroic nude to the Low Countries and his religious art challenged standards of decorum. Born into a family of sculptors and architects, Floris refashioned his art through...
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Superior document: | Brill's Studies on Art, Art History, and Intellectual History ; Volume 19 |
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VerfasserIn: | |
Place / Publishing House: | Leiden ;, Boston : : Brill,, 2018. |
Year of Publication: | 2018 |
Language: | English |
Series: | Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ;
v. 19. Brill's studies in intellectual history ; v. 267. |
Physical Description: | 1 online resource (858 pages). |
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245 | 1 | 0 | |a Frans Floris (1519/20-70) : |b imagining a Northern Renaissance / |c by Edward H. Wouk. |
264 | 1 | |a Leiden ; |a Boston : |b Brill, |c 2018. | |
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490 | 1 | |a Brill's Studies on Art, Art History, and Intellectual History ; |v Volume 19 | |
490 | 1 | |a Brill's Studies in Intellectual History ; |v Volume 267 | |
520 | |a Frans Floris de Vriendt radically transformed Netherlandish art. His monumental mythologies introduced a new appreciation for the heroic nude to the Low Countries and his religious art challenged standards of decorum. Born into a family of sculptors and architects, Floris refashioned his art through travel, first studying with the humanist painter Lambert Lombard in Liège and then continuing on to Italy. These experiences defined the hybridizing novelty of his art, forged by juxtaposing antique and modern, Italian and northern sources. This book maps Floris’s hybrid style onto shifting conceptions of cultural, religious, and political identity on the eve of the Dutch Revolt. It explores his collaborations and rivalries, engagement with artistic theory, hierarchical workshop, and revolutionary use of printing. | ||
505 | 0 | 0 | |a Front Matter -- Copyright page -- Dedication -- Acknowledgements -- Abbreviations -- List of Figures -- Introduction. Fall and Redemption: The Divine Artist -- A Portrait of the Artist: Floris’s Biography in Context -- Iter Italicum: Floris’s Italian Journey in Context -- Triumphal Entry: Floris’s Return to Antwerp (1546–49) -- The Floris Workshop: Practice, Theory, Ritual -- Portraits and Head Studies -- Experiments in Religious Art: Style and Audience -- Ardens amator artium: Floris, Niclaes Jonghelinck, and the Nature of Netherlandish Art -- Losing Faith: Floris’s Allegory of the Trinity -- Iconoclasm and Poesie -- Humanæ Societati Necessaria: Frans Floris’s Vision for the Arts -- Coda -- Back Matter -- Mentions of Floris in Literary Sources -- Drawings after the Antique attributed to Floris and recorded in the lost Album Dansaert -- Text and Music of the chanson “Le Cruel Mars” -- Timeline of Floris’s Chief Dated Works in Historical Context -- Checklist of Paintings -- Checklist of Drawings -- Checklist of Prints -- Notes -- Bibliography -- Index. |
504 | |a Includes bibliographical references and index. | ||
588 | |a Description based on print version record. | ||
600 | 1 | 0 | |a Floris, Frans, |d 1519 or 1520-1570 |x Criticism and interpretation. |
776 | |z 90-04-30725-7 | ||
830 | 0 | |a Brill's studies in intellectual history. |p Brill's studies on art, art history, and intellectual history ; |v v. 19. | |
830 | 0 | |a Brill's studies in intellectual history ; |v v. 267. | |
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