Outsider biographies : : Savage, de Sade, Wainewright, Ned Kelly, Billy the Kid, Rimbaud and Genet: base crime and high art in biography and bio-fiction, 1744-2000 / / Ian H. Magedera.

Concerning itself with biography and bio-fiction written in English and in French and also taking in American and Australian subjects, Outsider Biographies focuses on writers who have a criminal record and on notorious criminals who authors of bio-fiction consider as writers. It pursues an understan...

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Bibliographic Details
Superior document:Textxet. Studies in Comparative Literature ; 75
VerfasserIn:
Place / Publishing House:Amsterdam, Netherlands ;, New York : : Rodopi,, 2014.
©2014
Year of Publication:2014
Language:English
Series:Text (Rodopi (Firm)) ; 75.
Physical Description:1 online resource (352 p.)
Notes:Description based upon print version of record.
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245 1 0 |a Outsider biographies :  |b Savage, de Sade, Wainewright, Ned Kelly, Billy the Kid, Rimbaud and Genet: base crime and high art in biography and bio-fiction, 1744-2000 /  |c Ian H. Magedera. 
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505 0 0 |a Preliminary Material -- OUTSIDER BIOGRAPHY: DEFINITIONS AND CORPUS -- PARTIAL BIOGRAPHIES BY SAMUEL JOHNSON AND RICHARD HOLMES -- DE SADE ACCORDING TO SAINTE-BEUVE, APOLLINAIRE, LELY AND LEVER -- BARTHES’ AND PAUVERT’S QUESTIONING OF DE SADE BIOGRAPHY -- AN OUTLAW IN FICTIONAL BIOGRAPHY: ANDREW MOTION’S THOMAS GRIFFITHS WAINEWRIGHT 1794-1847 -- AN OUTLAW IN FICTIONAL BIOGRAPHY: PETER CAREY’S NED KELLY 1855-1880 -- AN OUTLAW IN FICTIONAL BIOGRAPHY: MICHAEL ONDAATJE’S BILLY THE KID 1859-1881 -- ‘FAMILY BIOGRAPHIES’ OF RIMBAUD, FOLLOWED BY SCEPTICISM AND ANTI-BIOGRAPHY -- ARTHUR RIMBAUD: STEINMETZ’S BIOGRAPHY AND MICHON’S BIOGRAPHICAL FICTION -- JEAN GENET: BIOGRAPHY AND SAINT GENET -- JEAN GENET: BIOGRAPHY AFTER SAINT GENET -- THE OUTSIDER’S SOLITUDE -- BIBLIOGRAPHY -- INDEX. 
520 |a Concerning itself with biography and bio-fiction written in English and in French and also taking in American and Australian subjects, Outsider Biographies focuses on writers who have a criminal record and on notorious criminals who authors of bio-fiction consider as writers. It pursues an understanding of the formal effects of life-writers’ struggles between championing their subjects and a deep ambivalence towards their subjects’ crimes. The book analyses the challenge that these literary outsiders present to the mainstream French- and English-language traditions where many biographers assign merit to productive lives well lived. The book’s approach illuminates both differences in those traditions from the mid-eighteenth, to the twenty-first century and a convergence between them, evident in the experimental-cum-fictional devices in recent English-language biography. Outsider Biographies advances wide-ranging new interpretations of the biographical writing on each of its seven subjects, but does so in a way that invites the reader picking up the book out of a passion for just one of those subjects, to follow the thread onto another and yet another. 
504 |a Includes bibliographical references and index. 
588 |a Description based on online resource; title from PDF title page (ebrary, viewed December 19, 2014). 
650 0 |a Biography as a literary form. 
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